Category: Concept Cars

Unique historic Porsches to be seen at Brussels Autoworld…

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Autoworld, the impressive car museum at the Brussels Cinquantenaire, holds now an exhibition ”Porsche, driven by dreams” celebrating the 75th anniversary of the brand. You can already read about it in our columns. Some 50 Porsches are displayed, many of them brought to the capital of Europe by the Stuttgart Porsche museum, with some of them never seen before on public display in Belgium.

It ranges from the 984 to the “Mission E” prototype, the latter which was a harbinger of the alternative future coming to us all.

The show was presented by PR manager Porsche Belgium Liana Picard, General director Autoworld Sebastien de Baere and last but not least car expert and curator of Autoworld Leo Van Hoorick, who showed us around the exhibition and offered us his expert comments and insights. (See photo here and further in the article).

Hans Knol ten Bensel

The 911 is now already 60 years among us, and your servant still remembers driving these 911’s with sporting abandon in the early seventies. I just loved to take these genuine drivers’ cars to the limit, their handling needed an expert hand, but they never betrayed me and on the contrary, it was a pure delight to master them. The flat six engine was then still air cooled, and the echo of their roar and hiss at high revs still echoes in my ears. Just look a bit further in our columns, click the following link: https://autoprova.be/2021/03/27/some-early-photos-from-my-automotive-beginnings/


Besides the iconic 911, of which we still found an absolute classic early version in the Museum, on display outside the specific Porsche show, just look at the photo here  above, there were indeed some very dramatic Porsche Museum Cars, and the most stunning for me was the Carrera GT with its V10 engine.  It is a stylish classic sportscar, breathing the “Zeitgeist” of two decades ago, with its clean, fluent lines, inspired by the bolides at le Mans.

It’s a carbon-fibre, mid-engined super car, and made its debut at the 2003 Geneva International Motor Show. It came three years after its debut appearance at the Paris Motor Show in prototype form – an event itself which caused such an explosion of interest that Porsche knew their dream needed to be made a reality. The birth of what is today considered one of the greatest of modern classic sports cars, says Porsche. We can only agree…

Pushing technical boundaries 23 years ago…

The Carrera GT is a car that pushed technological boundaries beyond any supercar of that time. Its beautiful profile encompassed a staggeringly powerful 612PS V10 engine that was a direct descendant of the 10-cylinder race engine developed for the Le Mans 24-hours of 2000. The only modifications the race engine required were those to meet worldwide emissions and noise regulations for road legal cars. In keeping with its push for innovation, the Carrera GT also pioneered the use of pure carbon fibre for its monocoque and subframe.  Performance is – considering even today’s standards – quite impressive. It can reach 100km/h in just 3.9secs and roar on to 200km/h in 9.9secs. The top speed of the Carrera GT is officially 330km/h.

The racing engine needs of course a fair amount of cooling. The huge air intake along the car’s flanks, along with the three radiators are five times larger in area than that of the Porsche 911 Turbo of the time.

Then there are the purposeful contours of the Carrera GT. It was designed by a team headed up by legendary Dutch car designer, Harm Lagaay. He already worked since 1971 for Porsche, and designed the 924. He moved to BMW in 1985, and designed for them the BMW Z1. Also purposeful and elegant. This purposefulness is found also in this GT. He returned to Porsche in 1989 as head of the “Style Porsche” department in Weissach, and oversaw the design of the Porsches of the period – the 968, 989 (the stillborn four door Porsche), 993 (the 1993-1997 generation of the 911 for which Englishman Tony Hatter is also credited), Boxster, 996 (the all-new 911 of 1997), last but not least the Cayenne and one of his absolute masterpieces, the Carrera GT.

General director Autoworld Sebastien de Baere…

Some 1270 units of the Carrera GT were made in total over its production life (manufacture ended in May 2006). Today, the Carrera GT Type 980 is an official member of the Porsche Classic family, which means both owners and those Porsche Classic partners and Porsche Centres who maintain the cars have access to an extensive supply of genuine parts. As you might expect, many of them are still on our roads and retail at around the $1 million range for a reasonably good example… Mind you, it cost close to half a million Euros when new…

Italian blood: the Carrera Abarth

Can you believe, looking at the picture above, that this car was built in 1960? Three years before the 911, as the dust sheet was pulled back on this brand-new Porsche model at the 1963 Frankfurt International Motor Show. Looking in profile, it is quite reminiscent of the overall proportions of the 911. Just a bit more muscular, racier, more pur-sang even. It is officially called the Porsche 356 B 2000 GS Carrera GTL Abarth, and for me, it is one of the “purest” Porsche street cars.

We go back to the early sixties here. To remain competitive in Grand Touring (GT) racing, Porsche needed lightweight versions of the 356 B. They looked south for help, and found it in the Italian-Austrian sports car builder and Porsche representative Carlo Abarth. He has enjoyed a good relationship with Zuffenhausen since their collaboration with the Type 360 Cisitalia Grand Prix car in 1947. Abarth now commissions Ugo Zagato in Milan to build 20 lightweight coupés. The handcrafted aluminium bodies featuring the characteristic air scoop on the rear are compact and streamlined. It is a true beauty with wonderful proportions, in our opinion a forerunner of what the 911 was to be.

Gave us expert information about the Porsches in the exhibition, connaisseur and Autoworld curator Leo Van Hoorick…

. The 356 B Carrera GTL Abarth weighs almost 120 kilograms less than the standard 356 B. The “marriage” of the chassis and body takes place in Milan, with the GTL receiving its finishing touches at Abarth and Porsche. The list of successes of the 356 B Carrera GTL Abarth includes class victories at the Targa Florio – in 1960 with a 1.6-litre engine, 1961 with a 2-litre Carrera unit – plus outright victory at the Lyon-Charbonnières Rally of 1960 as well as class wins at Le Mans.

Driving the Abarth GTL, racing drivers such as Hans Herrmann, Herbert Linge, Edgar Barth and Paul Ernst Strähle win world championship titles in 1961 for Porsche for GT cars with a displacement of up to 2 litres. Further international titles in 1961 include Heini Walter’s fourth victory at the European Mountain Championship and Hans-Joachim Walter’s win at the European Rally Championship.

Even with the 1,588 cc flat four, developing 135 hp or 99 kW, the 778 kg Carrera was 220 km/h fast…

There is a lot more to see in this Porsche exhibition in Autoworld, and we will come back on this in following reports, where we will delve more in detail about the Porsche prototypes and the iconic Gmünd Coupé. Stay tuned!

Hans Knol ten Bensel

We spoke with Milosz Tomanek, Premium Cluster Director Belux, about Lancia’s renaissance…

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In the magnificent surroundings of the Italian embassy in Brussels, we talked with Milosz Tomanek about Lancia’s return to the Belux market…

At the presentation of the Lancia Pu+Ra HPE and the announcement of the return of Lancia in Belgium, we had an interesting talk with the Director of the Premium Cluster Belux at Stellantis, on the opportunities of the iconic brand on the Belux market…

Hans Knol ten Bensel

Q: The Belgian market has much potential for Lancia, but due to its long absence, the question arises what is now your client base and what is your approach to re-enter our market? We have the Dutch approach, where the market is already very digitised. Both countries have a very large fleet market, and this will also be the challenge for Lancia…

MT: Indeed, the fleet market is with around 70 pct of the total volume very important. For the premium segment, its share is even 80 pct. When we want to re-launch Lancia, we have to establish ourselves in this fleet market too. This is also the reason why we have electrified the new Ypsilon, and are offering a plug-in hybrid version as well as a full electric variant.

When we want to re-launch a brand, we have also to take the right steps to grow. We have to start from a solid base. The B segment is quite large in Belgium with a total volume of not less than 125.000 cars. We also have the private client. His market importance has admittedly diminished over time, but he exists. When a new model is launched by an Italian brand, it is the private client who is the first to show substantial interest.

Driven mostly by family members or acquaintances which had previous ties with the brand. When it was rumoured that Lancia would come back to Belgium, many private clients reacted eagerly to the news. This shows clearly that Lancia still stirs emotions and interest amongst many. Clients which are looking for emotion, design, a sporting touch, elements which are intrinsically part of Lancia. We must certainly not overlook this segment.

Q: I also think that the interest of the private client forms the basis for the subsequent appeal of the brand in the fleet market. Don’t you agree?

MT: Indeed, this is why the private client constitutes the basis of our market approach.

Q: Will you adopt for Lancia a similar service model which Stellantis uses for the other premium brands in the group, like DS for instance? MT: What you are saying now is somewhere the essence of the premium approach, but we have three brands with their own, specific identity. If you put the three brands in a showroom, the clients will invariably go to the niche or corner of their brand. But of course, what DS has established and built over the last few years is valuable. We have to offer a credible and worthy alternative of the German brands. Having said this, we have to offer a client experience which is at least as good as what the German competition is offering. But we don’t have to merely copy their approach. The client has to discover the identity of the brand in his service experience. Therefore we cannot simply copy what DS or Alfa does for its clients, but we take the right elements which are in line with the identity and character of the brand.  Last but not least we have to offer a proper atmosphere of the reception and showrooms of the dealerships.

One of my tasks is to find the synergies, but always with an eye for the specific identity of the brand. We don’t want to be merely a corner within the Alfa showroom, we want to offer a complete client experience, but then of course we will use the best practices learned with DS and Alfa Romeo. One must not forget that despite their iconic and long history, these brands are relatively young for the Belgian market in terms of a substantial market presence. But the brands nourish each other, this is also important for our distribution network.

There will be 10 dealers this year which will have also Alfa or even the three premium brands under one roof, and we see that proven best practices are shared for the three brands, inspiring but not cannibalizing each other in their specific client approach.  

Q: We will see the Ypsilon in a full electric and electrified hybrid version, also to enable a smooth transition for the existing Ypsilon owners to this electric age, which is certainly indicated for senior clients who live in urban areas and apartments…

MT: Indeed, there is a philosophy behind this. We will not dictate what the client has to buy. We will listen to the client, but at the same time we have to project what the client of the future will buy. We notice that the market is getting more mature what full electric purchases is concerned, and political decisions now cause a rapid expansion of this segment. But this switch is slower for clients living in urban areas.  

Thanks to the financial strength of the Stellantis Group, we could carefully work out our renaissance strategy and roll it out judiciously step by step. This consistency has helped me when I started up the team and the retailers were identified. Credibility was already created. One should keep in mind that irrespective of the fact that a brand has been absent of the market for 5 or 10 years, you only have one chance to (re)launch a brand successfully. You have to do it right. I am convinced we are doing it the correct way…

Q: Thank you for this interview.

Hans Knol ten Bensel

We spoke with Manuele Tomasorri, Exterior Designer Lancia: the art of sculpting the modern world in the premium tradition of the brand…

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At the occasion of the presentation of Lancia Pu+Ra HPE at the Residence of the Italian Ambassador in Bruxelles, we took the opportunity to have an interview with the young and inspired exterior designer of the Lancia Pu+Ra HPE… it proved very interesting indeed!

Q: The Lancia design department has been producing now a wonderful and iconic car which embodies the styling language of future Lancia’s. You are responsible for exterior design, can you tell us what is your vision on design, and why have you chosen to join the Lancia design department?

Also can you tell us a bit more about your design education, your school, and even more important, what do you want to create and establish as a designer…

MT: I understand your point. It is a very good question. Before I studied design, I did different things. It was rather more manual and mostly on focused on the mechanical aspect. I came to design out of curiosity. Then I started in Italy my studies in transportation design in Turin, at IED, Istituto Europeo di Design. There I developed an understanding of the meaning of Design. What is Design? Why do we have to do this? The reason why I chose Lancia is simple: what Lancia stands for in terms of form language coincides with my ideas about Design. So I understand fully what they want to convey.

Q: This means you are taken by the Lancia spirit?

MT: Indeed, completely!

We have included in our design language elements stemming from architecture, fashion, everything that surrounds us in our modern world, it is truly eclectic in its inspiration. All this, we have the chance also to embed all this into our heritage. Because this viewpoint, this approach, we have used it also in the past. It is of course a dream for a designer to work in this environment…not everybody has this history and has tried so many wonderful things in its past.

Q: When we come to the design language of the Pu + Ra, the emphasis lies on well rounded shapes and surfaces.

MT: Indeed, this concept car is really a synthesis and includes the logic of the design of our future cars. The contrast between the soft curves and the hard edges will be seen in future Lancias, it will be indeed our design bible. It will be our reference book or bible, so to say.

Q: You will also embody with your design a distinct premium level…

MT: Indeed, we will be very serious and thorough in lifting our design language well into the premium level. This will reflect itself in the quality of the chosen materials as well as the shapes. In our design, we want to express also the (sporting) heritage of our brand. So we look for compactness, agility, efficiency. The Pu+Ra is compact in its overall dimensions, like the historic Lancias.

Q: Will we see these design elements already in the future Ypsilon, because there the design is already established and fixed now…

MT: The design elements shown here in the Pu + Ra HPE will be seen in the forthcoming Lancia’s we announced here today…,For instance, the iconic “Calice”, Chalice or Cup  in the front of the car will also adorn the front of these Lancias.

Q: It will be so to say the light signature of the Lancia’s…

MT: Indeed… also the choice of the materials conveys quality and durability. This is also a credo of Lancia, and we express this with the use of durable materials.

Thank you very much for this interview.

We will soon follow with an interview with Mr. Milosz Tomanek_Premium Cluster Director Belux. Stay tuned!

Hans Knol ten Bensel

Lancia is back…

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Belgium has always been a country with many Lancia enthusiasts, and the iconic brand returns therefore in its renaissance strategy also to our country and Luxemburg as one of its 6 major European markets. We could witness the presentation at the Italian embassy in Brussels of the beautiful and stunning Lancia Pu+Ra HPE, a concept car which embodies, as Lancia puts it,  “the brand manifesto for the next 10 years in terms of design, interior home feeling, sustainability, electrification and effortless technology.” We will come back in more detail on the styling and innovations incorporated in this car, which will indeed be a harbinger of things to come for the brand.

At the press conference, we listened to four speakers, Mr. F. Colonnese Business Development Manager EE (see photo here above) , Mr. C. Louwerse_Premium Cluster Director NL, Mr. Milosz Tomanek_Premium Cluster Director Belux and last but not least Emanuele Tomassorri, Exterior Designer.

We could have an interview with both misters Tomanek and Tomassorri, which you will see further soon in our columns.

Milosz Tomanek, Director of the Stellantis Premium Cluster in Belgium and Luxembourg (photo here above) stated “as soon as we announced Lancia return to Belgium and Luxembourg, we set up a dedicated team to work on and implement the brand Renaissance, making of Lancia the brand that embodies the Italian elegance. For the launch of the new Ypsilon in 2024, we will have 10 retailers and 13 after-sales service points. We are ready to have Lancia back and make of Belgium and Luxembourg two of the main European markets for Lancia.” Lancia will also launch the Gamma in 2026 and last but not least the Delta in 2028. From 2026, Lancia will only be launching 100% electric models and, from 2028, it will only sell 100% electric cars.

Lancia’s Roadmap for Europe

Lancia’s arrival in Belgium and Luxembourg is another step of the brand’s Renaissance towards its internationalization and forms part of a roadmap in line with the Stellantis “Dare Forward 2030” strategic plan.

By the first half of 2024, the brand will have 70 new retailers in 70 major European cities and 100% of the letters of intent have already been signed. The strategy involves, as Lancia puts i officially, a new efficient and innovative distribution model, with a selected number of retailers based on a key concept of Lancia Renaissance: quality.

The new showrooms will provide customers with a totally immersive experience, both online and offline, recreating a “home feeling” atmosphere, thanks to materials, colors and attention to detail, inspired by Italian architecture and design.

As said, more soon with interviews and further separate reports and comments on the design of the Pu+Ra HPE…

we just tell you here that the name Lancia Pu+Ra HPE is based on Pu+Ra, the brand’s new pure and radical design language, whereas HPE stands for ‘High-Performance Electric’…

Hans Knol ten Bensel

Volkswagen takes a bold step towards the affordable EV for the masses with its ID.2all* concept car.

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It’s coming: Volkswagen brought us a first glimpse of an all-electric Volkswagen costing less than 25,000 euros with their “ID. 2all” concept vehicle.

It is of course front-wheel drive, range of up to 450 kilometres, innovative technological features such as Travel Assist, IQ.LIGHT or Electric Vehicle Route Planner and a new Volkswagen design language.

Technical buffs are interested to know that this new “E”VW for the masses will be based on the MEB Entry platform and is one of ten(!) new electric models that Volkswagen will launch by 2026.

In my modest opinion, VW takes here a formidable and bold gamble… will the European car markets (and more specifically its electric infrastructure) be ready for this?

Read further about this “milestone” E-VW…it is sooo interesting and will be a harbinger for things to come!  

Hans Knol ten Bensel

VW’s goals and ambitions with this new true “E”-VW…

It is certain that VW wants the wider public to again fall in love with its cars: Thomas Schäfer, CEO of Volkswagen Passenger Cars stated it clearly: “We are transforming the company rapidly and fundamentally – with the clear objective of making Volkswagen a genuine Love Brand.”

The concept of “Wertarbeit”, a concept so beloved by the Germans, which can be freely translated to “Quality work which creates value”, is also not lost in the boardroom and lobby’s of Volkswagen. Imelda Labbé, Member of the Brand Board of Management for Sales, Marketing and Aftersales, stated it clearly: “We are transferring the typical Volkswagen virtues to the new world of mobility: top quality and workmanship, outstanding software and digital services with genuine added value.”

Mechanical perfection and reliability is therefore of prime importance, and so VW adops well-tried solutions, present in the MEB platform, which by the way uses also all the automated product processes which are already well in place.

Kai Grünitz, Member of the Brand Board of Management responsible for Development, states it for us: “The ID. 2all will be the first MEB vehicle with front-wheel drive. We are exploiting the great flexibility offered by our modular electric drive (MEB) platform and will set new standards in terms of technology and everyday usability with the MEB Entry platform.”

This VW will also certainly be no sluggard: It has a powerful electric drive motor with an output of 166 kW / 226 PS and will have a calculated WLTP range of up to 450 kilometres.

A new design…

The ID. 2all concept vehicle was designed by Andreas Mindt, who took over as the new Head of Volkswagen Design on 1 February 2023. Volkswagen is in his blood, as his father was a designer in Wolfsburg before him. Andreas Mindt joined Volkswagen in 1996 after studying design. He created bestsellers such as the first Tiguan and the seventh-generation Golf. In 2014, he moved to Audi in Ingolstadt as Head of Exterior Design.

The next step followed in 2021 when Mindt became Director of Design at Bentley in Crewe, England. However, he has always maintained his close ties to Volkswagen and continues to be the proud owner of a Beetle. Andreas Mindt on his first project as Volkswagen Head of Design: “We are transferring the DNA of our icons into the future. The ID. 2all is therefore also homage to the Beetle, Golf and Polo.”

Andreas Mindt has developed a new Volkswagen design strategy – one that will ensure the brand’s DNA remains clearly recognisable in the future. Mindt: “I am focusing on three main pillars: stability, likeability and excitement.”

“The most important value for Volkswagen design is stability,” says Andreas Mindt. This includes value stability, stability of form, reliability and recognisability. “A second core element of the brand is likeability,” explains the designer. The Beetle, Volkswagen bus, new Beetle and ID. Buzz clearly demonstrate this. “Stability and likeability – we have to achieve these two values in every respect.” But there is much more to a successful Volkswagen than that: “We also want to create excitement in our customers.” For example, with added dynamics, improved operability or the classic “form follows function” of an ID. Buzz or Golf. Technologies, forms and concepts are what make a Volkswagen desirable. Stability, likeability and excitement are typical characteristics of the Volkswagen design, the Volkswagen feeling. Mindt assigns three design elements to each of these three values. They are all reflected in the ID. 2all.

I was happy to read Mindt’s comments on design, which I have repeated time and again in my guide tours at Audi Brussels: Automotive design is an art form, but there are still clear laws that apply – such as the golden ratio. I couldn’t agree more with Andreas Mindt: “Likeability is created by the golden ratio. This is quite simply the ratio of three fifths to two fifths.” Leonardo da Vinci already followed this geometrical principle in works such as the Mona Lisa. The designer continues: “The feature line running below the window shoulder is located on exactly the golden ratio line of the ID. 2all. Both the Beetle and Golf also always followed the principle of the golden ratio.” People perceive this division created by nature as being pleasant and likeable.

Easy to use…

VW has learned from the usability mishaps in the commands of the early ID’s. VW now calls it ‘self-explanatory operation’. The touch display (diagonal: 32.7 cm / 12.9 inches) of the infotainment system has a new menu structure. Below this there is a newly developed, separate air conditioning control panel. Other vehicle functions are operated by means of a menu control in the centre console, which can also be used to change the look of the digital instruments. The new multifunction steering wheel is designed to be clear and self-explanatory – two thumbwheels on the left and right and two buttons each, and nothing else.

Charged to 80 per cent in less than 20 minutes…

The battery permits a calculated WLTP range of up to 450 kilometres. At DC quick-charging stations, the battery can be charged from 10 to 80 per cent in 20 minutes.

Provided we find these stations! In our country, the situation is still abysmal what these quick charging stations is concerned. Take Fastned: when I want for instance to drive from Antwerp to Knokke, I need to have enough range to make the 210 km trip back and forth to Antwerp, and to make things even worse, there is no Fastned charging station in the whole Antwerp region so far, and NONE in Knokke… so I would have to go towards Brussels in Steenokkerzeel, about 43,7 km from Antwerp, to find one… ridiculous isn’t it? I need at least 260 km range for the trip! To avoid any misunderstandings, we looked here only for Fastned charging stations. There are of course some other 4 to 38 kW charging stations, but any of the apps to find chanrging stations do NOT show whether you can use your bank card or not. At more than 90 %, it is not possible…

Back to our concept car…

Of course, this VW accelerates like a bullet: 0 to 100 km/h in less than 7 seconds. Its top speed is limited to 160 km/h.

A bold step for Volkswagen, but a very logical one if you take a look at its strategy. Soon, we will live in (very) different times…

Hans Knol ten Bensel

We spoke with Béatrice Foucher, Brand Chief Executive Officer of DS Automobiles…

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We met already Mme Béatrice Foucher at the presentation of the DS 4 last year in Chantilly, where she presented the strategy of DS Autombiles at the “DS Week” event…

DS Automobiles is carving a fine niche for itself in the premium segment. Your servant appreciates the refinement, comfort and last but not least the style of these fine DS automobiles. You can understand that we were delighted to meet Mme Béatrice Foucher at the presentation of the DS 4 in the “DS week” last year in Chantilly. Then, the entire press presentation of this noble automobile was in line with its qualities: we were not only able to meet Mme Béatrice Foucher personally at dinner, together with the communications people of the brand at lunch, we also had interesting workshops with the designers, engineers and last but not least the craftsmen and artists who make the DS 4 into the hand made four wheeled gem it is. You can read more about this event in our columns, see https://autoprova.be/2021/09/05/we-had-a-first-drive-with-the-elegant-ds-4-the-electrified-future-has-arrived-at-ds-automobiles/

At the Brussels Salon this year, we were again invited to have an interview with her. Just read further…

Hans Knol ten Bensel

A prototype of the DS 4 was displayed in Chantilly, symbol indeed of French “Savoir faire”…

HKtb: I have to congratulate you on your client approach and your philosophy to extend the refinement of your cars, not only in its external styling, but also in the interior.

BF: Indeed, that is our “raison d’être”, it is a combination of technology and the French “savoir faire” or know-how. Indeed, after having admired the exterior, customers must open the door of our cars, like for instance the DS4, see the new leather, the new solutions in the interior we developed in the DS3, the new DS7. From the next year onwards, we are going to create what we call collections, like there exist in the world of fashion.

The stunning interior of the DS prototype seen last year in Chantilly. Look at the contours and wood lined finish of the seats. A harbinger of things to come?

HKtB: We see here on the Salon, the very stylish DS E-Tense Performance 600 kW prototype, are there details of this car we will see in the production models?

BF: This will be more for the exterior than the interior, its bodywork lines which will be seen on our cars from 2024 onwards.(See our photo below of this prototype)

HKtB: But you emphasize the “savoir faire” Français, the French art of life…in automotive mobility.

BF: Indeed, that’s it. This lies in the materials we use, the art of treating them and producing exquisite textures. The French know-how in terms of stock market value lies now in the companies producing luxury goods, who have an established international reputation. This know-how is internationally recognized and appreciated, and this we put into our cars. Indeed, we see the car as a part of the interior one lives in, a part of one’s private home, and so the satisfaction and the reason people buy our cars is this choice of materials which appeals to them.

The reasons why our clients buy a DS is first of all the design, both as well exterior as interior, as this is a car which tells something about them. The second element is the elegance and the luxury and last but not least, the comfort. These are the three aspects which make people purchase a DS. The level of satisfaction is very high; clients are very pleased with their choice.

HKtB: Are your clients mostly women?

BF: No! When we look at the statistics, we have the same share of male clients than the other premium brands, even for the DS3, which appeals only slightly more to women. The reason why our clients buy a DS is because it’s a French premium brand, they like a different car in this premium segment, and indeed, the (male) clients show the car to their spouses, they enter the car, and they fall for it. So indeed we have a female clientele “on the second row”, they have a strong influence in the choice of the car which doesn’t show in the statistics.

HKtB: When cars are too feminine, women (and men) don’t necessarily buy it…

BF: Indeed, but as soon as the cars embody a social statement, as premium cars do, the (sexual) codes are not important. We put forward the codes of “savoir faire” Français, of luxury, of refinement, which appeals to both men and women.

HKtB: Indeed, a Cartier watch also appeals to men…

HKtB: The successes of your involvement in the Formula E racing does not really translate into the image of the brand…it did not create the “Audi” effect.

BF:  You mentioned Audi. Now their Quattro was a car entering in rallies with iconic figures behind the wheel. Rallies are very popular. We are a young brand, dating from 2014, we chose the Formula E because it tells the story of our brand, with its fast and early move towards electrification. Formula E is not as popular as F1 for example, but it is iconic and indeed quite amusing and interesting.

I mention also here that the DS 7 360 or the DS9 is built by the DS Performance team. This means that besides the drivetrain which is shared with Peugeot, everything else is specific, it has a unique “feel” on the road and offers an exceptional handling. We also optimized the regeneration also on this car, which clients consider important. But indeed, we don’t have decades of sporting history to tell here…

HKtb:  Also the typical DS client is not the one who drives (very) fast or seeks the ultimate in performance…

BF: Indeed, this is what we want, and that’s the reason why we call it also “the art of the voyage”. The quality of the time you spend in the car is important. The satisfaction enjoying the comfort of a car being surrounded by noble materials. Of course, you have not less than 360 HP. I can use them if I want it, but what is offered here with this car to me is comfort and refinement. One has more than enough power at hand, but it is not an issue.

HKtb: Are your clients young, and is connectivity important for them?

BF: Our clients are not young, which is the case for all premium brands, if one looks at the B to C statistics, they are between 58 and 60 years old, the B to B is younger, from 45 to 50 years, let’s say. Everybody wants to be seen as an amateur of technology, being a “technophile”, because one thinks that if you don’t love technology, you are missing out. So everyone wants a car which is up to this. It is a social statement of modernity. I tell to my teams, the value of a car is nowadays 50 % hardware and 50 % software.

HKtB: This digitalization takes still further steps, like is shown by BMW with its “Neue Klasse” with screen wide displays and dashboard instrumentation and touch knobs and buttons reduced to the minimum, as the underlying digital menus are doing the rest.

BF: Our philosophy is very clear and we showed it also on our concept car, it is to say that what makes the value of our cars is that when you open the door, you have the impression to enter in a Bugatti. We have refinement, savoir faire, and this we want to stress even more in the future. Of course we consider also the increasing digital infotainment needs, as a modernist social statement, but we want this digital element to disappear when the client wishes so. If you enter the car, there is nothing on the screen. Only when you put the contact, the screen appears. That is our philosophy and our goal. Because at a certain point, showing a plethora of screens is not premium. The faculty of having the information appear and again discreetly disappear is premium. This is the direction in which we work. Of course, we need the technology to make this happen.

HKtb: What I would also look for in future DS automobiles is incredible sound…

BF: We made a partnership with Focal, installed in our higher equipment versions like the Rivoli line, which reaches already very good sound quality… of course we have now more silent, electrified or fully electrified cars, which makes this even more important. Everybody works on this, and we also work with partners who have built an enviable reputation in pure sound management. You will see more in the future…

HKtb: When I travel on a motorway, in a certain region, I would like to tune in on my sound system for cultural, historic or general information about where I travel.

BF: This fits in our philosophy of cultivating “the art of the voyage”, and this is also want the digitalization to bring us. My name I Beatrice, and I want to know about the culture, or art places to visit in the region or city where I travel. This is what connectivity should give me.  

 HKtb: I thank you for this interview.   

Hans Knol ten Bensel

We spoke with Pierre Leclercq: “our Citroën Oli is not only style. It is French Design.”  

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On the Brussels Salon, Citroën showed its already iconic Oli prototype, a harbinger of things to come in the Citroëns which will be in the showrooms already this and next year. Reason enough for your servant to have a talk with its head of design, Pierre Leclercq, about the design philosophy of the progressive brand with the “double chevron”, and so much more…

Hans Knol ten Bensel

I started this interview asking indeed about this new design philosophy of the brand, striving towards simplicity, practicality, lightness, durability and sustainability in a very bold and original package.

PL: “With the Oli, there are two things. First there is the brand identity, as we show with the Oli styling elements which we will bring to the market as soon as this year. The front end, the new logo, the head- and rear lamps, also the coherence between the front and rear end. The latter is a very important element in our brand identity. (We have seen this already in the Ami – editor’s note).

The form language, the simplicity of the edges and the curves will also be seen on our future production cars, but then also the contrasting vertical elements will be present. Our designers will deviate here from the strictly automotive styling which you see in the other brands of the group, we have a non-automotive touch which will be a distinctive element in our future styling.

The magic goals of French Design…

The second fact is that the Oli is not just a styling exercise. It is not only style. It is really French Design. We work together with our engineers to reduce weight, the cost, we are striving for intuitive and simple solutions.

For instance the seats. It’s very important, we work with a whole team to get a seat which is very distinctive, which we can put into production. We discovered with the Oli that our clients are ready for these things. We see that our clients are ready to take bold steps together with us, because we have an image that we will bring something more on the road than just a nice looking car.

HKtB: This translates also into the choice of the materials, the dialogue with the suppliers about the substance and texture of the elements and their surfaces, their unique touch and feel, the atmosphere and character this gives to the car…

PL: We will be a zero carbon company in 2038, and this has a huge impact on materials. Not so long ago, the choice of the materials came very late in the process of building a car. The exterior and interior, the colors, it was seen as pure decoration. Here and there, one started to use recycled materials for some items, but that was it. This process is now completely turned around at Citroën. We now ask first to tell us which materials we can use, as we want recycled materials, unpainted, and we will go from there and adopt them. This is most interesting. And I think that our clients are also ready for this.

HKtB: These elements and this approach we also see in the Ami. The French, as even Mr. Tavares recently put it, love their individual mobility. The Ami is fit for the (mega)city… will there be other models geared for a new City Mobility in the spirit of the Oli?

We always search for new solutions…

PL:  We have many projects running now. It’s a bit like a funnel. When there is one project hitting the road, we have already other proposals in the pipeline. We are always searching for new solutions. If you remember, two years ago, we showed a rather disruptive project of robotized platforms, which is an intelligent use of the present day autonomous technology, in controlled urban areas. But I imagine perfectly in 2030 and 2035 that these solutions will be used in our cities. The design will then focus on the interior of the cabins and structures rolling on these platforms, a very interesting evolution.

The Ami represented a big risk for us, indeed, we thought about the city, but in fact, we scrutinized the clients who bought the Ami, age, location, etc, and we noticed that the Ami is not only used in the cities. We have clients who buy the Ami for their children and grandchildren, remember that in France you can drive an Ami at the age of 14, and it is better than a scooter. And in a market where these vehicles cost between 12 and 15.000 Euros, ours is available for 6.000 Euros… No small feat, as we respect the profitability margins of our group! It is now on the market for two years, and it has grown more into a lifestyle than a car. This is also what the 2 CV has achieved. It is not easy to create the same phenomenon in this day and age…

HKtB: Can you tell a bit more about your Ami buyers?

We have also many clients who buy an Ami for their holiday homes. And as I said, of course grandparents who buy the Ami for their grandchildren. There are also clients who own a Ferrari and buy an Ami for their third or fourth car…

HKtB: We talked earlier in Paris about your open mindedness towards other designers, in other sectors, who could become involved in offering elements of the car during its life, for example, that in a further future one could offer replacement seats for Oli’s or Citroëns who after years of intensive use get a bit long in the teeth… or, rather, offer parts and items to customize the new Citroëns…

PL: It’s a philosophy I love very much. People more and more want an object which is really theirs. Design is not a luxury anymore. If you go for an Ikea kitchen, you can still choose the finish, styling and colors you want, to make it yours. This is now also true for cars. We have started this with the Ami.

HKtB: It is also true for Jeep. Mopar offers a wide array of accessories.

PL: Indeed, this trend is already more prominent in the States. But with the Ami we started off in Europe with the same trend. Not that we offer many accessories, but we created a desire with the customer to customize his car. It’s like Apple. They don’t offer many accessories themselves, but are produced by Belkin etc. It is a very interesting path for our cars in the future. This will give us for instance incredible interiors. I want the client to appropriate our geometries. Why not share our geometries on the internet Open Space and invite the developers to have fun with it?

Every brand has its own design team to embody its proper DNA

HKtB: What is your relationship or rather dialogue between your styling department and the suppliers? Do they come present you what is possible, or after having established a manifest for yourselves what you want to do in styling in the next five years, let’s say, you ask them to come up with new materials, possibilities?

PL: The dialogue goes both ways. But I want to stress here that the design has become very important. The suppliers are specialized in offering technology, for instance for the platforms we have conceived within the group, but over the last 30 years, what have we done? Instead of asking PininFarina or Bertone to style all the cars in the world, we have all established our design centers which carry truly our DNA, and every brand has its own equipe or team of designers. This is génial, because we have cars within the group which don’t resemble each other at all…

HKtB: With the new materials comes also repair friendliness, durability…

PL: Indeed, we want our cars to have a longer lifespan, and we will refresh them within our network. We need of course more control as nowadays we don’t see the car anymore after it has been produced. We have to control the recyclability of the car. Otherwise it’s no use to build the car with recyclable materials.

HKtB: It think it is necessary to tell the client that his car now has a long life and that you as the manufacturer will follow the car throughout its life.

PL: Indeed, a lifelong car, staying with you the rest of your life.

HKtB: Indeed, that as a brand policy you commit yourself to the clients that your Citroën model, Type A, B, or whatever, that you will always follow this car for decades to come…

PL: Ca serait génial, that would be a stroke of genius. It is our goal. It would be very interesting and it would completely change the idea of the automobile of today.

HKtB:  The youth is already there. They support and adopt the circular economy. I think Citroën is the right brand to do this. 

PL: Indeed, we push within the Stellantis group for these concepts, and I think that our clients are far more inclined to make these choices than the buyers of other brands.

HKtB: I thank you for this interview. Thinking out of the box is always interesting.

PL: I thank you, always lovely to exchange these ideas, thank you for the conversation. I also think that every car we build has to make the life of our clients better. These are not empty words. The Ami improves lives. We offered a new service; in Paris, people smiled when they saw the car. It takes something to convince a Parisien!

Hans Knol ten Bensel

A look at Peugeot’s future products and electrification strategy with the INCEPTION CONCEPT…

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Featuring a revolutionary exterior and interior design, including the next-generation PEUGEOT i-Cockpit® and innovative Hypersquare control system with steer-by-wire technology, the INCEPTION CONCEPT will inspire PEUGEOT’s future products from 2025 onwards. The better news is that Peugeot plans to bring most of its innovations to production (!)

Based on the STLA Large platform, the fully electric INCEPTION CONCEPT is powered by a 100kWh battery providing a range of 497 miles. With two electric motors, the INCEPTION CONCEPT produces almost 680hp and accelerates from 0-62mph in under three seconds. The model also features 800V technology, enabling it to add 93 miles of range in just five minutes, and is capable of wireless induction charging.

Linda Jackson, CEO of the PEUGEOT brand, said: “PEUGEOT is committed to the electrification of its range. In 2023, our entire line-up will be electrified and in the next two years, five new 100% electric models will be launched. Our ambition is simple: to make PEUGEOT the leading electric brand in Europe by 2030. This objective and ambitious vision pave the way for a radical transformation for the brand, as represented by the INCEPTION CONCEPT.”

Indeed, PEUGEOT will reduce its carbon footprint by more than 50% by 2030 in Europe and to become fully Carbon Net Zero by 2038.

Over the next two years, PEUGEOT will launch five new 100% electric models and by 2030, all PEUGEOT cars sold in Europe will be electric.

Dramatic design

The PEUGEOT INCEPTION CONCEPT introduces a new, simpler and more refined design language for the brand, which will be introduced on future models from 2025. At the front, it features an all-new light signature incorporating PEUGEOT’s distinctive claw design, which is merged with the front grille to create a single object that also houses the sensors. This is made up of a single piece of glass with the logo in the centre, magnified by the 3D luminescent effect.  The front grille and headlamps are in my opinion a bit reminiscent of the ‘70s 504… 

A TECH BAR runs horizontally through the door layer. This flush screen emits different messages to the outside of the car when the driver and passengers approach it. The artificial intelligence equipped on the PEUGEOT INCEPTION CONCEPT makes it possible to recognize the driver in order to set up the comfort settings (seat posture, temperature, driving mode and multimedia preferences) desired by each occupant. In addition, the TECH BAR also displays the battery charge level and houses many sensors and radars, leaving the bodywork completely smooth.

The INCEPTION CONCEPT’s bold design incorporates 7.25m2 of glazing to create a glass capsule for the passenger compartment that plunges to the driver and front passenger’s feet. All the glazing (windscreen, side windows and quarter windows) is made from glass designed for architecture. Adapted to the PEUGEOT INCEPTION CONCEPT, it retains its exceptional thermal qualities and benefits from a multi-chrome treatment (treatment with metal oxides), a process initially used for the visors of astronauts’ helmets by NASA.

Completing the car’s unique design is an exclusive body colour, which highlights the shapes in the bodywork and interacts, like the glazing, by tinting according to the external environment. The paint is single-coated, meaning far less energy is consumed during its application.

‘BEV-by-design’ platform

The INCEPTION CONCEPT has been given the silhouette of a low (1.34m) and efficient saloon and is 5m in length. It is based on the STLA Large platform, one of four future Stellantis Group “BEV-by-design” platforms. The arrival of this new range of platforms from 2023 will revolutionize the PEUGEOTs of tomorrow. Specifically created for electrification, they offer major differences in terms of architecture which enabled designers to completely reshape the PEUGEOT INCEPTION CONCEPT’s passenger compartment.

The new “BEV-by-design” native electric platforms will also introduce technological modules powered by artificial intelligence: STLA Brain, STLA SmartCockpit and STLA AutoDrive. Like the INCEPTION CONCEPT, future PEUGEOT models will be equipped with STLA Brain artificial intelligence and will be fully connected.

Powertrain

The 100% electric PEUGEOT INCEPTION CONCEPT is equipped with 800V technology. Its 100kWh battery enables it to travel 497 miles on a single charge, with extremely low consumption of just 12.5kWh per 100 km. The INCEPTION CONCEPT is capable of adding 19 miles of range in one minute, or 93 miles in five minutes, and can also be recharged wirelessly by induction.

Two compact electric motors, one at the front, the other at the rear, make the PEUGEOT INCEPTION CONCEPT a four-wheel drive vehicle. The combined power is close to 680hp (500kW), enabling it to accelerate from 0-62mph in under three seconds.

Next-generation i-Cockpit®

With its new Hypersquare control system, the PEUGEOT INCEPTION CONCEPT offers an agile driving experience and an all-new, more intuitive i-Cockpit®. Inspired by video games, the Hypersquare control system does away with the conventional steering wheel in favour of digital electric controls and steer-by-wire technology.

The centre of the Hypersquare is a tablet-type screen dedicated to the distribution of control information. The pictograms for the different features (air conditioning, radio volume, ADAS etc.) are displayed on the two side panels to facilitate access to the chosen control. The latter is located inside the circular recesses and can be accessed by moving the thumb only, without taking your hands off the steering control.

The next generation i-Cockpit also includes the Stellantis STLA SmartCockpit technology platform and STLA AutoDrive, enabling Level 4 autonomous driving. When driving is delegated, Hypersquare retracts and a large panoramic screen slides out from the floor to offer a new passenger compartment experience.

 PEUGEOT’s goal is to introduce the Hypersquare on a next generation vehicle in the range before the end of the decade.(!)

Interior

The PEUGEOT INCEPTION CONCEPT features a minimal cockpit dedicated to the driver alone, which does without a dashboard, crossbar and the bulkhead, providing a completely open view of the road.

Sustainable ‘moulded textiles’ are also used throughout the interior. Scraps of 100% polyester fabric from the design centre’s prototyping workshops or from suppliers are re-used to make load-bearing or trim parts. The seats are covered with a velvet made from 100% recycled polyester, which extends onto the floor and features 3D patterns to act as a floor mat.

More Peugeot news soon…

Hans Knol ten Bensel

BMW rides you into an enhanced real and virtual world at CES Las Vegas…

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The BMW Group is sharing its vision of the future digital experience, both inside and outside the vehicle, at the Consumer Electronics Show (CES) 2023 in Las Vegas.

It presented the BMW i Vision Dee, a futuristic mid-size sedan with a new and pared-down design language. The name “Dee” stands for Digital Emotional Experience – and that is precisely its aim: to create an even stronger bond between people and their cars.

This car has future digital functions will go far beyond the level of voice control and driver assistance systems we are familiar with today.

It starts all with a BMW Head-Up-Display extending across the full width of the windscreen, providing a glimpse of the next vehicle generation.

From 2025 onwards, this innovation will be available in the models of the NEUE KLASSE. The BMW Group has also refined its use of colour-change technology. Having unveiled the BMW iX Flow Featuring E Ink, with the ability to change from black to white, at the last CES, BMW i Vision Dee can now curate its exterior in up to 32 colours.

“With the BMW i Vision Dee, we are showcasing what is possible when hardware and software merge. In this way, we are able to exploit the full potential of digitalisation to transform the car into an intelligent companion. That is the future for automotive manufacturers – and, also, for BMW: the fusion of the virtual experience with genuine driving pleasure,” said Oliver Zipse, Chairman of the Board of Management of BMW AG. “At the same time, BMW i Vision Dee is another step on the road to the NEUE KLASSE. With this vision, we are looking far into the future and underlining the tremendous importance of digitalisation for our upcoming product generations.”

With its intelligent, almost human capabilities, BMW i Vision Dee accompanies drivers not only through real-life situations on the roads, but also in their digital environment.

“A BMW lives by its unparalleled digital performance. BMW i Vision Dee is about perfect integration of virtual and physical experiences,” said Frank Weber, member of the Board of Management of BMW AG responsible for Development. “Whoever excels at integrating the customer’s everyday digital worlds into the vehicle at all levels will succeed in mastering the future of car-building.”

BMW Mixed Reality Slider: into the virtual world in five steps

The BMW, in combination with the advanced Head-up Display, is the digital highlight and central operating control of BMW i Vision Dee. The completely virgin and simple dashboard panel shows just a line with dots. This is the Mixed Reality Slider. By using shy-tech sensors on the instrument panel, drivers can decide for themselves how much digital content they want to see on the advanced Head-Up Display. The five-step dot selection ranges from analogue, to driving-related information, to the contents of the communications system, to augmented-reality projection, right up to entry into virtual worlds. In parallel, dimmable windows can also be used to gradually fade out reality. Mixed reality can be experienced in BMW i Vision Dee in an immersive way that engages different senses without requiring any additional tools, creating a new dimension of driving pleasure for the user.

Advanced BMW Head-Up-Display: in NEUE KLASSE from 2025

The BMW Group is known in the automotive sector as a trailblazer for the Head-Up-Display and has systematically refined this technology over the past two decades. In BMW i Vision Dee, projection across the entire width of the windscreen allows information to be displayed on the largest possible surface – which only becomes recognisable as a display once it is activated. In this way, the BMW Group demonstrates the huge potential of projection technology and BMW i Vision Dee visualizes how a advanced Head-Up-Display could also be utilized in the future for the display and operating concept. The standard-production version of the BMW Head-up-Display extending across the full width of the windscreen will be used in the models of the NEUE KLASSE from 2025 onwards.

Welcome scenario with voice and phygital icons

The digital experience already begins outside the vehicle, with a personalized welcome scenario that combines graphical elements, light and sound effects. Natural language serves as the simplest, most intuitive form of interaction, enabling perfect understanding between humans and their vehicles. The headlights and the closed BMW kidney grille also form a common phygital (fusion of physical and digital) icon on a uniform surface, allowing the vehicle to produce different facial expressions. This means BMW i Vision Dee can talk to people and, at the same time, express moods such as joy, astonishment or approval visually. BMW i Vision Dee can also project an image of the driver’s avatar onto the side window to further personalize the welcome scenario.

World premiere for full-colour E Ink technology

Following the spectacular debut of the BMW iX Flow Featuring E Ink at CES 2022, the BMW Group is now unveiling a full-colour version of the E Ink technology in BMW i Vision Dee that will be used as the outer skin of the vehicle for the first time worldwide.

BMW i Vision Dee, rather than simply alternating between black and white, now showcases a multi-coloured, fully variable and individually configurable exterior. An ePaper film from the BMW Group’s cooperation partner, E Ink, is applied to the body to create this magical display of colour. Up to 32 colours can be displayed.

The body surface of the BMW i Vision Dee is divided into 240 E Ink segments, each of which is controlled individually. This allows an almost infinite variety of patterns to be generated and varied within seconds. The laser cutting process used to trim the films and the electronic control design were developed in partnership with E Ink. The adaptation of this technology for curved surfaces and the programming of the animations, were developed by BMW Group’s in-house engineers – enabling a form enabling a form of customisation that is unique throughout the automotive sector worldwide.

Reductive design – inside and out

The design of BMW i Vision Dee has been deliberately pared down to focus attention on the digital experience and the DNA of the BMW brand. The exterior is defined by the classic three-box sedan design that forms the core of the BMW brand. Traditional design elements, like the BMW kidney grille, twin circular headlights and the Hofmeister kink, are reimagined, with phygital icons replacing analogue elements. This gives BMW i Vision Dee its own digital, but human, character.

Inside, digitalisation goes hand in hand with reductive use of materials, operating controls and displays to ensure nothing distracts from the digital experience and the new feeling of enhanced driving pleasure. The unconventional design of the steering wheel, with its central vertical spoke, creates touchpoints that come to life when approached or touched and can be operated by moving the thumb. These phygital touchpoints control selection of the content projected onto the windscreen and, together with the Head-Up Display, thus support the principle of “hands on the wheel, eyes on the road”.

“With BMW i Vision Dee, we are showing how the car can be seamlessly integrated into your digital life and become a trusty companion. The vehicle itself becomes your portal to the digital world – with the driver always in control,” said Adrian van Hooydonk, head of BMW Group Design. “Implemented the right way, technology will create worthwhile experiences, make you a better driver and simply bring humans and machines closer together.”

Another milestone on the road to the NEUE KLASSE

The future of the BMW Group is electric, circular and digital. BMW i Vision Dee represents the digital aspect of this trio and will be another milestone on the road to the next vehicle generation, the NEUE KLASSE. The BMW Group will provide further insights and glimpses of the revolutionary vehicle concept of the NEUE KLASSE over the course of 2023. See more news soon!

Hans Knol ten Bensel

Jeep revealed at the Paris Motor Show its Jeep Avenger 4×4 Concept…

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Externally, the 4×4 Concept features tow hooks, wider fenders and track, and is equipped with larger, exposed and more aggressive tires.

Indeed, at the finale of the Jeep brand press conference of the Paris show, Jeep announced its 4×4 Concept.

At the event, Jeep brand CEO Christian Meunier pointed out that the Avenger has been designed as a Jeep vehicle from the outset. Indeed, “the all-electric 4×2 model already offers some of the best-in-class capabilities that identify the Jeep brand”, he stated.

Of course, it was tempting to inject the Jeep brand’s four-wheel drive electrified capabilities into a compact package, while retaining the brand’s unique design language, capability and personality.

Externally, the 4×4 Concept features tow hooks, wider fenders and track, and is equipped with larger, exposed and more aggressive tires.

To further enhance the capability of the Jeep Avenger, the approach angle has been improved to 21 degrees, departure angle to 34 degrees and breakover angle to 20 degrees, thanks to the ground clearance which now exceeds 200mm.

The front end has additional protection, with thicker cladding and there are extra built-in flood lights to improve visibility when driving at night.

The Avenger 4×4 Concept also displays a new lightweight roof cargo system concept that, with a special belt system, compresses the luggage on the roof and has scratch-proof protection along its entire length. The whole package is completed by an anti-reflective hood sticker and anti-scratch grille treatment for additional peace of mind when driving off-road.

Concluding the unveiling, Meunier said: “Here in Paris, we have shown that we have a full portfolio of new all-electric 4×4 capable Jeep models just around the corner, with a clear goal in mind: to become the number one electrified SUV brand in the world as we continue our path towards achieving our mission of Zero Emission Freedom.”

The full-electric Avenger joins a portfolio of Jeep vehicles which are 100 percent electrified in continental Europe…

Just look at the photos for now, until the Avenger all electric 4×2 comes available for a test drive…and the 4×4 version will also hit our roads!  

Hans Knol ten Bensel