We spoke with Béatrice Foucher, Brand Chief Executive Officer of DS Automobiles…

We met already Mme Béatrice Foucher at the presentation of the DS 4 last year in Chantilly, where she presented the strategy of DS Autombiles at the “DS Week” event…

DS Automobiles is carving a fine niche for itself in the premium segment. Your servant appreciates the refinement, comfort and last but not least the style of these fine DS automobiles. You can understand that we were delighted to meet Mme Béatrice Foucher at the presentation of the DS 4 in the “DS week” last year in Chantilly. Then, the entire press presentation of this noble automobile was in line with its qualities: we were not only able to meet Mme Béatrice Foucher personally at dinner, together with the communications people of the brand at lunch, we also had interesting workshops with the designers, engineers and last but not least the craftsmen and artists who make the DS 4 into the hand made four wheeled gem it is. You can read more about this event in our columns, see https://autoprova.be/2021/09/05/we-had-a-first-drive-with-the-elegant-ds-4-the-electrified-future-has-arrived-at-ds-automobiles/

At the Brussels Salon this year, we were again invited to have an interview with her. Just read further…

Hans Knol ten Bensel

A prototype of the DS 4 was displayed in Chantilly, symbol indeed of French “Savoir faire”…

HKtb: I have to congratulate you on your client approach and your philosophy to extend the refinement of your cars, not only in its external styling, but also in the interior.

BF: Indeed, that is our “raison d’être”, it is a combination of technology and the French “savoir faire” or know-how. Indeed, after having admired the exterior, customers must open the door of our cars, like for instance the DS4, see the new leather, the new solutions in the interior we developed in the DS3, the new DS7. From the next year onwards, we are going to create what we call collections, like there exist in the world of fashion.

The stunning interior of the DS prototype seen last year in Chantilly. Look at the contours and wood lined finish of the seats. A harbinger of things to come?

HKtB: We see here on the Salon, the very stylish DS E-Tense Performance 600 kW prototype, are there details of this car we will see in the production models?

BF: This will be more for the exterior than the interior, its bodywork lines which will be seen on our cars from 2024 onwards.(See our photo below of this prototype)

HKtB: But you emphasize the “savoir faire” Français, the French art of life…in automotive mobility.

BF: Indeed, that’s it. This lies in the materials we use, the art of treating them and producing exquisite textures. The French know-how in terms of stock market value lies now in the companies producing luxury goods, who have an established international reputation. This know-how is internationally recognized and appreciated, and this we put into our cars. Indeed, we see the car as a part of the interior one lives in, a part of one’s private home, and so the satisfaction and the reason people buy our cars is this choice of materials which appeals to them.

The reasons why our clients buy a DS is first of all the design, both as well exterior as interior, as this is a car which tells something about them. The second element is the elegance and the luxury and last but not least, the comfort. These are the three aspects which make people purchase a DS. The level of satisfaction is very high; clients are very pleased with their choice.

HKtB: Are your clients mostly women?

BF: No! When we look at the statistics, we have the same share of male clients than the other premium brands, even for the DS3, which appeals only slightly more to women. The reason why our clients buy a DS is because it’s a French premium brand, they like a different car in this premium segment, and indeed, the (male) clients show the car to their spouses, they enter the car, and they fall for it. So indeed we have a female clientele “on the second row”, they have a strong influence in the choice of the car which doesn’t show in the statistics.

HKtB: When cars are too feminine, women (and men) don’t necessarily buy it…

BF: Indeed, but as soon as the cars embody a social statement, as premium cars do, the (sexual) codes are not important. We put forward the codes of “savoir faire” Français, of luxury, of refinement, which appeals to both men and women.

HKtB: Indeed, a Cartier watch also appeals to men…

HKtB: The successes of your involvement in the Formula E racing does not really translate into the image of the brand…it did not create the “Audi” effect.

BF:  You mentioned Audi. Now their Quattro was a car entering in rallies with iconic figures behind the wheel. Rallies are very popular. We are a young brand, dating from 2014, we chose the Formula E because it tells the story of our brand, with its fast and early move towards electrification. Formula E is not as popular as F1 for example, but it is iconic and indeed quite amusing and interesting.

I mention also here that the DS 7 360 or the DS9 is built by the DS Performance team. This means that besides the drivetrain which is shared with Peugeot, everything else is specific, it has a unique “feel” on the road and offers an exceptional handling. We also optimized the regeneration also on this car, which clients consider important. But indeed, we don’t have decades of sporting history to tell here…

HKtb:  Also the typical DS client is not the one who drives (very) fast or seeks the ultimate in performance…

BF: Indeed, this is what we want, and that’s the reason why we call it also “the art of the voyage”. The quality of the time you spend in the car is important. The satisfaction enjoying the comfort of a car being surrounded by noble materials. Of course, you have not less than 360 HP. I can use them if I want it, but what is offered here with this car to me is comfort and refinement. One has more than enough power at hand, but it is not an issue.

HKtb: Are your clients young, and is connectivity important for them?

BF: Our clients are not young, which is the case for all premium brands, if one looks at the B to C statistics, they are between 58 and 60 years old, the B to B is younger, from 45 to 50 years, let’s say. Everybody wants to be seen as an amateur of technology, being a “technophile”, because one thinks that if you don’t love technology, you are missing out. So everyone wants a car which is up to this. It is a social statement of modernity. I tell to my teams, the value of a car is nowadays 50 % hardware and 50 % software.

HKtB: This digitalization takes still further steps, like is shown by BMW with its “Neue Klasse” with screen wide displays and dashboard instrumentation and touch knobs and buttons reduced to the minimum, as the underlying digital menus are doing the rest.

BF: Our philosophy is very clear and we showed it also on our concept car, it is to say that what makes the value of our cars is that when you open the door, you have the impression to enter in a Bugatti. We have refinement, savoir faire, and this we want to stress even more in the future. Of course we consider also the increasing digital infotainment needs, as a modernist social statement, but we want this digital element to disappear when the client wishes so. If you enter the car, there is nothing on the screen. Only when you put the contact, the screen appears. That is our philosophy and our goal. Because at a certain point, showing a plethora of screens is not premium. The faculty of having the information appear and again discreetly disappear is premium. This is the direction in which we work. Of course, we need the technology to make this happen.

HKtb: What I would also look for in future DS automobiles is incredible sound…

BF: We made a partnership with Focal, installed in our higher equipment versions like the Rivoli line, which reaches already very good sound quality… of course we have now more silent, electrified or fully electrified cars, which makes this even more important. Everybody works on this, and we also work with partners who have built an enviable reputation in pure sound management. You will see more in the future…

HKtb: When I travel on a motorway, in a certain region, I would like to tune in on my sound system for cultural, historic or general information about where I travel.

BF: This fits in our philosophy of cultivating “the art of the voyage”, and this is also want the digitalization to bring us. My name I Beatrice, and I want to know about the culture, or art places to visit in the region or city where I travel. This is what connectivity should give me.  

 HKtb: I thank you for this interview.   

Hans Knol ten Bensel

We spoke with Pierre Leclercq: “our Citroën Oli is not only style. It is French Design.”  

On the Brussels Salon, Citroën showed its already iconic Oli prototype, a harbinger of things to come in the Citroëns which will be in the showrooms already this and next year. Reason enough for your servant to have a talk with its head of design, Pierre Leclercq, about the design philosophy of the progressive brand with the “double chevron”, and so much more…

Hans Knol ten Bensel

I started this interview asking indeed about this new design philosophy of the brand, striving towards simplicity, practicality, lightness, durability and sustainability in a very bold and original package.

PL: “With the Oli, there are two things. First there is the brand identity, as we show with the Oli styling elements which we will bring to the market as soon as this year. The front end, the new logo, the head- and rear lamps, also the coherence between the front and rear end. The latter is a very important element in our brand identity. (We have seen this already in the Ami – editor’s note).

The form language, the simplicity of the edges and the curves will also be seen on our future production cars, but then also the contrasting vertical elements will be present. Our designers will deviate here from the strictly automotive styling which you see in the other brands of the group, we have a non-automotive touch which will be a distinctive element in our future styling.

The magic goals of French Design…

The second fact is that the Oli is not just a styling exercise. It is not only style. It is really French Design. We work together with our engineers to reduce weight, the cost, we are striving for intuitive and simple solutions.

For instance the seats. It’s very important, we work with a whole team to get a seat which is very distinctive, which we can put into production. We discovered with the Oli that our clients are ready for these things. We see that our clients are ready to take bold steps together with us, because we have an image that we will bring something more on the road than just a nice looking car.

HKtB: This translates also into the choice of the materials, the dialogue with the suppliers about the substance and texture of the elements and their surfaces, their unique touch and feel, the atmosphere and character this gives to the car…

PL: We will be a zero carbon company in 2038, and this has a huge impact on materials. Not so long ago, the choice of the materials came very late in the process of building a car. The exterior and interior, the colors, it was seen as pure decoration. Here and there, one started to use recycled materials for some items, but that was it. This process is now completely turned around at Citroën. We now ask first to tell us which materials we can use, as we want recycled materials, unpainted, and we will go from there and adopt them. This is most interesting. And I think that our clients are also ready for this.

HKtB: These elements and this approach we also see in the Ami. The French, as even Mr. Tavares recently put it, love their individual mobility. The Ami is fit for the (mega)city… will there be other models geared for a new City Mobility in the spirit of the Oli?

We always search for new solutions…

PL:  We have many projects running now. It’s a bit like a funnel. When there is one project hitting the road, we have already other proposals in the pipeline. We are always searching for new solutions. If you remember, two years ago, we showed a rather disruptive project of robotized platforms, which is an intelligent use of the present day autonomous technology, in controlled urban areas. But I imagine perfectly in 2030 and 2035 that these solutions will be used in our cities. The design will then focus on the interior of the cabins and structures rolling on these platforms, a very interesting evolution.

The Ami represented a big risk for us, indeed, we thought about the city, but in fact, we scrutinized the clients who bought the Ami, age, location, etc, and we noticed that the Ami is not only used in the cities. We have clients who buy the Ami for their children and grandchildren, remember that in France you can drive an Ami at the age of 14, and it is better than a scooter. And in a market where these vehicles cost between 12 and 15.000 Euros, ours is available for 6.000 Euros… No small feat, as we respect the profitability margins of our group! It is now on the market for two years, and it has grown more into a lifestyle than a car. This is also what the 2 CV has achieved. It is not easy to create the same phenomenon in this day and age…

HKtB: Can you tell a bit more about your Ami buyers?

We have also many clients who buy an Ami for their holiday homes. And as I said, of course grandparents who buy the Ami for their grandchildren. There are also clients who own a Ferrari and buy an Ami for their third or fourth car…

HKtB: We talked earlier in Paris about your open mindedness towards other designers, in other sectors, who could become involved in offering elements of the car during its life, for example, that in a further future one could offer replacement seats for Oli’s or Citroëns who after years of intensive use get a bit long in the teeth… or, rather, offer parts and items to customize the new Citroëns…

PL: It’s a philosophy I love very much. People more and more want an object which is really theirs. Design is not a luxury anymore. If you go for an Ikea kitchen, you can still choose the finish, styling and colors you want, to make it yours. This is now also true for cars. We have started this with the Ami.

HKtB: It is also true for Jeep. Mopar offers a wide array of accessories.

PL: Indeed, this trend is already more prominent in the States. But with the Ami we started off in Europe with the same trend. Not that we offer many accessories, but we created a desire with the customer to customize his car. It’s like Apple. They don’t offer many accessories themselves, but are produced by Belkin etc. It is a very interesting path for our cars in the future. This will give us for instance incredible interiors. I want the client to appropriate our geometries. Why not share our geometries on the internet Open Space and invite the developers to have fun with it?

Every brand has its own design team to embody its proper DNA

HKtB: What is your relationship or rather dialogue between your styling department and the suppliers? Do they come present you what is possible, or after having established a manifest for yourselves what you want to do in styling in the next five years, let’s say, you ask them to come up with new materials, possibilities?

PL: The dialogue goes both ways. But I want to stress here that the design has become very important. The suppliers are specialized in offering technology, for instance for the platforms we have conceived within the group, but over the last 30 years, what have we done? Instead of asking PininFarina or Bertone to style all the cars in the world, we have all established our design centers which carry truly our DNA, and every brand has its own equipe or team of designers. This is génial, because we have cars within the group which don’t resemble each other at all…

HKtB: With the new materials comes also repair friendliness, durability…

PL: Indeed, we want our cars to have a longer lifespan, and we will refresh them within our network. We need of course more control as nowadays we don’t see the car anymore after it has been produced. We have to control the recyclability of the car. Otherwise it’s no use to build the car with recyclable materials.

HKtB: It think it is necessary to tell the client that his car now has a long life and that you as the manufacturer will follow the car throughout its life.

PL: Indeed, a lifelong car, staying with you the rest of your life.

HKtB: Indeed, that as a brand policy you commit yourself to the clients that your Citroën model, Type A, B, or whatever, that you will always follow this car for decades to come…

PL: Ca serait génial, that would be a stroke of genius. It is our goal. It would be very interesting and it would completely change the idea of the automobile of today.

HKtB:  The youth is already there. They support and adopt the circular economy. I think Citroën is the right brand to do this. 

PL: Indeed, we push within the Stellantis group for these concepts, and I think that our clients are far more inclined to make these choices than the buyers of other brands.

HKtB: I thank you for this interview. Thinking out of the box is always interesting.

PL: I thank you, always lovely to exchange these ideas, thank you for the conversation. I also think that every car we build has to make the life of our clients better. These are not empty words. The Ami improves lives. We offered a new service; in Paris, people smiled when they saw the car. It takes something to convince a Parisien!

Hans Knol ten Bensel

Lancia starts a journey from its iconic past to a stylish future…

Today starts the first of three appointments in anticipation of the Lancia Design Day on November 28th, the first event of Lancia Renaissance to describe the style of some of its most past iconic vehicles which inspired the design of its three future models.

The stars are the Lancia vehicles which have inspired so many car lovers: from Aurelia to Flaminia, from Fulvia to Beta HPE, Gamma, Delta, Stratos, and 037. Some are just the pinnacle of elegance, while others are brutal and efficient. But all have a style capable of remaining timeless. This is what kept them beautiful, contemporary, and authentic expressions of Italian design until today.

“The design and beauty of these “moving masterpieces” inspired us in our creation of the three Lancia models of the future” stated Luca Napolitano, Lancia CEO. “This includes the new Ypsilon in 2024, our new flagship which will allow us to enter Europe’s biggest segment, and the sculpted and muscular new “Delta” in 2028 with its geometric lines which will excite car enthusiasts throughout Europe.

We like to describe Lancia as a “Progressive Classic” brand, continues mr. Napolitano, where “Classic” means leveraging and respecting the value of our heritage, while “Progressive” entails our ability to look to the future with ambition. Innovation and timeless design have always been our values and we now want to add sustainability, and responsibility, always putting the customer at the center of our value proposition. These are the guiding principles of the ten-year plan of our Renaissance: through them, we are aiming at becoming a credible and respected brand in the premium European market. Protagonists of this roadmap will be the three new Lancia models of the future that we designed to make them recognizable and consistent one another. All three vehicles will feature three distinctly Lancia design elements: the calice, the sinuous lines and the geometric-primitive forms. Inspired by the front of the iconic Lancia Aurelia and Delta, the new calice will be reinterpreted in a modern key, preserving its distinctive feature that brings together a vertical and horizontal line to include the Brand logo.”

Moreover, the three new models will display sinuous lines on their side, a typical feature of some of Lancia historical models, such as Aurelia B20.

Finally, there are the geometric-primitive forms on both the front and the rear, among which the round taillights stand out, that refer to the Brand’s more brutal and technical spirit, which tips its cap to the legendary 037, Stratos, and Delta, the racing “beasts” that dominated Rally for over 20 years”.

Besides elegance and grit, there is a third element of Lancia design that is eclecticism, i.e., the tendency to be inspired by various sources, even contrasting ones, to create something harmonious and consistent at the same time. This is what happens, for example, in the Italian living room areas that inspired Lancia to create the original and welcoming interiors of the Gamma and Beta models. The same refinement of the interiors can be found in the 1965 Fulvia Coupé, elegant, aggressive and high performing at the same time. This is another example of Lancia eclecticism.

The Lancia Beta HPE, marking an era with its “venetian blinds-inspired structure”

The Lancia Beta HPE (High Performance Estate) is a gorgeous, sporty, and high-performing family car which is low, graceful, and equipped with a spacious trunk. Designed by Pininfarina and produced in three series, it is definitely the most fascinating Lancia Beta model. Introduced at the 1975 Geneva Motor Show, the Lancia Beta HPE stood out for its eclecticism featured as the “practical elegance”. The rear of the cabin stands out for its angled hatch where one can make out an innovative venetian blinds-inspired structure behind the glass, which limits the effects of sun glare and protects rear visibility. This innovative solution is finished off by two trims on the third pillar which gets visually blended with the original finish on the rear window.

Lancia Gamma Coupe: the “traveling living room” that sets new rules…

At the Geneva Motor Show in 1976, Lancia displayed the futuristic design of the Lancia Gamma Coupe. With classic exteriors and eclectic interiors, this vehicle is remembered as the “traveling living room”. It was given this nickname as the cab recreates a welcoming, comfortable, and innovative atmosphere, as demonstrated by its original color combination and its dashboard inspired by the  product design of the 70’s. The refinement and the fine quality of the material are the result of collaborations with famous fashion brands, including the maison of Ermenegildo Zegna. The final evolution of Lancia great GT coupes, a noble range that includes Aurelia and Flaminia, the Gamma Coupe was inspired by the Flaminia Coupe. This might be why it looks more graceful and sleeker at first glance than the five-door sedan, thanks as well to its slanted roof. More stylish news soon, and for now just look at the photos… and the film which you can also admire on my Instagram page.

Hans Knol ten Bensel

The iconic and ultra-exclusive Citroën My Ami Buggy in Brussels and Knokke…

The My Ami Buggy was presented to us at Brussels Tour & Taxis…

Friday 7 October we stood eye to eye in Tour & Taxis in Brussels with the “Buggy” version of Citroën’s celebrated My Ami. The original “Buggy” concept was presented in December 2021, and met right away with strong public demand. This led Citroën to produce a very small first series of merely 50 units.

It was originally only intended for the French market, and it was launched on June 21 via an online sales site. In 17 minutes 28 seconds, they were all sold out…

Your servant at the wheel of the Buggy…

We were therefore very pleased when Citroën Belux took the initiative to present this little gem to us at the premises of Tour & Taxis in Brussels,

where they also treated us to culinary delights in the Gare Maritime Food Market. Indeed, there you can discover the Belgian terroir with 10 new street food concepts, in market style format, presented by 8 top chefs in an iconic venue with a unique bar experience.

The “sustainable” style tables will carry delicious dishes from star chefs for you to enjoy…

But there is more of the “Buggy” to see in Knokke…

On the sidelines of the activities that will take place this weekend in the fashionable seaside resort of Knokke (Zoute Grand Prix, from October 6 to 9), the exclusive Citroën My Ami Buggy will, after a brief visit to Bruges at the beginning of the week, its first kilometers on our Belgian roads, to the delight of ‘carspotters’ always in search of original images.

My Ami Buggy with its adventurous look embodies the liberty of mobility and the holiday spirit with its totally open interior. The doors are being replaced by tubular metal gates. The roof has also disappeared in favor of a removable canvas to make the most of the great outdoors.

It looks also quite adventurous with its Khaki bodywork, its fender flares, its front and rear bumpers, its golden rims. It’s also hard to resist its yellow accessories as they are so inviting to be used…

So see you this weekend, Saturday October 8, when the My Ami Buggy will make its bold appearance in Knokke…

Hans Knol ten Bensel

Citroën introduces a bold concept car for family electric mobility: less is more, thanks to the power of genius…

Right after having unveiled its new brand identity, Citroën stunned the international press last Friday, when it presented its OLI concept car in Paris.

You can judge yourself from the photos I took with my flagship Samsung S22 (I am getting increasingly used to it now) how completely groundbreaking the design and the whole concept of the car is actually.

I decided to bring the news of this concept car in different episodes, as thanks to the excellent PR people, I was able to have interviews with not only the CEO of Citroën, Vincent Cobée, but also with Laurence Hansen, Head of Citroën Product Development and Citroën’s Head of Design, Pierre Leclercq. I will bring this extensively in further reports, together with also a further interview with Laurent Barria, responsible for marketing.

So read on, and you can expect much more soon!

Hans Knol ten Bensel

The oli concept car focuses on how more can be achieved with lesssays Citroën CEO Vincent Cobée

In the footsteps of the Ami…now for mobility of the whole family.

Citroën already showed with its Ami (in a few days, we will also attend in Brussels the introduction of the Ami Buggy) that it believes strongly in offering affordable mobility, and it builds further on this concept, taking ‘unconventional’ to a new level with this conceptual oli [all-ë].

The Citroën oli concept is designed to do the same for family mobility that Ami achieved for personal urban mobility. Significantly, oli acts as a precursor to the concepts and innovations that will be available in future Citroën electric models.

The oli concept car focuses on how more can be achieved with less, first and foremost with less weight, how the inventive use of responsible materials and a sustainable production process can lead to inexpensive yet desirable zero-emission vehicles that meet multiple lifestyles.

In his introduction speech, CEO Vincent Cobée  stated “Three societal conflicts are happening simultaneously – first is the value of and dependence on mobility, second is economic constraints and resource uncertainty, and third is our growing sense of desire for a responsible and optimistic future.”

Then he commented on the trend that cars are becoming bigger, heavier and more complex…

Styling language which is soon to be seen on new Citroën models…

“A typical mid-70s family car weighed around 800kg and was 3.7 m long and 1.6m wide.” He continued. Today’s equivalents have grown to more than 1200kg, are at least 4.3 m long and 1.8m wide. Some even weigh more than 2500kg. Legal and safety requirements have driven some of this, but if the trend continues and we carry on parking these vehicles 95% of each day and driving 80% of journeys with a single occupant, the conflict between the need to protect our planet and the future promise of sustainable, electrified mobility will not easily be resolved.”

He concluded: ““Citroën believes electrification should not mean extortion, and being eco-conscious should not be punitive by restricting our mobility or making vehicles less rewarding to live with.  We need to reverse the trends by making them lighter and less expensive and find inventive ways to maximize usage.”

So true we would say, and it is this unerring vision which inspired Citroën to build this concept car.

They focused instead on creating a pure, honest vehicle that is above all lighter, less complicated and truly affordable, as well as inventive and joyful.

With oli, Citroën is raising the stakes for future family mobility by re-thinking every detail to reduce resources and needed materials without compromising on quality or versatility.

A car conceived and built for a (very) long life

Laurence Hansen, Head of Citroën Product Developmentnow we choose a lifestyle, and the car which responds to it…

Who does not crave for a car which becomes your classic, beloved, (life)long companion? Well, that’s the beauty of it, the oli will be at your side, no matter what or how long. This conceptual multi-activity family vehicle has  sustainability at its heart and demonstrates how ‘best-in-class’ Life-Cycle-Assessment (LCA) can be achieved, from conception onwards with restrained, optimal use of lightweight and recycled materials, to sustainable production processes, and from durability for an extended ‘life in service’ to responsible end-of-life recyclability. The front and rear end parts can be easily changed, upgraded, customized, and the oli can within the family be passed from one generation to another…

 Thoughtful details…

Clever details are found throughout. The seats, for example, are simply constructed and use 80% less parts than a traditional seat. They are made of recycled materials and clever ‘mesh’ backrest designs enhance the natural light inside the vehicle.

They can also be easily upgraded or personalized to suit the taste of individual owners. It’s indeed the result of a chosen and adopted lifestyle, and the concept  car reflects that. Your servant also suggested to Citroën Head of Design Pierre Leclercq that in the aftermarket, a company like Ikea could offer their version of the seats to rejuvenate the interior after many years of use, for instance. Pierre Leclercq liked the idea…

Less weight means less power needed and more range…

 The oli offers reasonable, useable performance for many. Through the use of lightweight materials, oli can extend the range of the 40kWh battery on board to up to 248 miles between charges. Citroën has also limited the top speed of the oli to 68mph to maximise efficiency, while rapid charging capability ensures a charge from 20% to 80% takes just 23 minutes.

Extraordinary looks, harbinger of a total revolution…

The reasonable performance – read top speed – gave extra room for the designers to shape the concept car. Striking and clearly making a statement, oli’s unconventional stance and silhouette exude personality, productivity and positivity in a footprint similar to a compact SUV at 4.20m long, 1.65m high and 1.90m wide.

It defies traditional labelling. oli can be whatever it needs to be – family limo, urban explorer, adventure vehicle, workmate, or even an extension to the family home thanks to its ability to power everyday appliances.

The oli was presented in the stunning setting of a caserne de sapeurs pompiers in Paris…

Pierre Leclercq, believes oli embraces purity and geniality for families who don’t care for automotive status and stereotypes. I couldn’t agree more…

In the oli, the aesthetic approach has been deliberately exaggerated to reinforce functionality and versatility. And, like Ami, it is not afraid to show its simple and intuitive approach and distinguishes itself with its playful use of colour highlights, bright trim materials and vivacious patterns that advocate opportunities for personalisation.

Versatile

The oli truly threads new paths here. Oli’s flat bonnet, roof and rear ‘pick-up bed’ panels, as well as driving the vehicle’s unique silhouette, were chosen to meet the objectives for low weight, high strength and maximum durability.

Made from recycled corrugated cardboard formed into a honeycomb sandwich structure between fibreglass reinforcing panels, they have been co-created with partner BASF. They are coated in Elastoflex® Polyurethane resin covered in a protective layer of tough, textured Elastocoat®, which is often used on parking decks or loading ramps, and painted with innovative, waterborne BASF R-M Agilis® paint.

The panels are very rigid, light and strong – so strong that an adult can stand on them – and weight is reduced by 50 per cent when compared to an equivalent steel roof construction.

The roof is quite strong, as is amply demonstrated by Laurence Hansen, with Pierre Leclercq and CEO Vincent Cobée applauding…

Load carrying versatility is not compromised either, as roof rails each side of the roof panel allow owners to attach accessories like bicycle racks and roof boxes for family vacations, while below the bonnet panel are neatly detailed storage areas including compartments for charging cables plus personal and emergency items.

Not afraid to go vertical…

All of the key design elements on oli are perfectly horizontal or vertical, indeed, Citroën is looking for honesty and efficiency in the form language.

 The windscreen is vertical because it’s the shortest distance between top and bottom and uses the smallest amount of glass. As well as reducing weight and complexity, the smaller screen is less expensive to produce or replace.

To aid aerodynamic efficiency, oli features an experimental “Aero Duct” system between the front section of the bonnet and the flat top panel which blows air towards the screen, creating a curtain effect to smooth airflow over the roof.

The eye-catching windscreen frame is finished with a bright ‘infra-red’ wrap – a new signature colour Citroën will use in conjunction with its new brand identity.

The contrast between horizontal and vertical is evident in the rationally thought-through side panels and glass.

The front doors follow the example set by Ami and are identical on each side, though mounted differently. They are lighter, yet still strong, and much easier to make and assemble.

Reducing complexity and simplifying construction saves 20% in weight per door compared to a typical family hatchback. Half the number of components is required, and around 1.7kg per door is saved by the removal of the loudspeaker, soundproofing material and electrical wiring.

The external door panel is simpler to stamp and is designed to maximize interior storage. Gentle curvatures flow up the sides of the vehicle, and into the top of the side glass as it tumbles home to the roof.

Large, horizontal windows are tilted slightly towards the ground to help to reduce the effects of the sun, and manual, easy-to-operate “flip up” pantograph opening sections, similar to those used on Ami, provide fresh air ventilation.

The narrower rear doors are hinged at the rear of the vehicle and use vertical glass to give rear passengers more light and visibility. The change in form between the front and rear doors also gave an opportunity to add a passive air intake providing ventilation for rear seat passengers.

Access to the spacious cabin is wide, uncluttered and unhindered with both side doors open – ideal for when the driver needs to get straggling family members loaded efficiently.

Front and rear lighting modules are, again, uncomplicated but highly distinctive, and also play with the contrast between two horizontal lines and one vertical section. This approach will be evolved further as a distinctive Citroën lighting signature in future production vehicles.

A pick-up (load)bed in the boot…

Instead of a conventional boot, oli features an unexpected, inspired exercise in useful product design, and comes with a pick-up bed inside the boot for added practicality. The independent rear seat headrests pop up into the roof, the rear screen glass opens upwards, with the flat 994mm wide removable load bed expanding in length from 679mm to 1050mm.

The tailgate folds down and with the load bed panel removed there is up to 582 mm height between the vehicle floor and the rear glass. With the panel in place, 330 mm height of useful and secure trunk space is available below. The removable bed panel is light and flat, and made from the same recycled cardboard structure as the bonnet and roof panels.

But there is more, on the bodywork, the interior, the wheels and drivetrain. More soon!

Hans Knol ten Bensel

New special exhibition at the Porsche Museum: 50 Years of Porsche Design

Here you see the new Porsche 911 Edition 50Y Porsche Design. This exclusive special edition is a limited run of 750 cars

The Porsche Museum is honouring the brand’s 50th anniversary with a special exhibition. Until July 10th 2022, visitors can find out how Porsche Design became what it is today.

Ferdinand Alexander Porsche, the son of Ferry Porsche, founded Porsche Design together with his brother Hans-Peter in Stuttgart in 1972. Porsche Design has long since become an internationally renowned lifestyle brand.

Alongside a presentation of the life and work of F.A. Porsche, his design philosophy and his great creative influence, various exhibits from five decades of Porsche Design will also be on display.

The 911 S 2.4 Targa from the Porsche Design’s founding year of 1972 is in the background, viewed from the cockpit of the new 911 edition 50 yr. Porsche design…

If one thing symbolises the beginnings of Porsche Design, it is the Chronograph I, a milestone in the art of watchmaking. This is why the centrepiece of the special exhibition will be two different versions of the legendary timepiece: the Chronograph 1 – 1972 Limited Edition and the Chronograph 1 – 911 Edition 50 Porsche Design.

The anniversary exhibition also includes style-defining cars that F.A. Porsche created or which come from his private collection. Among them is the 904 Carrera GTS, which he himself once described as his masterpiece. A 911 (993) Speedster from his estate will also be on display. The 911 S 2.4 Targa from the Porsche Design’s founding year of 1972 that has been restored by the Porsche Classic department as part of the special request program will join the vehicle show, as will the new Porsche 911 Edition 50Y Porsche Design. The exclusive special edition is a limited run of 750 cars with numerous features reminiscent of the iconic designs of F.A. Porsche.

In addition to the plain Black exterior, the nods to the past include the classic check-patterned Sport-Tex centre panels of the seats and the red second hand of the Porsche Design Subsecond clock in the Sport Chrono Package, which comes as standard.

The quintessence of Porsche Design

“Good design must be honest,” F.A. Porsche always emphasized. He designed the legendary Porsche 911 and founded the design studio in 1972. Today, Managing Director Roland Heiler and his team still follow that philosophy. Using authentic materials, they design carefully thought-out, functional and durable products with a purist aesthetic. As the in-house design team of the Porsche Design brand, their inspiring high-quality products include watches, sunglasses, luggage and leather goods.

With locations in Zell am See, Berlin and Ludwigsburg, Los Angeles and Shanghai, the design office also offers its services to international clients. This results in first-class consumer goods, household appliances and industrial products – for example in collaboration with Elan, KEF, LaCie, Morita and Panasonic.

The choice of materials plays a decisive role in Studio F. A. Porsche’s products. Titanium and carbon can turn them into lifetime companions and add new, unexpected functions. The combination of traditional, honest design approaches with ambitious innovations turns the products into genuine luxury items.

The Porsche Museum is open Tuesdays to Sundays from 9 a.m. to 6 p.m. Information on the Porsche Museum’s current hygiene regulations can be found at http://www.porsche.com/Museum.

Hans Knol ten Bensel

Porsche Vision Gran Turismo: a stunning virtual racing bolide…

This time we are entering the fascinating world of gaming. Did you know for instance that Gran Turismo™ is a video game developed by Polyphony Digital Inc., a subsidiary of Sony Interactive Entertainment Inc? It was launched in Japan first in 1997, and is now regarded as the best and most authentic driving simulator due to true-to-life graphics, authentic physics technology and careful attention to detail. Addictive it must be. Your servant was decades ago already crazy about the first versions of flight simulator. Imagine this…

The news is that Porsche and the Japanese video game development studio Polyphony Digital Inc., present a spectacular virtual vehicle concept. Porsche has been a partner of Polyphony already a few years now.

Indeed, the ‘Gran Turismo’ game series has featured Porsche sports cars since 2017, most recently the Taycan Turbo S. For the launch of the game’s seventh edition, Porsche has, for the first time, developed a vehicle purely for the virtual world. The Porsche Vision Gran Turismo is the sports car manufacturer’s first concept study created specifically for use in a computer game. It will be available exclusively in Gran Turismo 7, which will be released on 4 March 2022 for PlayStation 4 and PlayStation 5.

Exciting freedom for Porsche designers…

By partnering with Polyphony Digital, Porsche is not only demonstrating its special visionary approach, but is once again also demonstrating the high level of expertise among its designers. Freed from the constraints of developing models for series production, they were able to put their own ideas for a Gran Turismo concept car into practice.

“A vehicle designed purely for the virtual world opens up exciting possibilities for us that are otherwise heavily regimented in a regular design process for a series production car,” says Michael Mauer, Vice President Style Porsche. “Projects such as the Porsche Vision Gran Turismo are particularly valuable for us in the creative process. Further developing our clearly defined Porsche Design DNA and exchanging with designers from other industries is an important part of our work.”

The Vision Gran Turismo indeed features future-oriented versions of familiar Porsche design elements. The concept car exhibits the brand’s typical proportions with a sporty height-to-width ratio, a low-set bonnet and very pronounced wings. The lights in the purist front and the integrated air intakes create a visual link to the design language of the Taycan – a nod to the car’s purely electric drive.

The rear is adorned with a markedly narrow light strip – a further development of the light signature that is familiar from the 911 and Taycan models. The clear emphasis of the brand identity continues in the interior, with the curved hologram display, tailored to the driver, which appears to float above the steering wheel. The low seating position underscores the car’s dynamic feel. The realistic surface appearances in the interior also play a major role. “We spent a long time considering the right material design consisting of carbon and titanium. The aim was to reduce weight while increasing performance,” says Markus Auerbach, Head of Interior Design at Porsche. “In addition, sustainable aspects also play a role in forward-looking projects. For example, we only used entirely vegan materials in the concept car.”

“The appeal of a Porsche comes from its purist design,” says Kazunori Yamauchi, President, Polyphony Digital. “And in terms of engineering expertise, both we and Porsche follow the same perfectionist philosophy. We share the same passion for racing and are looking to the future of the car.”

In addition to purely design-related themes, there are also new functions that contribute to a strong sports car feeling, with players experiencing haptic feedback via the controller, which mimics the feel of the steering wheel. This fast and direct feedback is reminiscent of a real racing car.

Strategic for Porsche…

Expanding its gaming activities also has strategic significance for Porsche. “We can engage young and digital target groups in the place where their automotive dreams are born: the world of gaming,” says Robert Ader, Vice President Marketing at Porsche AG. “The partnership with Polyphony Digital and ‘Gran Turismo’ is a perfect fit for Porsche, because motorsport – whether real or virtual – is part of our DNA.” The integration of the first Porsche sports car developed purely for the virtual space is an important milestone in the strategic partnership between Porsche and Polyphony Digital Inc.

Actually, Porsche has been cooperating with various companies from the gaming industry for several years and these activities are now an integral part of the marketing mix. The overriding goal is to create a lasting brand experience…

We show you the photos here… and I look forward to a Polyphony Gaming experience!

Hans Knol ten Bensel

The Zoute Grand Prix 2021: living now in everyone’s heart…

The Zoute Grand Prix inspired young and old to take out their beloved classics…

This year’s edition of the Zoute Grand Prix has been spreading over several Flemish cities now. Bruges and Ostend have stepped also in the game.

This year we were of course in Knokke, but decided to live the event through the public and bystander’s eye.

The Zoute Grand Prix has indeed grown into a formidable event with a very wide and large public impact. For Knokke Heist, it has become the busiest weekend of the year, with absolute record hotel bookings.

It raises the spirits of car lovers of all ages, and many are those who take out their beloved young- or oldtimer out for a spin on the Knokke streets during the event, and have their own very personal Grand Prix.

There are also a lot of new and very recent cars around, many of them with tuned exhaust to add some extra drama to their Knokke sortie.

Shops of every kind in Knokke had arranged their showrooms and added to their shop windows a specific touch referring to the theme of the event.

Even your daily(?) gin can be enjoyed – literally – in the spirit of the Zoute Grand Prix…

We just let you enjoy some of the snapshots we took on the Knokke streets, where, we must admit, no EV’s or electrified cars were to be seen for near or afar this weekend…

Classic racing cars can also run like clockwork…
Capelleschi Gallery, specializing in car paintings, added with a Ferrari flag to the theme…

We will report on the actual event, including the Bonham’s auction and the Concours d’Elegance in these columns soon!

Hans Knol ten Bensel

We drove the MINI Countryman Cooper Northwood Edition: This MINI thinks BIG…

The MINI Countryman has grown to be a medium size SUV, like for instance the Audi Q2 or Nissan Qashqai, and has borrowed many mechanical elements of the BMW X1. But it also has retained all the quintessential styling elements of the MINI, its typical upright proportions, styling language and bodywork details, which it continues even more in the interior, where we find the big central round dial with the infotainment display, and the typical toggle switches, amongst others.

The MINI Countryman buyer has plenty of choice: in addition to plug-in hybrid drive, the new MINI Countryman is available with three petrol engines and three diesel engines featuring the latest MINI TwinPower Turbo Technology. But besides a wide array of drivetrains, the range of accessories has also been greatly expanded, and indeed, we saw also the launch of the fully equipped Northwood Edition. We told already more about it then in these columns, and you can read about it with the following link:  https://autoprova.be/2021/02/12/stylish-and-iconic-mini-launches-the-new-mini-countryman-northwood-edition/

We drove for you this fully loaded edition with the 100 kW/132 HP three-cylinder petrol engine and the 6-speed manual transmission. Plenty of zest and driving pleasure is guaranteed, we can already tell you here. Just read further…

Hans Knol ten Bensel

Northwood ambiente inside and out…

Our test car was certainly pleasing to the eye. Executed in a deep blue, it was shod with stylish black alloys, and compared to the previous model, it sports a newly designed radiator grille, with LED headlamps and LED fog lights now as standard.

The standard trim of the new MINI Countryman also includes LED fog lights, with a light band in the upper semicircle of each fog light serving as a parking light. The LED rear lights are now also in Union Jack design.

In the interior your eyes admire the new digital cockpit display with a 5-inch colour screen, and also the Piano Black interior surfaces for the cockpit and door bezels are putting you in a good mood.

We just love also the toggle switches, and find all commands easy at hand. The sports leather steering wheel also falls ideally in your hand. Only when your MINI has been standing in the sun, the wheel rim of the sports leather wheel can get very hot, and can be barely touched for the first few minutes without wearing gloves. Indeed, classic driving gloves are a necessary accessory in our ever-warmer summers now…

The Connected Media and Connected Navigation Plus options, available as an alternative to the basic configuration, each include an 8.8-inch colour screen with touchscreen function located in the central instrument that is typical of the brand. The circular control unit in the new MINI Countryman looks great, with the audio control panel and the buttons for hazard lights and driver assistance systems now integrated even better. Meanwhile touch-sensitive bookmark buttons and high-gloss Piano Black surfaces underscore the premium character of the central instrument.

Even the standard audio system offers audio streaming via a Bluetooth connection and a hands-free telephone system with USB interface. The Radio MINI Visual Boost and the digital instrument display form part of the optional equipment item Connected Media, while the Connected Navigation option makes a range of additional infotainment functions available in the new MINI Countryman in addition to providing a convenient route guidance system. This option also comprises wireless charging for compatible mobile phones and a second USB socket.

The new MINI Countryman is equipped with a SIM card that is permanently fitted in the car. This enables use of Intelligent Emergency Call with automatic detection of vehicle location and accident severity, as well as MINI TeleServices. The new MINI Countryman is always online, enabling seamless integration of the voice assistant Amazon Alexa.

This provides access to the Real Time Traffic Information service as well as the internet platform MINI Online and preparation for Apple CarPlay. MINI Connected can be used to send navigation destinations from the smartphone to the vehicle. The mobile phone connection also means that the vehicle’s navigation map is updated automatically.

Very willing engine…

MINI TwinPower Turbo Technology is used in the 3-cylinder petrol engines, and they are very responsive indeed. Throttle response is immediate and without any hesitation, from very low revs onwards. The exhaust manifold is integrated in the cylinder head along with turbo charging. Among other things, this ensures highly effective cooling of the exhaust gases and the turbocharging system. Also, the petrol engine direct injection system operates at a maximum pressure that has been increased from 200 to 350 bar. With this very willing engine, performance is rather brilliant, with an acceleration from 0 – 100 km/h in 9.7 seconds. Top speed is an impressive 205 km/h.

The six-speed gearbox is a delight to use, spoils you with precise, quick changes. The clutch is very smooth and progressive, the drivetrain copes wonderfully with all the pulling power, as it has been designed to cope with far more torque and power in the sportier models.

But the bare performance figures do not tell the whole story. The sheer effortlessness and smoothness when you use the full performance of this MINI has to be felt to be believed. It is indeed a very agile as well as smooth car in everyday use, and that makes a lot of the charm of this MINI.

With all this smooth and vibration free willingness, one is tempted to put the throttle somewhat deeper than originally intended, and this bout of extra enthusiasm translates also in the consumption figures. We clocked a test average of some 8 liters/100 km, using the performance more often than not. Constant speed economy is excellent, so when cruising at the legal limits the immediate consumption hovers between 5 and 6 liters and less. The manufacturer quotes 5.9 – 5.6 liters/100 km, with CO2 emissions being 135 – 129 g/km.

Masterful on the road…

The MINI Countryman has wonderful handling and road manners. Despite its more than 4-meter length, it feels nimble and agile, as indeed a true MINI should. It steers wonderfully precise, and invites you to take winding roads with spirit and zest. Straight line stability is of course also excellent, and this Countryman is also a perfect “Autobahnwunder”, capable of cruising at very high speeds indeed.

Practical

The new MINI Countryman has as the biggest MINI a versatile interior. Three fully-fledged seats are available at the rear. Alternatively, the second row of seats can also be used to expand transport capacity. By folding down the rear seat with a 40 : 20 : 40 split, storage space can be extended from 450 to up to 1 390 liters.

Conclusion

Providing character, unique panache, space in combination with mechanical excellence, superb handling and zesty performance, this is what the MINI Countryman is all about. The Northwood Edition spoils you with a full equipment, to keep you connected, amused, comfortable and happy.

This car is a true delight to use every day, and you will hardly get tired of it. We liked the version we tested, but there is – as we said – so much more, from E-power to full all wheel drive.

We hope to lay our hands soon on one of these more powerful (AWD) versions, not forgetting the electrified versions. Stay tuned on these columns…

Hans Knol ten Bensel 

The Land Rover Defender has been named Supreme Winner Women’s World Car of the Year 2021.

The Women’s World Car of the Year is the first time a Land Rover has won the top prize at the awards and is the latest in a series of international honours for the most capable Land Rover ever made.

The new Defender remains true to the pioneering spirit that has been a Land Rover hallmark for over 70 years and redefines adventure for the 21st century. Iconic in name, shape and capability, it is available in a choice of body designs and can be personalised with a choice of four Accessory Packs to help owners make more of their world.

The Women’s World Car of the Year (WWCOTY) awards are the only car awards in the world with a jury comprised exclusively of woman, with 50 motoring journalists from 38 countries on 5 continents recognizing the best new models available.

The New Defender was named Best Medium SUV 2021 at the awards before being awarded – to coincide with International Women’s Day – the headline WWCOTY prize.

Hans Knol ten Bensel