The 2 CV concept: the unique philosophy of “La Deuche” lives on…

In our age cars are becoming bigger an heavier, and it was in the cards that with the mobility challenges we face nowadays, creative minds would return to the core values where the original 2 CV has always stood for: affordability, lightness, practicality, versatility and of course originality which appeals to humanity.

Indeed, the starting point was not to recreate a 2 CV, but to imagine the small electric car of the future – practical and desirable, bringing some “joie de vivre” – bringing pleasure and excitement in your everyday short journeys.

Of course, the Stellantis Group has a solid strategy behind it: To bring about a new generation of small electric cars, in line with the new European E-Car regulations, positioned between the Ami and the C3, to offer greater freedom of movement without compromising on character.

Indeed, to launch a model manufactured in Europe, with a target starting price of around 15,000 euros, to help make electric mobility accessible to as many people as possible.

Therefore the design choices take into account mass production and ease of repair: flat surfaces and direct air intakes beneath the windscreen (which however have been sadly abandoned in the light of present safety regulations we hear) , bumpers separated from the bodywork and replaceable independently…

Make no mistake, the 2 CV is modern: it is “cool” through its styling, its on-board comfort and all the practical features for everyday use, re-imagined in the spirit of the 2 CV to make life easier for its occupants.

Pierre Leclercq, head of design Citroën and his team stress that the design of the 2 CV aims to breathe new life into an icon, not by copying it, but by reinventing its design language to ensure it is fully rooted in the present day.

You can tell what they mean when you look at the exterior: an instantly recognizable silhouette, with the unique proportions and curves of the 2CV, but using tauter lines and generous volumes to convey greater energy. Round headlamps are set apart from the bodywork, conveying an expressive LED signature, a sculpted, sweeping bonnet.

Just look further at the vertical windscreen, the curved and flowing roof, rounded wings and taut flanks; contoured door handles, tapered indicators on the C-pillar, 18-inch steel wheels inspired by the 2 CV, and Michelin tyres bearing the Heritage logo and the Citroën chevrons. Just wonderful…

A distinctive roofline accentuated by a black tailgate extending down to the bumper, just like on the first-generation 2CV, which had originally a canvas instead of a metal boot lid. There are LED lights on either side of the tailgate, three horizontal stripes, a short overhang, a visible tailgate handle and a number plate displaying the 2CV’s nicknames in different countries.

With 3.76 m, the 2CV is also shorter than its iconic predecessor, no small feat!

The interior plunges you in a world of joie de vivre: no traditional dashboard, but a cylinder to which the following are attached: a single-spoke steering wheel, a single control lever, a paddle-shift gear selector and a Citroën Smart Vision display which prioritises essential information within the driver’s field of vision.

An 8-inch square ‘phygital’ touchscreen, with graphics inspired by comic books.

Your eyes meet the “Radioën”, a detachable radio that doubles as a speaker and accompanies occupants both inside and outside the vehicle.

We show you here some photos, and we hope we can have a written interview with Pierre Leclercq soon!

Hans Knol ten Bensel

Volkswagen and their world class efficiency record cars…

Volkswagen’s pursuit of efficiency records spans over two decades, transitioning from ultra-light diesel concepts to electric prototypes.

Their first car was presented in 2002 at the VW shareholders meeting, where I was present, and – as could be expected – with no regular automotive photographers with their cameras being around. It was the surprise which Ferdinand Piëch had in mind, presenting at the shareholders’ meeting also Bernd Pischetsrieder as the new VW chairman, who sat in the back seat of the 1-Liter Concept Car with Ferdinand Piëch driving the car from Wolfsburg to Hamburg.

I was there with my faithful Nikon analog camera, the …. and the ektachrome photos are in my archives. I will publish them soon, but in the meantime here is first some history of the cars…

The 1-Liter Car Concept (2002)

The story began with Ferdinand Piëch’s vision for a car that could travel 100 km on 1 liter of fuel. The first prototype, unveiled in 2002, was an extreme exercise in minimalism: a 290 kg tandem two-seater with a 0.99 L/100 km consumption . It was never meant for production but proved the concept was possible. For better aerodynamics, the car seats two in tandem rather than side-by-side. There are no rear view mirrors and it instead uses cameras and electronic displays. Of course, the car is totally light, using an unpainted carbon fibre skin over a magnesium-alloy subframe.

The engine is a one-cylinder 299 cm3 (18 cu in) diesel producing just 6.3 kW (8.4 hp). It drives through a six-speed transmission that combines stick-shift mechanics, weight, and drive efficiency with automatic convenience and efficiency controls. There is no clutch pedal. The gear selection (forwards, reverse or neutral) is made using a switch on the right-hand side of the interior. The engine is switched off automatically during deceleration and stops, and auto-restarted when the acceleration pedal is pressed.

According to Volkswagen, the vehicle consumes 0.99 L/100 km , giving it a 650 km driving range on one tank of fuel.

The Mission Efficiency 2 + 2 seater… an aerodynamic engineering marvel, based on ID Polo technology…

The car was presented in august this year, and besides being able to set a world record, in terms of technology, the Mission Efficiency is based on the MEB+ platform with front-wheel drive, showing the potential of the new ID. Models.

During an officially documented consumption drive over a distance of 1,278.36 km from Volkswagen’s German Research & Development Centre in Wolfsburg via Poznań (Poland) and Olmütz (Czech Republic) to the Austrian capital Vienna, the Mission Efficiency electric drive motor came in at a real consumption of just 7.51 kW/100 km including charge losses (6.89 kWh/100 km without charge losses).

The route was completed at an average speed of 67.72 km/h; the top speed was 138 km/h.

The 54.9 kWh battery was only charged once during the journey. Upon arrival in Vienna, the remaining range was 164.0 km.

Practical

Visually, the Mission Efficiency is based on the new Volkswagen “Pure Positive design” language. It’s a two-door coupé with a large boot lid, 2+2 seats, a variable luggage compartment (481 litres) as well as additional stowage compartments under the rear seats and in the side of the body (e.g. for the charging cable). While the interior can be used without restriction at the front, the two rear seats are intended for passengers up to a height of approx. 1.60 m.

The coupé is nevertheless characterised by extremely good space use for a record-breaking high-efficiency vehicle. The concept car was designed in such a way that it could theoretically be used by a young family of four.

State of the art aerodynamics

The low drag is the result of the drag coefficient (Cd = 0.158) and small frontal area (A = 2.08 m2) is the central aerodynamic feature of the Mission Efficiency.

The Mission Efficiency is 1,392 mm high, 1,744 mm wide and 4,775 mm long. Compared with the ID. Polo, this results in a significant increase in length (+722 mm). This additional length is due to a 100 mm longer wheelbase (2,700 mm) and a large rear overhang, which allowed the technical and design team to realize the teardrop shape of the body and the related pioneering aerodynamics.

Drivetrain and body…

The Mission Efficiency and the ID. Polo share the same drive system, the front axle including steering and the basic design of the rear axle.

When comparing the concept car and the production vehicle, it is clear that numerous components of the ID. Polo had to be adapted to the new proportions and new design of the Mission Efficiency.

The body combines the body structure of the ID. Polo with a likewise self-supporting aluminium structure. The doors, bonnet, boot lid as well as the wings and add-on parts are made of a high-strength CFRP aramid composite.

The prototype also has EU road approval and meets the corresponding protection, strength and crash requirements.

Interior and infotainment: less is more…

The interior of the Mission Efficiency is largely individually customised – in line with the character of a concept car. Modules such as the multifunction steering wheel, steering column switches, slightly shortened air conditioning block with haptic buttons and the central volume control have been adopted from the ID. Polo.

Unlike the ID. Polo, there is no permanently integrated infotainment display. Instead, a concept called ‘Bring your own device’ was developed here. The name says it all: the function of the infotainment screen is taken over by the driver’s own Android or Apple tablet/smartphone, which is locked in position by a clamping rail and connected wirelessly to the vehicle. All of the infotainment system’s functions are displayed on the screen of the paired device.

Brave new world, we would say. The overall design of this car is also typical for the German car engineering philosophy of combining (E-)efficiency with higher speed travel on Autobahnen, where aerodynamics play a predominant role…

Hans Knol ten Bensel

Renault shows in Paris the “voiture à vivre” with its E-Space concept car…

Renault has always had a keen eye for everyday practicality when designing its cars. And it is no surprise that in its ambition to create voitures à vivre, it brings a concept car to the forthcoming Paris Motor show: the E-Space Concept, which is Renault’s contemporary vision of travel and family mobility in the electric age.

With E-Space Concept, Renault is rebooting the spirit of Renault Espace, a model first launched in 1984 that has left its mark on automotive history.

More than 40 years on, E-Space Concept is a future-focused vision of the original, true to the approach that has always set Renault apart: innovating for the benefit of people, human emotion and the in-car experience.

Space Concept embodies the brand’s futuREady strategy: reinventing the automotive experience by placing user needs and the in-car experience at the heart of the design process. This Renault E-Space Concept is a spectacular car, 4.70m long with bodywork in an elegant shade of black rubé.

Alongside E-Space Concept, Renault will be exhibiting two other concept cars: Renault 8 Gordini Concept and Renault 4 JP4x4 Concept.

The Renault 8 Gordini Concept has totally stunning looks and features and we will come back on this concept car also soon in these columns.

The same goes for the Renault 4 JP4x4 Concept, previewed at the 2026 Roland-Garros French Open tennis tournament, this Renault 4 concept car  is a fresh take on the Plein Air (1969) and JP4 (1981) versions of the original Renault 4. Also soon more about this iconic “quatre” soon!

Hans Knol ten Bensel

Stellantis will have a big presence at the Paris Motor Show…

Stellantis will showcase nine concept cars from eight brands, along with over 60 vehicles at the Paris Motor Show.  

The iconic brands Alfa Romeo, Citroën, DS Automobiles, FIAT, Lancia, Leapmotor, Opel, and PEUGEOT will welcome visitors in Hall 4.  

The largest stand at the show, covering over 5,000 m², will offer an interactive and multisensory experience, highlighting Stellantis’ renewed ambitions.

The show will notably feature the international premieres of the premium compact SUV DS N°7, the brand-new Fiat Grizzly, the new Lancia Gamma marking the brand’s return to the C-segment crossover market (C-SUV), the B-segment compact electric vehicle Leapmotor B03, the D19, Leapmotor’s next-generation flagship SUV, as well as the Opel Corsa GSE.

More soon on the cars and the concept cars… stay tuned!

Hans Knol ten Bensel

Elegance in Motion: Aston Marin shines in Autoworld Brussels…

The iconic Aston Martin DB5 used by film character James Bond: this factory-made replica on, the show is an example of the “continuation” series of the original James Bond Aston Martin.

The lovers of iconic British classics can enjoy a beautiful exhibition in the heart of Brussels: until Sunday 21st of June they stand eye to eye with the iconic cars which embody the history of this wonderful brand.

You will admire at your leisure the rare 1925 Grand Prix car, of which only 3 exist in the world today, and the one you will see in Brussels is the last one produced… Another F1 gem awaits you in the magnificent hall of Autoworld: the legendary DBR4.

But every enthusiast just loves the DB5, the iconic James Bond car. The car on the show is a replica, but it is in almost every aspect equal to the original. Did you know that the total series production of the DB5 was only 1,059 units?

On the show, iconic Aston’s from the ‘50s and ‘60s can also be admired. What to think of the gleaming black DB1, nicknamed “Spa Special”, as this is the very car that raced to victory in 1948, with team drivers Jock Horsfall and Leslie Johnson behind the wheel.

Engineer Claude Hill had designed the 2 litre four cylinder engine for the revolutionary 1939 Atom, because of the wardid not really survive the prototype s. Key to the concept was the integral construction of body framing and chassis, which were made from rectangular steel tubes.

Looking at this photo, you can easily imagine yourself sitting behind the wheel of the Aston DB1, racing towards victory in the Spa Francorchamps 24 race…

The 1948 Motor Show saw the launch of the first car to be produced under the ownership of David Brown, thTwo Litre Sports, retrospectively named ‘DB1’.  It used the Atom chassis construction, by the way…
 

There is also a Bordeaux coloured DB2/4 to be seen, which was originally owned by Belgian king Baudouin, see the photo here above. He drove not less than four Aston Martins in his life. A true connoisseur!

Noblesse oblige, and this means that an Aston Martin exhibition cannot do without a Zagato bodied example. We admired the DB4 Zagato, which was again a factory recreation of the original. The DB4 Zagato was produced between 1960 and 1963.

Originally, 25 units were planned, but the interest proved not to be large, resulting in only 19 copies being produced. Later, the popularity of the Zagato version was increasing, and two subsequent series were, “Sanction II” with 4 copies, and “Sanction III” with a further 2 copies.

The car on the show is produced in a new series of 19 , built in 2019 on the occasion of the centenary of Zagato. is a true racing car, and is not allowed to drive on public roads…

We also found the Aston Martin 2022 Speedster-type supercar, the DBR22, totally stunning. We will return soon to this beauty, which is an homage to the legendary Aston Martin DBR1 Sports Racing Car. On the photo below, you see the cockpit details of this speedster, with the Aston Martin Victor in the background.

Below we show you a photo of the cockpit and steering wheel of the DBR22, with the steering wheel of the original 1925 Grand Prix Car in the background, with almost a century between them…

The show also includes modern creations like the Aston Martin Victor (see photo earlier) and the rare One-77. More on  these cars soon…  

Everybody knows that the name Aston Martin is tied to casino glamour and film, and this was also very much the case at the magnificent opening night of this exhibition, where your servant was invited by the very dynamic team of Autoworld.

On the opening night, invitées could enjoy a game of roulette…in the true James Bond tradition!

Sebastien de Baere, General Manager of Autoworld, welcomed the public…

and Autoworld Curator Leo Van Hoorick commented expertly on the displayed cars…

More soon on this Aston Martin exhibition, but in our columns we will also come back on the previous Lancia exhibition, with more stories and photos of Lancia’s legendary Grand Prix car, the D50…

Stay tuned!

Hans Knol ten Bensel

Lancia 120 years in Brussels Autoworld:  elegance and engineering excellence tell us a great and beautiful story… part 1

Autoworld Brussels has again an exquisite exhibition ready for us: until April 19 we can admire a carefully curated selection of about 12 absolutely iconic Lancias. It shows us the elegance and innovation through design, as the title of the exhibition indicates. But we would add, the pop-up exhibition also showcases innovation through ingenuity and engineering excellence.
 

The cars are beautifully displayed at the beginning of the vast and inviting central hall of Autoworld, taking you on a journey of more than a century of technical innovation, refined design, and engulfing you in its rich motorsport heritage.

My eyes first fell on, at least to my taste, the absolute beauty of the show, the Lancia Astura Roadster by Pinin Farina. This 1935 Astura is a technical gem. The V8 engined car was introduced on the Paris Motor Show in 1931. This Astura on the show belongs to the third series, built between 1933 and 1937, with 1,243 units made.

The third-generation Astura was offered in short-wheelbase and long-wheelbase variants, and was powered by a new, larger engine. Indeed, it was enlarged from 2,6 to 3 litres, and the 17° narrow angle V8 single overhead camshaft engine now developed 82 hp. This short wheelbase you see on the photos was ideal for coachbuilders to show their talent.

ounded with the moral and financial support of Vicenzo Lancia, the Carrozzeria of Battista “Pinin” Farina witnessed a revival and produced breathtaking bodies. Of the just 328 “Corto” chassis built, many were clothed by Pinin Farina. The contours of this roadster are from the artistic hand of Mario Revelli di Beaumont, an independent stylist who worked actually for several “carrozzerie”…

Another car by the hand of Pinin Farina was for me the Lancia Flaminia. I was therefore elated to see the conceptual predecessor of the Flaminia, the Florida. The “bellezza” and elegance of this car deeply moves me. Just look at the photos. The car was built by Pinin Farina on an Aurelia B56 chassis, and it was a technically quite daring four-door pillarless saloon.

It was shown on the 1956 Brussels salon, and as a young boy, I dreamt about it. Just like the Boano styled Ferrari’s, it was for me the pinnacle of what human art, intellect and craftmanship could reach in terms of sheer contemporary beauty.

The pillarless doors had to go in the production version, the Flaminia, therefore the elegance of this Florida truly stands out.  

Much more to follow on this Lancia show at Autoworld soon, about the D50 racing car, the iconic rally cars like the Stratos… just remember, go and see it, it is on show until April 19.
 

Practical info: Autoworld, Parc du Cinquantenaire 11
1000 Brussels, Belgium.

Please note, the museum is closed Wednesday 11 March, Thursday 12 March and Monday 16 March 2026.

Opening hours: MONDAY – FRIDAY
10:00 – 17:00
SATURDAY & SUNDAY
10:00 – 18:00

Hans Knol ten Bensel

The Mercedes styling philosophy uncovered…

The latest Brussels Motor Show proved to be a treasure trove for us car enthusiasts. At the impressive wonderful Mercedes stand on the show we met on the press day with Robert Lesnik, Director of Exterior Design. In front of the iconic and already legendary Concept AMG XX, he presented styling examples of what Mercedes believes stands for the brand.

He started off with this AMG XX, and commented that this car embodies a rare combination a very aggressive sporting front end, the side view with the timeless proportion of the long bonnet, a very round shaped rear end and an amazing interior. He also showed the legendary Autobahnkourier, and he also focused on the grille of the 300 SLR Uhlenhaut Renncoupé, being so iconic and a typical design hallmark over the years for the sport coupés and cabrios of the brand. He also commented further on the Concept AMG that this car is the harbinger of what is to come for the series version of this AMG Electric sports coupé.

Robert Lesnik commented further: “For the new generation we were inspired by our past cars and design heritage, which doesn’t mean that we are doing retro design. You can see it on the radiator grille of the new GLC Electric SUV, with just three horizontal bars illuminated, it is a modern interpretation of a classic design icon.”

Beauty and attraction…

“There are two elements, beauty and attraction, which are the goals when we design a Mercedes”, Robert continued. Something that attracts the customer and what he perceives as beautiful.”

“Obviously, this goes for both the exterior AND the interior. There must be a certain power. I would say the sweet spot for every Mercedes is the three-quarter rear end perspective, where you really see the shoulder, and you see also a very iconic graphic with two roundish rear lights, with three lights for the AMG versions.”

We asked also about the interior, although he is responsible for exterior design, but nevertheless…

“For the interior,” he continued, “there is always a combination of the digital and the analog. For the first time, we have a hyperscreen, made of three screens being seamlessly positioned together. Also when the instruments and screen is shut off, it is not uniformly black, the air vent openings are still illuminated, the touch fields and items on the screen are also still visible, the inside door handles have a metallic coating, silver shadow galvanized so to say, these elements were there earlier, and will stay also in the future. I always say, Mercedes has always a chromium strip more.” We could only agree…

Focusing further on the front of the car, Robert stressed that it is still somewhat higher, which results in a spacious frunk. We will also strive to have clean lines.

We asked Robert also when looking back at the elegantly styled cars for the hand of Paul Bracque, the cars were lean, low, with excellent all round visibility. Do we see these styling elements back in the Mercedes cars of today and the future?

“Indeed, cars were (much)smaller, but now cars are electric, and they need more volume because of the batteries. Cars therefore need to be higher and this also calls for bigger wheels. This means also that cars are wider and have longer wheelbases. So cars are bigger and later hopefully will get smaller again. But cars as elegant as the Pagode will never appear again because of the safety regulations… But for the next five years, our horizon is set, we have a good idea what our design strategy will be.”

We thanked Robert for the interview and show you here some photos.

In a further episode we will have a further interview with Oliver Löcher, Vice President Vehicle Engineering and Overall Vehicle Functions Mercedes-Benz Cars.

Hans Knol ten Bensel

Brussels Motor Show: Some thoughts about the styling future at Citroën, our talk with head of design Pierre Leclercq…

Conceiving the automotive future is always a very challenging task. Some brands have also  a future-oriented attitude more than others in their DNA, and one of them is certainly Citroën.

75 years ago, they brought us the 2 CV, a car which embodied nothing less than a four-wheeled French revolution, embodying Liberty, Equality and Fraternity. Indeed, this adagio of the French revolutionists fitted the post-war French “citoyens” admirably, as the 2CV brought them just that. Freedom for all, with low-cost mobility, practicality, and go-anywhere capacity.

This revolutionary dream of the brand with the double chevron has never died. And Pierre Leclercq, the Belgian born head of design, proved its love for practicality, out of the box progressive “back to authentic basics of automotive mobility” thinking  already with its wonderful and stunning OLI.   

Your servant was at the presentation of this OLI in Paris, and now stood eye to eye with the equally intriguing ELO. On both occasions, he met the designer, Pierre Leclerq. We talked to him again in Brussels…

Hans Knol ten Bensel

A creative career…

Pierre Leclercq started in 1998 at BMW as an intern, he joined the Italian coachbuilder Zagato in 1999, which he left after three months to join Ford Ghia. Here he designed the interior of the Ford Street Ka concept. In 2000 he returned to BMW, where he worked for 13 years. There he notably designed the BMW X5 E70, BMW X6 E71 and the rear of the first Mini Countryman. He also worked on a successor to the BMW M1 based on the BMW i8, but the project was ultimately abandoned.

Pierre Leclercq headed the design studio of Great Wall Motors from 2013 to 2017. He then became design director at Kia, but stayed only one year with the South Korean manufacturer. Needless to say that he acquired a keen understanding of the design philosophy and DNA of both European and Far East manufacturers.

In November 2018, he took over the head of Citroën’s design office, succeeding Alexandre Malval, who had moved to Mercedes-Benz. The first project he led entirely at Citroën was the C4 X, a 4-door version of the third-generation C4.

Three pillars to keep in mind when building this concept car…

On the Brussels show, at the presentation of the ELO and the subsequent talk we had with him, Pierre stressed that this concept car is first and foremost a laboratory of ideas. He also wants to demonstrate the three pillars of the design philosophy of this car;  he told us: “The ELO must become your third place (after home and office – editor’s note) to live in which you must be able to play, work and rest ”   

Work…

Pierre presented the ELO to us, showing the highlights of its design. “We start with a six seater”, with the driver in the center and two seats on both sides. The second row is made of three other seats.”

“Fold two seats under the rear seats and then you can rotate the driver’s seat 360 degrees, either for a good entry or when you want to work. Ideal for people who want to work – our first pillar –  in another place than the office.”

Play…

“I told you the second pillar is play”, he continues. “The cooperation with Decathlon was so inspiring and led to new ideas and applications. We developed an app together with them. You can plan your trip, plan your weekend, so that you don’t forget anything that you need, you have electricity and (compressed) air for your bikes and toys…”

Compressed air and electricity for your E-bikes are provided…

Rest…

“The third pillar is rest. You fold the seats in the back row, and you have a flat floor. You then use two matresses, again an innovation from Decathlon. You inflate them to have perfect rigidity. We also have a larger screen that can unfold and we have a projector that is on the side of the car, and the little roof opens up at the back of the car to let you look at the stars in the sky.”

We asked him also about the cooperation with Decathlon on this project…

PD: “We liked Decathlon because we carry the same values.” was his answer. “Decathlon is innovating because it makes well designed and well thought products and is not reverting to expensive technologies. We worked together from the beginning to the end on this project, and it was a big learning experience for us.”

What are the futher design hallmarks of the ELO, we asked.

PD: “The car is compact, but has a lot of glass, which is very important both for the driver and people in the back, and more importantly, children.”

Can you tell us more about the materials used, we wanted to know.

PD: “Many materials are recyclable and we even recycled materials from the OLI for this project. Also the interior panels for example. They are also cheap and easy to replace when scratched due to intensive use…”

You took advantage of the EV architecture, we remarked…

PD: “Indeed, we could maintain very compact dimensions whilst offering much room. We could move driver forward, even putting him in the centre.”

We will see much of these solutions in forthcoming models?  

PD: “Yes, this concept car is a laboratory of ideas, there is not one idea which we will not try to put into production. Of course, this is the beauty of our craft, of being a designer, is to make and develop many projects, and to put them on the road, and last but not least to sell them, because these concept cars are not made for us, but for the cliënt.  

Needless to say it was a big pleasure for us to meet up again with Pierre Declercq, and see and admire his stunning concept car, the ELO.

In the next report on the Brussels Salon we will talk to Robert Lesnik, Director Exterior Design Mercedes-Benz and Oliver Löcher, Vice President Vehicle Engineering and Overall Vehicle Functions Mercedes-Benz Cars. Stay tuned!

Hans Knol ten Bensel

World premieres in Brussels…

The Brussels Motor Show is now in its 102nd edition and will be quite important, with an impressive array of world premieres to admire.

You can stand eye to eye with the  Citroën ELO concept car, the Ford Ranger (facelift),  Hyundai’s biggest EV so far, the Staria EV, KIA will show its new EV2 and powerful GT versions of the EV3 , EV4 and EV5, Mercedes-Benz will bring its new GLB, Mazda probably the European version of the EZ-30. Last but not least there is the Opel Astra and Peugeot E-408.

Indeed, Citroën has chosen Brussels to unveil the world premiere of ELO, a concept car designed as a veritable laboratory of ideas. ELO is firmly rooted in society and evolving lifestyles: responsible, functional, clever, multi-purpose, accessible and resolutely friendly. Compact (4.10 m) but incredibly spacious, ELO is “the little car that thinks big”. Its 100% electric architecture is optimally exploited to offer a modular space that can accommodate up to six people.

Kia will unveil the EV2, an all-electric B-segment SUV dedicated for Europe, on 09 January 2026, at the Brussels Motor Show. It is expected to have one E motor, borrowed from the Kia Inster. The 115 HP EV will be built in Žilina, in Slovakia.

Hyundai will launch new EVs in 2026, starting at the Brussels Motor Show with the world premiere of its biggest EV yet,” the automaker said in a statement. “The new model will showcase state-of-the-art electric technology, including an advanced 800-volt charging system.”

The all-new Mercedes GLB is built for everyday life. Available as a 5-or 7-seater, it adapts to all customers’ needs. It has more space, a new design, greater comfort, and even the ability to tow a full-size caravan.

The new Opel Astra and Astra Sports Tourer will celebrate their world premieres at the 102nd edition of the Brussels international motor show. The compact class bestsellers ‘made in Germany’ are sharper and more technical than ever, featuring the permanently illuminated Opel Blitz in the centre of the modernised Opel Vizor brand face for the first time, as well as the segment-unique, adaptive Intelli-Lux HD light.

PEUGEOT will unveil its new saloon car, the PEUGEOT 408, in Brussels. A true ambassador of French dynamism and panache, says the manufacturer in its press message, the new PEUGEOT 408 boasts an expressive and unexpected design. Wow effect guaranteed… 

This will also be an opportunity for the Belgian public to discover the NEW PEUGEOT E-208 GTi.

The Brussels Motor Show will open its doors to the public from January 10 until 18 January. Your servant will attend the press day on January 9, and you will soon read my impressions in these columns… Don’t miss it!

Hans Knol ten Bensel

Mercedes tells us in Brussels Autoworld the iconic “Story of the Star”…

The exhibition retraces this remarkable story, from the very first three-wheeled Benz (1886) to the spectacular AMG ONE, here on the photo.

The magnificent Autoworld Museum traditionally ends the year with a major exhibition. This year, the house with the good star, Mercedes, takes centre stage. You can admire all the cars which made the brand truly legendary, and this until 22nd of February 2026.

Indeed, Mercedes has quite something to celebrate: not only is the brand now 140 years old, but it celebrates also the 100th anniversary of the merger between Daimler and Benz.

The exhibition retraces this remarkable story, from the very first three-wheeled Benz (1886) to the spectacular AMG ONE. More than fifty vehicles, including several rare highlights, are brought together for the first time in Belgium, displayed across thematic zones that reveal the many faces of Mercedes-Benz.

We attended the press evening, and of course we took our Fujifilm camera along the exhibits. We show you here some remarkable cars, but you should definitely put a visit to Autoworld, housed in  the magnificent Cinquantenaire monumental site.

You can start your tour with the 1886 Benz Patent-Motorwagen Replica. A replica indeed, as Mercedes had 100 replicas build in England, to celebrate the 100th birthday in 1986.

Carl Benz (1844 -1929) built the car and it contained quite a few novelties:  fully elliptic springs were used at the back with chain drive on both sides. A simple belt system served as a single-speed transmission. The four-stroke engine was extremely light for the time, weighing about 100 kg. A large horizontal flywheel stabilized the power output. Nevertheless, Benz was cautious, and opted for 3 wheels because he was… as an engineer not really familiar with a 2-wheel steering mechanism (!). The vehicle was awarded the German patent number 37435, applied for on 29 January 1886. Everyone knows about the drive which his wife Bertha Benz made with this car to visit her mother. The first fully-fledged automobile drive ever… when you see the car in the flesh, you wonder how on earth this was ueberhaupt possible.

The unique Mercedes DNA was soon established…  

When you stroll a few meters further, you stand eye to eye with a magnificent green 1937 Mercedes-Benz 540 K Sport Cabrio A (W29). The car was originally delivered to Alfred Krupp , and was early after the second world war sold to Prince Bernard, the husband of Queen Juliana of the Netherlands. Since he wanted his cars to be green, it was resprayed in his favorite color.

It was sold to a Swedish owner in 1953. Around 1990, Daimler-Benz meticulously restored the car to its original specification. The current owner has cherished this remarkable automobile since 1995.

Alongside the 540 K stands a 1961 220 S (W111) “Heckflossen”. This nickname stemmed from the rather timidly styled rear fins, which Mercedes apologetically commented as “helpful for parking”. This 220 S was revolutionary for its “safety cell”, truly representing a milestone in car design where front and rear crumple zones absorbed kinetic energy on impact. F1 Racing car engineer Rudolf Uhlenhaut had a major hand in the design of suspension and refining the handling of this beautiful car, and since my father owned one in these days, it is a car in which I learned to drive expertly. I still love the specific handling of this car, and I vividly remember a long drive with a 230 S “Universal” together with Autoworld Curator Leo Van Hoorick to visit the German Mercedes Benz museum, where I could enjoy behind the wheel the wonderful performance and stability in fast corners and at speed of this car. I think Leo fell immediately in love with this very car, and soon after he bought this car from the Mercedes Benz Belgium collection…and still owns it!

Royal transport: the 600 “Pullmann”

Strolling a bit further, one stands eye to eye with royal transport. Indeed, this car has served exclusively at the Belgian Royal Court, and is known as the “King Baudouin.”

This car, designed by the Frenchman Paul Bracq, (he also designed the iconic “Pagode” 230 SL) did not undergo a single modification during its 18-year career, undoubtedly due to its modern styling. It is equipped with air conditioning and a hydraulic system that controls, among other things, power steering, braking, and the hydraulic windows. Production began in 1964, and more than 600 variants were built until 1972. The production continued, albeit at a slower pace, until 1981. In total, 2,677 units were produced of which 487 long-wheelbase Pullmans. (overall length 6,240 mm).  

A F1 Mercedes for the road…
 

Sensational to admire is the 2025 Mercedes AMG-One. It is a hybrid supercar, nothing else actually than a F1 car adapted for road use. Behind the driver rests a 1,6 litre V6 turbo engine sourced from the Mercedes F1 car. But that is not enough: it also has four electric motors, which results in a total power delivery of 1062 HP and a top speed of 352 km/h. All this is not exceptional anymore in our dizzying EV age, but it stays quite impressive of course. The car made its debut on the 2017 IAA show in Frankfurt, but putting this complex drivetrain into production appeared to be a quite formidable task. So series production actually started only in August 2022. Only 275 units were planned, and of course they were completely sold out long before actual production began. The demand for this car was far higher, but AMG and Mercedes maintained the original production run, also to keep the car  very exclusive.

A tribute to Stirling Moss: the 2009 Mercedes-Benz SLR McLaren “Stirling Moss” (R199).

Your servant has vivid memories of this iconic British champion when he participated in the historic Mille Migilia in the official Mercedes factory team, alongside Stirling Moss. Together with my father, we drove the works 180 D “ponton”, which was far more comfortable and cooler that the 300 S Panamericana which Stirling Moss steered along the 1000 mile course. “You were having fun”, he commented, “you could drive virtually the whole course flat out!”

We like the panache and the contours of the car here which is built in his honour. Stirling drove this car on the 2009 Goodwood festival of speed.
 

This limited edition variant uses a speedster styling that does not include a roof or a windscreen. The car is designed by Korean designer Yoon Il-hun and is of course inspired by the 300 SLR race car. The SLR Stirling Moss was to be the last series of the McLaren SLR built under the partnership between Mercedes-Benz and McLaren.

he car is approximately 200 kg lighter than the standard model thanks to carbon fibre construction and speedster styling. All 75 cars planned to be produced were completed by December 2009. It was available only to the existing SLR owners and each car cost in excess of US$1 million. This one was driven and signed by Stirling Moss in Goodwood in 2009….
 

Autoworld curator Leo Van Hoorick (left) and Mercedes Benz Cars PR Bastien van Den Moortel guided us expertly through the exhibition…

But of course there is much more to be seen of stunning Mercedes cars in Brussels Autoworld. As said, the exhibition runs until February 22nd. Not to be missed…

Hans Knol ten Bensel