Category: Automobilia

Automechanika Frankfurt establishes the B2B network “Classic Alliance”: a significant breakthrough for the classic car world and aftermarket industry…

Posted in Automobilia, Car manufacturers strategy, Classic and Vintage Cars, Classic cars, Manufacturer's Classic Centers, Museums, Pre-War Classics, Service & Repair, Suppliers and car industryLeave a comment

Do you know “Automechanika” ? It is actually one of the pillars in the “Messe Frankfurt” organization, which generally offers tailor-made trade fair formats worldwide with an international target audience. Of course, the automotive sector is an important part of their activity. Therefore, they organise automotive events, and also automotive aftermarket events.

Automechanika, being the leading trade fair brand, is its most important platform with 16 events worldwide. Not only is it the international meeting place for the manufacturing industry, repair shops and automotive trade, it also represents the entire automotive aftermarket value chain like no other trade fair brand.

Now they have launched a new B2B Classic Car Network, and are working to establish a comprehensive network between the automotive aftermarket and the classic car sector.

As we all know, classic and collectible cars and supercars represent a market worth billions – and a key goal of this initiative is to bring clarity to this fragmented sector.

Members of the new network will receive industry insights and exclusive invitations to classic and collectible car events, while also enjoying the opportunity to discover new business models and make new contacts in the worlds of industry, retail, workshops and services. Just read further…

Hans Knol ten Bensel

Put Frankfurt 8-12 September in your diary…

During the trade fair from 8 to 12 September 2026, the new community will be gathering in Hall 11 for a daily happy hour where they can network and share ideas. There will also be a captivating supporting programme organised by Jürgen Book, a classic car aficionado and paintwork expert with more than 45 years of experience in the automotive industry. One highlight will be the presentation of the ‘Golden Classic’ award by Auto BILD Klassik on the evening of 8 September 2026.

Bringing together leading players from industry, workshops and retail to address topics throughout the automotive value chain is part Automechanika’s DNA. This is also true for Automechanika’s network concept for the classic car business.

Automecahnika has taken this step in response to growing global interest in classic cars and associated challenges such as spare parts supply, the retention and transfer of expertise (increasingly important as many experienced specialists retire), and, also very important, a distinct lack of specialised training formats.

For many workshops, classic cars have been little more than a sideshow to date, yet they offer numerous automotive businesses a lucrative additional source of income – in restoration, maintenance, spare parts supply and specialised services for classic vehicles.

The network specifically strengthens the visibility and networking of professionals in this sector while helping them to network. This includes not only industry companies exhibiting at the event, but also international associations and institutions, as well as trade visitors with business ties in the classic car business.

Automechanika Frankfurt’s organisers will be getting support from their new strategic partner FIVA (Fédération Internationale des Véhicules Anciens), the well known international association for classic cars.

FIVA represents clubs in more than 70 countries with over two million members and has one of the largest international networks in the world of classic cars. We will discuss also more at length the role and acivities of the FIVA organisation when we present you here on this site the conference organised by the Belgian Historic Vehicle Association (BEHVA), titled “Motoring Heritage, History in Motion.” You can read a first short comment of this event on my Instagram Site autoprova.be. But more to come soon on this site here.

Tiddo Bresters, President of FIVA commented on the B2B Classic Network: “Our strategic partnership with Automechanika, a global player in the B2B automotive supply exhibition industry, demonstrates confidence in the growth potential of the historic vehicle business and the opportunities it also offers young people for a career in this market.”


 Supported by industry…

Automechanika’s initiative is besides FIVA also supported by its partners Bosch, DAT (Deutsche Automobil Treuhand), Eucon and ROWE.

Bosch Classic comes here in the picture. Michael Mack, Director of Bosch Classic commented: “Bosch Mobility Aftermarket has had a strong presence at Automechanika for many years now. We are delighted to be adding Bosch Classic’s portfolio of products and services to the mix in 2026 and relish the opportunity to present these to a broad international audience. Automechanika Frankfurt’s B2B Classic Car Network promises to make a valuable contribution to the classic car community in future.” 

Osvaldo Celani, Managing Director of Eucon: “The dynamics of the classic car market are presenting the industry with new challenges. Factors such as increasing technical complexity, growing market diversity and higher expectations among stakeholders mean that classic cars can no longer be viewed merely as a hobby, but rather as a professional business area. Reliable data and strong partnerships are crucial in this regard. With our data service for classic cars, we at Eucon are increasing transparency and efficiency in this segment – an important contribution to sustainable growth and the future viability of the classic car industry.”

Raphael Dammann, DAT Head of Sales Strategy: “DAT has been an integral part of the automotive industry since 1931. We help our experts, workshops and dealers with data and values that help keep our automotive heritage moving throughout the vehicle lifecycle. We welcome the additional opportunity that the Automechanika B2B Classic Car Network gives us to come into contact with highly specialised providers.”

Stefan Wermter, CEO of ROWE Mineralölwerk GmbH: “Our participation in the B2B Classic Car Network is a clear commitment to our involvement in the field of classic and modern classic cars. Historic vehicles exude pure fascination, but also require particularly intensive care from their owners to protect them and maintain their value. The interests and needs of the classic car scene are as diverse and exciting as our high-quality full range of products.

Our product solutions thrive on the exchange with connoisseurs. With the classic oils in our vintage product range, ROWE already offers a wide selection that meets the special requirements of young and oldtimers. The coming together of the automotive aftermarket with professionals from the scene offers enormous potential for establishing contacts, expanding our portfolio in a targeted manner and thus contributing to ensuring that enthusiasts can enjoy their classic cars for as long as possible.”

We will keep you posted on further developments of this laudable initiative of Automechanica. Stay tuned for the report of the conference held by BEHVA on the latest Brussels Motor Show!

Hans Knol ten Bensel

Brussels Motor Show: Some thoughts about the styling future at Citroën, our talk with head of design Pierre Leclercq…

Posted in Automobilia, Car Events, Car manufacturers strategy, Car News, Car Shows, Car technology, Concept Cars, Design, E-mobility R &D and solutions, Fashion, Future car technology, Interviews, Lifestyle, New Models, prototypesLeave a comment

Conceiving the automotive future is always a very challenging task. Some brands have also  a future-oriented attitude more than others in their DNA, and one of them is certainly Citroën.

75 years ago, they brought us the 2 CV, a car which embodied nothing less than a four-wheeled French revolution, embodying Liberty, Equality and Fraternity. Indeed, this adagio of the French revolutionists fitted the post-war French “citoyens” admirably, as the 2CV brought them just that. Freedom for all, with low-cost mobility, practicality, and go-anywhere capacity.

This revolutionary dream of the brand with the double chevron has never died. And Pierre Leclercq, the Belgian born head of design, proved its love for practicality, out of the box progressive “back to authentic basics of automotive mobility” thinking  already with its wonderful and stunning OLI.   

Your servant was at the presentation of this OLI in Paris, and now stood eye to eye with the equally intriguing ELO. On both occasions, he met the designer, Pierre Leclerq. We talked to him again in Brussels…

Hans Knol ten Bensel

A creative career…

Pierre Leclercq started in 1998 at BMW as an intern, he joined the Italian coachbuilder Zagato in 1999, which he left after three months to join Ford Ghia. Here he designed the interior of the Ford Street Ka concept. In 2000 he returned to BMW, where he worked for 13 years. There he notably designed the BMW X5 E70, BMW X6 E71 and the rear of the first Mini Countryman. He also worked on a successor to the BMW M1 based on the BMW i8, but the project was ultimately abandoned.

Pierre Leclercq headed the design studio of Great Wall Motors from 2013 to 2017. He then became design director at Kia, but stayed only one year with the South Korean manufacturer. Needless to say that he acquired a keen understanding of the design philosophy and DNA of both European and Far East manufacturers.

In November 2018, he took over the head of Citroën’s design office, succeeding Alexandre Malval, who had moved to Mercedes-Benz. The first project he led entirely at Citroën was the C4 X, a 4-door version of the third-generation C4.

Three pillars to keep in mind when building this concept car…

On the Brussels show, at the presentation of the ELO and the subsequent talk we had with him, Pierre stressed that this concept car is first and foremost a laboratory of ideas. He also wants to demonstrate the three pillars of the design philosophy of this car;  he told us: “The ELO must become your third place (after home and office – editor’s note) to live in which you must be able to play, work and rest ”   

Work…

Pierre presented the ELO to us, showing the highlights of its design. “We start with a six seater”, with the driver in the center and two seats on both sides. The second row is made of three other seats.”

“Fold two seats under the rear seats and then you can rotate the driver’s seat 360 degrees, either for a good entry or when you want to work. Ideal for people who want to work – our first pillar –  in another place than the office.”

Play…

“I told you the second pillar is play”, he continues. “The cooperation with Decathlon was so inspiring and led to new ideas and applications. We developed an app together with them. You can plan your trip, plan your weekend, so that you don’t forget anything that you need, you have electricity and (compressed) air for your bikes and toys…”

Compressed air and electricity for your E-bikes are provided…

Rest…

“The third pillar is rest. You fold the seats in the back row, and you have a flat floor. You then use two matresses, again an innovation from Decathlon. You inflate them to have perfect rigidity. We also have a larger screen that can unfold and we have a projector that is on the side of the car, and the little roof opens up at the back of the car to let you look at the stars in the sky.”

We asked him also about the cooperation with Decathlon on this project…

PD: “We liked Decathlon because we carry the same values.” was his answer. “Decathlon is innovating because it makes well designed and well thought products and is not reverting to expensive technologies. We worked together from the beginning to the end on this project, and it was a big learning experience for us.”

What are the futher design hallmarks of the ELO, we asked.

PD: “The car is compact, but has a lot of glass, which is very important both for the driver and people in the back, and more importantly, children.”

Can you tell us more about the materials used, we wanted to know.

PD: “Many materials are recyclable and we even recycled materials from the OLI for this project. Also the interior panels for example. They are also cheap and easy to replace when scratched due to intensive use…”

You took advantage of the EV architecture, we remarked…

PD: “Indeed, we could maintain very compact dimensions whilst offering much room. We could move driver forward, even putting him in the centre.”

We will see much of these solutions in forthcoming models?  

PD: “Yes, this concept car is a laboratory of ideas, there is not one idea which we will not try to put into production. Of course, this is the beauty of our craft, of being a designer, is to make and develop many projects, and to put them on the road, and last but not least to sell them, because these concept cars are not made for us, but for the cliënt.  

Needless to say it was a big pleasure for us to meet up again with Pierre Declercq, and see and admire his stunning concept car, the ELO.

In the next report on the Brussels Salon we will talk to Robert Lesnik, Director Exterior Design Mercedes-Benz and Oliver Löcher, Vice President Vehicle Engineering and Overall Vehicle Functions Mercedes-Benz Cars. Stay tuned!

Hans Knol ten Bensel

Mercedes tells us in Brussels Autoworld the iconic “Story of the Star”…

Posted in Automobilia, Car Events, Car History, Classic and Vintage Cars, Classic cars, Concept Cars, Design, Lifestyle, Manufacturer's Classic Centers, Museums, Pre-War Classics, Sports and RacingLeave a comment

The exhibition retraces this remarkable story, from the very first three-wheeled Benz (1886) to the spectacular AMG ONE, here on the photo.

The magnificent Autoworld Museum traditionally ends the year with a major exhibition. This year, the house with the good star, Mercedes, takes centre stage. You can admire all the cars which made the brand truly legendary, and this until 22nd of February 2026.

Indeed, Mercedes has quite something to celebrate: not only is the brand now 140 years old, but it celebrates also the 100th anniversary of the merger between Daimler and Benz.

The exhibition retraces this remarkable story, from the very first three-wheeled Benz (1886) to the spectacular AMG ONE. More than fifty vehicles, including several rare highlights, are brought together for the first time in Belgium, displayed across thematic zones that reveal the many faces of Mercedes-Benz.

We attended the press evening, and of course we took our Fujifilm camera along the exhibits. We show you here some remarkable cars, but you should definitely put a visit to Autoworld, housed in  the magnificent Cinquantenaire monumental site.

You can start your tour with the 1886 Benz Patent-Motorwagen Replica. A replica indeed, as Mercedes had 100 replicas build in England, to celebrate the 100th birthday in 1986.

Carl Benz (1844 -1929) built the car and it contained quite a few novelties:  fully elliptic springs were used at the back with chain drive on both sides. A simple belt system served as a single-speed transmission. The four-stroke engine was extremely light for the time, weighing about 100 kg. A large horizontal flywheel stabilized the power output. Nevertheless, Benz was cautious, and opted for 3 wheels because he was… as an engineer not really familiar with a 2-wheel steering mechanism (!). The vehicle was awarded the German patent number 37435, applied for on 29 January 1886. Everyone knows about the drive which his wife Bertha Benz made with this car to visit her mother. The first fully-fledged automobile drive ever… when you see the car in the flesh, you wonder how on earth this was ueberhaupt possible.

The unique Mercedes DNA was soon established…  

When you stroll a few meters further, you stand eye to eye with a magnificent green 1937 Mercedes-Benz 540 K Sport Cabrio A (W29). The car was originally delivered to Alfred Krupp , and was early after the second world war sold to Prince Bernard, the husband of Queen Juliana of the Netherlands. Since he wanted his cars to be green, it was resprayed in his favorite color.

It was sold to a Swedish owner in 1953. Around 1990, Daimler-Benz meticulously restored the car to its original specification. The current owner has cherished this remarkable automobile since 1995.

Alongside the 540 K stands a 1961 220 S (W111) “Heckflossen”. This nickname stemmed from the rather timidly styled rear fins, which Mercedes apologetically commented as “helpful for parking”. This 220 S was revolutionary for its “safety cell”, truly representing a milestone in car design where front and rear crumple zones absorbed kinetic energy on impact. F1 Racing car engineer Rudolf Uhlenhaut had a major hand in the design of suspension and refining the handling of this beautiful car, and since my father owned one in these days, it is a car in which I learned to drive expertly. I still love the specific handling of this car, and I vividly remember a long drive with a 230 S “Universal” together with Autoworld Curator Leo Van Hoorick to visit the German Mercedes Benz museum, where I could enjoy behind the wheel the wonderful performance and stability in fast corners and at speed of this car. I think Leo fell immediately in love with this very car, and soon after he bought this car from the Mercedes Benz Belgium collection…and still owns it!

Royal transport: the 600 “Pullmann”

Strolling a bit further, one stands eye to eye with royal transport. Indeed, this car has served exclusively at the Belgian Royal Court, and is known as the “King Baudouin.”

This car, designed by the Frenchman Paul Bracq, (he also designed the iconic “Pagode” 230 SL) did not undergo a single modification during its 18-year career, undoubtedly due to its modern styling. It is equipped with air conditioning and a hydraulic system that controls, among other things, power steering, braking, and the hydraulic windows. Production began in 1964, and more than 600 variants were built until 1972. The production continued, albeit at a slower pace, until 1981. In total, 2,677 units were produced of which 487 long-wheelbase Pullmans. (overall length 6,240 mm).  

A F1 Mercedes for the road…
 

Sensational to admire is the 2025 Mercedes AMG-One. It is a hybrid supercar, nothing else actually than a F1 car adapted for road use. Behind the driver rests a 1,6 litre V6 turbo engine sourced from the Mercedes F1 car. But that is not enough: it also has four electric motors, which results in a total power delivery of 1062 HP and a top speed of 352 km/h. All this is not exceptional anymore in our dizzying EV age, but it stays quite impressive of course. The car made its debut on the 2017 IAA show in Frankfurt, but putting this complex drivetrain into production appeared to be a quite formidable task. So series production actually started only in August 2022. Only 275 units were planned, and of course they were completely sold out long before actual production began. The demand for this car was far higher, but AMG and Mercedes maintained the original production run, also to keep the car  very exclusive.

A tribute to Stirling Moss: the 2009 Mercedes-Benz SLR McLaren “Stirling Moss” (R199).

Your servant has vivid memories of this iconic British champion when he participated in the historic Mille Migilia in the official Mercedes factory team, alongside Stirling Moss. Together with my father, we drove the works 180 D “ponton”, which was far more comfortable and cooler that the 300 S Panamericana which Stirling Moss steered along the 1000 mile course. “You were having fun”, he commented, “you could drive virtually the whole course flat out!”

We like the panache and the contours of the car here which is built in his honour. Stirling drove this car on the 2009 Goodwood festival of speed.
 

This limited edition variant uses a speedster styling that does not include a roof or a windscreen. The car is designed by Korean designer Yoon Il-hun and is of course inspired by the 300 SLR race car. The SLR Stirling Moss was to be the last series of the McLaren SLR built under the partnership between Mercedes-Benz and McLaren.

he car is approximately 200 kg lighter than the standard model thanks to carbon fibre construction and speedster styling. All 75 cars planned to be produced were completed by December 2009. It was available only to the existing SLR owners and each car cost in excess of US$1 million. This one was driven and signed by Stirling Moss in Goodwood in 2009….
 

Autoworld curator Leo Van Hoorick (left) and Mercedes Benz Cars PR Bastien van Den Moortel guided us expertly through the exhibition…

But of course there is much more to be seen of stunning Mercedes cars in Brussels Autoworld. As said, the exhibition runs until February 22nd. Not to be missed…

Hans Knol ten Bensel

InterClassics Brussels 2025 was an absolute hit…

Posted in Automobilia, Car Events, Car Shows, Classic cars, Manufacturer's Classic Centers, Museums, Service & Repair, UncategorizedTagged , Leave a comment

In the vast “palaces” of the iconic Brussels Expo, the 10th edition of this event proved quite popular, with no less than 29.472 enthusiasts admiring the four-wheeled classics. Special theme of the show was the celebration of the looks, fury and sound of the V12 engine, which is of course at home in many supercars. The good news is that these wonderful engines are here to stay, as our Brussels EU politicians are going to allow combustion engines to live on after 2035…

The festival of supercars: a Koeningsegg was admired by many…

The show also focused on the 75th anniversary of Formula 1. Many supercars were therefore to be seen on the show, and this inspired the organiser MECC Maastricht to provide a special “Supercar Foyer” at the InterClassics Maastricht, which is to be held from 15 to 18 January in Maastricht.

International character

Organiser Erik Panis also mentions the international character of the show, and indeed, it is becoming one of the hallmarks of the Brussels event. It has now grown to the biggest indoor classic car event in the Benelux. Also, if you look at the number of cars which changed hands on the show, one notes that the classic car sector is still growing…

BEHVA promotes youth education…

One of the important partners of MECC is the Belgian Historic Vehicle Association (BEHVA). They worked actively to support students and teachers in car maintenance, repair, and service. Indeed, without the (specialized) professional mechanical and service know-how in repair and workshops and classic car care centres, the classic car industry and sector simply cannot survive and have a good future.

Many beauties were to be found on the show, and our beloved Royal Historical Vehicle Club Belgium, which had put up a beautiful stand at the InterClassics show, won a special prize with a well-preserved Lincoln Continental Mark II built in 1957. The club also celebrated its 50 years of existence…

The body, interior, and chassis of this Continental are totally original; of course, the mechanics underwent a thorough overhaul to make it roadworthy and reliable. For Emmanuel de Menten, (here far left in the photo), the proud owner of this Lincoln with classic “European” and Latin/Italianate styling language, hence the name “Continental”,  owning this car is the fulfillment of a child’s dream…

On the photo below you see the counselor and member of the executive committee of Autoworld Brussels, Leo Van Hoorick, handing over the Special Price of the BEHVA Jury to RHVCB President Michel Van Eesbeeck.    

Celebrating 50 years of VW Polo…

Your servant vividly remembers driving the Audi 50 as a test car, and soon after I sat behind the wheel of the first Polo, a more dressed down version of the Audi sister model, launched in 1975. The original Polo 1 was sold in not less than 1,1 million units, and was built, including a facelift, until 1981. Of course, the history of the Polo merits a special article by itself and we will come back on this.


 

We limit ourselves here to the remarkable Polo models on the VW stand of the show, the Polo Harlekin and the Polo R WRC.

The story of the “Harlekin” is a special one. When the third generation of the Polo was introduced in 1994, Volkswagen also launched its modular production system. This allowed some parts to be exchanged with other models and brands within the group.

To highlight this approach, a small group of production engineers decided to fit ten Polos with body parts of different colours, and the Wolfsburg marketing department liked the idea and decided to make a limited production run for the German market. In total, from 1995 to 1997, 3.806 units were built, with 103 extra right hand drive Polos for the UK market.

The Polo R WRC is an icon of the World Rally Championship! Over four seasons, this car ensured that Volkswagen Motorsport and its beloved duo Sébastien Ogier and Julien Ingrassia won four world titles for manufacturers, and the same number for drivers and co-drivers. Of the 52 rallies in which the Polo R WRC participated, the car won 43 (or 82.7%) and at least one of its drivers finished on the podium 50 times.

The Polo R WRC, which is showcased at the Belgian VW Club stand during InterClassics, is the car that Sébastien Ogier and Julien Ingrassia used in 2013. The 1.6-litre turbo engine produces around 315 hp, a power that is transmitted to all four wheels via a sequential gearbox. Good for a sprint from 0 to 100 km/h in less than four seconds!

You can write the next InterClassics Brussels in your agenda: it is scheduled from 20 to 22 november next year!

Hans Knol ten Bensel  

We drove the Fiat Grande Panda Elettrica: EV driving with panache and style…

Posted in Automobilia, Car News, Car technology, Car Tests, Design, E-mobility R &D and solutions, Lifestyle, New Models, PhotographyLeave a comment

Italy is the birthplace of style and elegance, and this Grande Panda truly shows it. We personally love it and both the exterior and cabin styling solutions have won our hearts. It truly stands out in character and practicality and shows many competitors how a compact B-segment car can also be designed and built.

The Grande Panda Elettrica runs on the Stellantis compact EV platform, which it shares with the Citroën C3 (Aircross) and Opel Corsa/Frontera.

It has a 44 kW battery, and a 83 kW/113 HP electric motor. Perfect for town driving, where the less ideal aerodynamic boxy bodywork doesn’t spoil the fun. This means that in town, a practical range of some 300 km is quite realistic.

On the open road and certainly on the motorway, you better have a somewhat lighter foot, as the wind resistance pushes the consumption higher into 18-19 kW/100 km, reducing the range below 220 km.

The engineers wisely limited the top speed to some 132 km/h, which is totally reasonable. Cruising around 110 km/h will get you around 250 km useable range. The WLTP consumption is quoted at 16,8 kW/100 km. Charging on an 11 kW charger will cost 4,5 hours from zero to a full battery.

The Grande Panda is very much in its element both in town and on the open road. It steers light and precise, is quite comfortable on city pavés and is also remarkably silent, also at speed.

The electric engine is smooth and inaudible, just a faint whirr is heard when it recuperates energy when slowing down. Wind and tyre roar increase with speed, but it never gets obtrusive.

A model of the original Panda, remembering the banked round curves of the famous “pista” on top of the iconic original Fiat factory in Turin…

Besides the silence and smoothness of the electric engine, one can also enjoy the zest and power offered by the 83 kW motor. It will sprint from 0 to 100 km/h in just over 11 seconds, but actually the intermediate accelerations tell you the whole story: accelerating from 60 to 100 km/h costs slightly over 6 seconds…

Handling is quite good and predictable. This Panda doesn’t mind to drive with speed on winding roads, with good motorway stability also guaranteed.
 

A pleasant cabin

So much for the driving part. Stepping into the car one enjoys the modern and stylish “ambiance” of the interior. Well done! We liked the styling elements and surface texture of the glove box, the square shaped ventilation openings, the layout of digital dashboard screen and the 10,25 inch centre screen. Everthing is simple, yet there is every information you will ever need.

Of course, no navigation is provided, so the apps on your phone will via Apple Car Play or Android Auto will have do the work. It also pays to have an app on your phone which shows charging stations…

There is plenty of room on the dashboard to put your stuff and the centre console has room for your phone. Two USB C slots are provided in front near the centre console.  

We liked the “Panda”lettering on the seats, and the front seats were pleasantly soft and comfortable. We were further seduced by the evident controls of heating and ventilation: three round knobs, which were a child’s play to use… When the battery is charged more than 30 pct, you can even pre-heat your Panda in the morning.

Also in the rear there is enough room for two rather tall adults.  The luggage space is also more than adequate with 361 liters, with the rear seat down this increases to 1315 liters. The charging cables have no separate space, so they occupy the boot…

Conclusion

If you are looking for a B segment car which stands out in style, then this Grande Panda is the one to look at. It offers enough room for four adults and their luggage, is a dream to drive in town and will let you tour through Europe in comfort.

Its personality will let you enjoy EV motoring, that’s for sure, and last but not least, the price will also make you smile…

Hans Knol ten Bensel

Photographers’ notes

The photos were taken in abysmal rainy and windy autumn weather, where a camera and lens which performs well in low light conditions is paramount. It also pays to have a chamois at hand to keep your camera and lens dry..

We used again our Sony Alpha 5100 with the Zeiss Vario Tessar E 4/16-70 ZA OSS lens, and it delivered again wonderfully with sharp photos having good contour contrast.

We used a second camera which is a long time favorite, the wonderfully compact and stylish Fujifilm X10, having a Fujinon aspherical lens, 7.1-28.4 mm, f. 2 to 2.8. This boils down to 28-112 mm for 35 mm equivalent. The large lens opening makes it an excellent candidate for low light situations. The sensor of the Fujifilm X10 is now 13 years old, and it is a 12 MP 2/3 CMOS X-TRANS I Sensor, but still holds its own wonderfully.

The desktop shot here of the X10 was taken with the Fujifilm Finepix S100FS Bridge Camera, with a 28-400 Fujinon zoom lens, which we bought used some years ago, for… 75 Euros (!). The handheld shot was taken at 1/40 sec, with f at 3,2, and sensitivity set at 800 ASA. The camera has, of course, image stabilization and an 11,1 MP sensor, which proves to be quite sufficient in many situations… We still think it is an impressive camera, considering also its massive zoom range and having also film simulation built in, letting you choose between Provia, Velvia and Soft and Portrait modes. On top of that you can choose between High, Mid and Low colour profiles and of course Black & White.

We drove the Renault 5 E-Tech: the automotive future now embraces its historic icons..

Posted in Automobilia, Car News, Car presentations, Car technology, Car Tests, Design, E-mobility R &D and solutions, Lifestyle, New ModelsTagged Leave a comment

Indeed Renault is looking back, but then only to inject its unique iconic true DNA into the cars it designs for the E-future. This is a clever strategy of this iconic French automaker. Indeed, in the roaring sixties and seventies, it did put cars on the road which continue to inspire several generations, and this right until this day.

Besides the ”4L” or charmingly called in the Gallic language ” la quatre elle” , there was the Renault 5, lovingly called “la Cinq”.

Another Renault icon is the starting blocks by the way, the new Twingo E-TECH, and all these new characterful cars are based on the same platform which Renault has developed for the new age of very efficient, compact and financially accessible EV’s.

Renault showed a prototype of its electric “5” already in 2021, and we are delighted to see that virtually all the styling elements of this project car are found back in the series production model.

The “5” is indeed an absolute pleasure to look at, it is wonderfully proportioned and stacked with delightful details.

Like the big letter “5” on the hood which gradually lights up when you charge the car, so you can  immediately see how far the battery is recharged. So cool!

The headlamps are also wonderfully styled, and accompanied by square led light patterns below them.

The rear lights are sculpted as on the legendary R5 Turbo. By the way, the power and panache of this Turbo classic is not much more in driving practice than the torque and immediate pulling power of the 150 HP electric motor of our test car. And then there is the 218 HP Alpine Version, which we hope to drive soon…

A wonderful cabin…

The fun continues in the cabin. We find here the typical square design style of the seventies, which is continued in the yellow colour and graphic patterns of the displays found in front of the driver and the centre.

The screens are quite practical after some obvious acquaintance, and we liked the extra row of physical knobs and controls for heating and ventilation below the panels.

We liked the seventies styling of the seats which are also comfortable and well adjustable. The driver seat is also height adjustable as standard. In the front there is is ample leg and headroom, at the rear the available space is only adequate for adults. But this is a (city) car for young (at heart) adults, so in the rear you will mostly find kids or grandchildren..

The boot space is more than adequate for this compact EV, with 255 liters under the luggage cover. There is no separate stowing space for the charger and cables, just a stylish bag is provided.
 

Rediscovering driving pleasure…with an EV.

This is where this Renault 5 E-Tech really stands out: it gives you TONS of driving pleasure behind the wheel. No small feat for an EV. Not in the least because it steers and handles like a dream. The steering is precise, the suspension is sporting but not too harsh, and it just LOVES winding roads.

The car is wonderfully agile, and when you steer it into corners with abandon, it will even oversteer, which is of course easily corrected. Just great. Straight line and high speed stability is excellent. Does this 5 inspire you always to a sporting driving style as a must?

Not at all, it is whisper quiet, and the excellent sound system (can be optionally equipped with a Harman Kardon sound system) lets you enjoy classical or your preferred music along the route. Wind and tyre noise are virtually absent and this makes the compact “Cinq” a car with the manners and driving refinement of a premium automobile. Fit for long journeys too!

With outstanding performance to match…

What about range and performance you will ask. Our test car was equipped with the 150 HP or 110 kW engine, and this means vigorous accelerations, considering that the weight of the 5 is reasonable with 1450 kg. The 0 to 100 km/h sprint is absolved in some 8 seconds, top speed is reasonably limited to 150 km/h.

The car with this engine version has a 52 kW battery, which results in a average range of some 350 km, based on a consumption of 17 kW/100 km. City driving will easily give you average consumptions around 13-14 kW, corresponding with a range of some 400 km. Brisk motorway driving will limit the range, as the boxy 5 E-Tech with a Cw value of 0,32 is not a champion in aerodynamics. Speed charging up to 100 kW is possible with the Cinq, so within a 30 minute coffee break the battery is easily recharged from 20 to 80 pct.
 

Up to date infotainment

Of course, noblesse oblige, in this day and age the 5 E-tech has Android Auto and Apple Carplay,  also handles voice commands over Google Assistant, offers two USB C connections. The navigation system is based on Google Maps. You can also plot your charging points en route. You can personalise the system via your Google account and of course you can be further informed about your car by using the Renault App. With over the air updates, your Renault can always be kept up to date…

Conclusion

This 5 E-Tech has the looks and offers you pleasure behind the wheel. It is indeed fun to drive and look at, and will also spoil you with the whispering silence of a premium car.

It is also well priced, and its timeless iconic shape will let you enjoy it for many years to come…

Hans Knol ten Bensel

Photographers’ notes: the photos here are made again with our Sony Alpha 5100 with its F4 16-70 Zeiss lens, which produces punchy, sharp photos with rich contrast.

But we also used here a recently bought second hand 50 mm Canon EF F1,8 II lens, mounted here on our trusted EOS 1100 D Canon DSLR. It produced the detailed photos of dashboard screens and further bodywork details, creating an interesting bokeh due to its shallow depth of field at wide openings, yet being razor sharp and offering good contour contrast. The 50 mm lens is often overlooked, yet it is an excellent tool due to its luminosity, interesting bokeh and excellent sharpness…

We drove the Opel Mokka Hybrid: the bestseller with lightning style and panache…  

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The Opel Mokka, one of the bestsellers in the Opel range, has got a facelift combined with some important technical refinements. More than reason enough to put the hybrid version through its paces for you here.  It was the first Opel to receive the now iconic characteristic brand fascia, the so-called “Opel Vizor”, and now it got even more character: with the facelift the black Vizor visually integrates the new Blitz and the headlights into one element. Black elements are decidedly en vogue: a black design line runs from the bonnet to the rear above the side windows. Black claddings at the front, rear and wheel arches also give a more sporting look.

Also in the cabin things have further improved. First of all, there is a new steering wheel, flattened at the top and bottom and made from vegan material, with the new Blitz emblem proudly at the centre.

The centre console between the front seats, in a matt silver tone, has a cleaner, upmarket style and the design of the remaining switches for the electric parking brake and the selectable driving modes is identical to the all-new Opel Grandland. The material of the seats consists now of recycled material, but it is good to know that the whole cabin gives now a decidedly more upmarket impression.

A hybrid with 48 Volt technology…

Opel calls it a “modern hybrid”, and it consists of a 100 kW (136 hp) 1.2-litre turbocharged petrol engine with a 21 kW (28 hp) electric motor and an electrified six-speed dual-clutch transmission. The transmission is very smooth, the electric motor assists the engine in accelerations with helpful extra torque and all this results in very pleasant performance combined with excellent efficiency.

When accelerating slowly and driving at moderate constant speeds on city boulevards, the engine will run at very low revs in the highest possible gears, and this without any noticeably noise or vibrations. Pushing the trottle a bit further will cause the E-motor to react immediately and the transmission will intantly choose the correct gear for the engine to step in.

Driven with restraint, you will easily achieve a consumption in city driving at around 6 litres/100 km, and even slightly lower, whereas cruising on the open road will let the consumption drop to around 5,2 litres/100 km. According to WLTP standards, fuel consumption is 4.9 l/100 km, CO2 emissions are 110 g/km; the CO2 label is a C.

The 3 cylinder engine has now a chain driven distribution system, and the Continetal-developed oil lubricated belt has been abandoned, resulting in improved reliability.

A drivers’ car…  

We find Opels always very attractive drivers’ cars, striking a very good balance between comfort, performance and a predictable, engaging handling. The Mokka again proved this wonderfully. It responds admirably to a brisk driving style, but will never let you feel uncomfortable when you decide to drive smoothly and leasurely.

Seating position behind the wheel is also excellent. The knee room for rear passengers is somewhat more restrained, and boot space is not cavernous either, but with 350 litres is still sufficient for most.

Performance is excellent, with the Mokka proving to be an “Autobahn Meister” with a smooth top speed of 207 km/h and an acceleration from 0 to 100 in just above 9 seconds. This Mokka is a fast GT, let this be said. This performance is almost identical to the original Porsche 2 litre 911, don’t forget!  

… with up to scratch infotainment

The facelifted Mokka also is no laggard when it comes to modern infotainment. The cockpit uses Qualcomm Technologies’ next generation Snapdragon Cockpit Platform and Snapdragon Auto Connectivity Platform3 to enable premium in-vehicle experiences, including state-of-the-art graphics, multimedia and enhanced connectivity capabilities such as Wi-Fi, Bluetooth and 4G, says Opel.

A 10-inch digital driver information display and an equally large colour touchscreen are also standard. The latter can be easily operated via widgets, just like a smartphone – alternatively and in combination with the optional navigation system, a ‘Hey, Opel’ is enough to use the natural voice recognition.
 

Both displays can be personalised. The system recognises the driver’s personal profile on the connected smartphone; the connection is always wireless in the new Mokka. Virtual shortcuts can be set up on the central screen and you can choose between different colour schemes.

When ordered with the integrated navigation system, map updates are made available over-the-air. The system also constantly learns and – based on the habits of the linked driver profile – independently suggests destinations and routes.

The “myOpel” app can also be used to easily send the destination and the corresponding route to your car.  Furthermore, Opel offers ChatGPT4 (available in combination with Connected Navigation) for the new Mokka…

To sum it all up, we liked the Mokka Hybrid very much indeed, having style, performance, offering driving pleasure combined with excellent performance and economy, all this combined with a very reasonable price…

Hans Knol ten Bensel

Photographers’ notes: Here we used again our faithful Canon G9X. After years of intensive use, the battery lid latch is broken, and therefore we have to use a camera support bracket straight from the sixties… but this adds extra balance and stability when taking photos at slower shutter speeds…

This little gem has 20 megapixels for you, and has an optical soom with 28–84 mm equivalent focal length. It has quite reasonable low light capabilities with a maximum ISO of 12800, shoots 1080 P video and weighs only 208 grams…

We drove the Alfa Romeo Junior Veloce Elettrica: It makes your heart beat faster…

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Alfa’s have always been cars with a heart. They exude a unique aura and panache. How can you translate this into an EV, where you have to miss the characteristic roar of a thoroughbred engine?

Well, the Alfa engineers and designers within the Stellantis family have found a bold answer: the Alfa Junior. The styling of the Junior is appealing, to say the least. Of course, it runs on the Stellantis Electric Common Modular Platform (e-CMP2), which it shares with virtually all the other brands of the group that are present in the B-Segment.

But the Centro Stile Alfa Romeo rolled up its sleeves, and treats your eyes with a new grille, displaying the restyled “Scudetto.” The 20 inch “Venti” alloys are also designed along the DNA of the house, the rear end shines with an aerodynamic “coda tronca”. The well-balanced muscular proportions please the eye.

The same can be said for the cabin: personally I would like to have more “vintage drama” in the instrumentation, with proper dials with “real”arrows, which are now easy to emulate digitally, but the “less is more” philosophy today has its rights these days.

What we liked is overall the dashboard styling and the use of alcantara on some panels. On the central console one now finds the familiar Stellantis selector switches, which Alfisti will find a bit regrettable, and maybe a small tricolore adorned aluminum Alfa lever would have been nice, but there you go.

The central screen is turned well to the driver and not too big and overwhelming, which I liked. Our test car had the beautiful optional “Corsa” bucket seats, made by Sabelt, which are yours when you opt for the Sport Pack. They add not only to the looks and atmosphere in the interior, they also sit wonderfully too…

“Stellar” performance.

Stellantis opted to install in the “Veloce” version of the Junior a 280 HP or 207 kW electric motor, which is also found in the Abarth 600e “Scorpionissma” and in the announced Peugeot e-208 GTI. The performance is nothing short of spectacular: 0 to 100 km/h is absolved in 5,9 seconds, top speed is limited to 200 km/h. The maximum torque is 345 Nm. Of course, in our tested version a limited slip differential allows you to get all this power seamlessly on the road.

Handling is absolutely beyond reproach: it has a widened track and stiffened anti-roll bars…

To enjoy all this, one has to use the “Dynamic” mode on the drive selector, which should be the permanent choice for the Alfa enthusiast.

If you drive with somewhat more restraint using this mode, and adopt an anticipative driving style, the regeneration function when coasting lets you achieve creditable values between 16 and 17 kWh in both city and open road use. Based on WLTP cycle, the consumption is quoted at 17,9 kW.
 

The 54 kW battery (51 kW net available power) gives you an adequate range, the manufacturer quotes – using the WLTP standard – a range between 325 – 315 km. We found a “safe” range of some 260 km more realistic. Hooked on a 100 kW charger, the Veloce will charge up from 20 to 80 % in 27 minutes. The time of a leisurely coffee break.  

The Veloce costs some 10.000 Euros more than the standard Junior Elettrica, and the “sport” version with set you back another 2.000 Euro’s, but then for true Alfa aficionados, love and passion has no price…

Hans Knol ten Bensel

Photographers’ notes: For this test, we used our Sony Alpha 5100 with the newly acquired Zeiss Vario-Tessar T E 16-70 mm f/4 ZA OSS and enjoyed the punch and sharpness of the legendary Zeiss lenses. The photos are also used in the reel on the Alfa Junior Veloce on my Instagram page autoprova.be.

The futuristic Adler 2,5 Litre anno 1937…

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The six cylinder Adler had a streamlined body with a cW of merely 0,36…

The first car in a series where I delight you, dear reader, with my recent car drawings is the astonishing Adler 2,5-litre.

It showed its streamlined body on the 1937 Berlin Motor Show to a surprised public, and indeed it caused nothing short of a sensation. The Germans had a special name for the sloping roof saloon body: “Schiebedach Limousine”. It was designed by Karl Jenschke, who was until 1935 the director of Engineering at Steyr-Daimler-Puch. There he had created the Steyr 50, which also had a streamlined body akin to the Adler.

The Adler 2,5 litre was also available as a sleek cabriolet, built by Karmann in Osnabrück…

The Adler factory was situated in Frankfurt am Main. After the war, the management decided to stop with car production, as the factory had also been completely destroyed. Instead, it started manufacturing…typewriters.

But let’s turn back to the glorious days when Adler cars were rolling of the production lines.

Actually, the fast back saloon body was built by Ambi Budd in its factory in Berlin. The Adler Typ 10, as the car was officially known, was also available in two- and four door cabriolet bodies, which came from Karmann in Osnabrück.

A classic sidevalve straight six was powering the streamlined Adler…

A six cylinder for the Autobahn…

In 1937 the construction of the German Autobahnen was in full swing. This meant that the German automakers were keen on building cars meant for speed. The streamlined body was a first step, and the second one was providing sufficient power. So the Adler engineers opted for a 2,5 litre straight six, which otherwise was still fairly traditional with side valves and a four-bearing crankshaft. It offered a rather sedate 58 PS or 43 kW, but was nevertheless thanks to its streamlined body with a drag coefficient of merely 0,36 still 125 kph fast.

In 1938, a “Sport” version was offered. It had a two-door body that was lower and longer, built by Gläser-Karosserie in Dresden. It had the same 2,494 cc engine as the sedan, but had now THREE carburetors instead of one. Together with a higher compression ratio, 80 PS was achieved. It was offered for 8,750 Reichsmarks instead of 5,750 Reichsmarks for the standard Limousine. The stylish cabriolet version was costing only a few hundred Reichsmarks more.

A small Philips radio, proudly mentioning “Made in Holland” was placed close to the steering wheel column…

This Adler offered a few more futuristic touches like a compact Phillips car radio and a centrally located gear lever, emerging from the dashboard, later seen in the Citroën 2 CV…
 

The instrument panel was rather boldly styled with a central placed gearlever on the dashboard…

Comfort and handling were already quite sophisticated. The front suspension used wishbones and quarter-elliptical springs. The rear wheels were attached to a swing axle with a transverse leaf spring and tie rods. The differential was bolted to the frame. All four wheels used hydraulic shock absorbers and hydraulically controlled drum brakes. This Adler can indeed be used in today’s traffic without a hitch.

The engine hood consisted of two panels, which could be opened to reach the engine on both sides… the central part of the hood with its long profiles stayed fixed.

Despite its futuristic qualities and ingenuity, the actual sales success did not materialize; from its introduction to the end of production in 1940, only 5,295 units were sold, all versions combined. Maybe this streamlined proved too modern for its age…Just enjoy the drawings!

Hans Knol ten Bensel

How to photograph your (classic) car…as a professional.

Posted in Automobilia, Classic and Vintage Cars, Classic cars, Lifestyle, men women and cars, PhotographyTagged , , Leave a comment

At a three quarter view the car reveals its proper proportions, a wide angle lens and a lower standpoint will make the car look more impressive. An overcast sky combined with a quiet background and natural surroundings are ideal…

Car lovers as we are, we all would like to photograph our car(s). But how do we master the art? Here we give you a few useful tips, which will let you avoid mistakes and lead you right away to achieve impressive results…

Photography is all about light, so indeed choosing the right lighting is very important.

So avoid midday sun, but choose rather, if you can, the “golden hour”, which is at  sunrise or sunset, when the light is warm and soft, enhancing  the contours and reflections of the car.

Overcast days are also good, as it avoids harsh shadows and renders the colors of the car very well.. When you cannot avoid the sun, look for shadow spots, certainly when you are photographing details of the car.

When shooting details, try to evoke the character of the car. This Jaguar D Type is all about speed. When looking at this photo, You hear the straight six roaring down the Mulsanne straight at Le Mans…

Very important also is choosing your best angle. Ideal is kneeling down to the height of the headlamps, but of course this is a matter of taste. Try it out… Three quarter shots will show best the overall design of the car, but profile shots are also a good starting point. When you have photographed front and back of the car, it is time to shoot the details. Your (classic) car has many…

Very useful, and we would say a must, is the use of a polarizing filter. For your smartphone, there are simple clip-on versions available. It avoids reflections of windscreen and painted surfaces. Shooting from an angle can also minimize the reflections of these surfaces.

I tried to catch the atmosphere of rallying with this shot. I took the reflection of the chequered flag in the door window into the composition of the image.

Use your hand to shield the lens from sunlight, or use a lens hood on your camera.

Look for a quiet, non distracting background. That is, choose a quiet country road, foliage, or an empty parking lot (the marks on the ground can be quite disturbing however). Leave enough room around the car. It shows then something about the setting around it. Indeed, it tells a story…

In the composition, look for leading lines, like the road, drawing attention to the car. Just have a look at https://www.masterclass.com/articles/how-to-use-leading-lines-in-photography.

Use also the rule of thirds. The rule of thirds is a fundamental photography guideline suggesting that images are more pleasing when subjects are placed along imaginary lines that divide the frame into thirds, both horizontally and vertically, or at their intersections. Your smartphone has this grid most probably, so put it on. Then position your main subject along these lines or at their 4 intersections (often called “power points”). 

Never forget “human interest” photos. The face of the young woman is at an upper “power point” of the rule of thirds grid, leading your eyes to her face.

If your photo includes a horizon line, position it along the upper or lower third line, rather than dead center, to create a more balanced image. 

You will see how this really works… Just have a look at https://m.youtube.com/watch?v=UrCM4_NRmvA, but there are many YouTube videos to show you.. just practice!

You can also be creative when shooting a moving car: choose the burst mode on your camera or phone. Also try a slow shutter speed, it also gives surprising results…

This photo of the Volvo 122 S evokes the memory of legendary champion Tom Trana, throwing his Volvo along the gravel roads at a Swedish Midsummer rallye…

Our modern smartphones offer quite impressive quality, so for many there is no need for a proper camera. But then again, many find the use of a “real” camera more engaging and pleasant, as your servant does. Try a wide angle lens, which gives excellent results, but know that a 35 mm film equivalent lens or a 28-90 film equivalent zoom lens will do everything you would ever want, except of course when you are on the racing circuit taking action photos. That is a completely different matter, and this will be the subject of another article.

My very first camera, back in 1974: a Japanese bought Nikomat with the 1,4 50 mm Nikon lens, alongside the Canon AE-1 with motor drive.

Mirrorless cameras are more compact, but a good trusted (second hand) DSLR will do everything you would ever want marvelously. It is however rather heavy, so keep this in mind when you carry it along for hours on end. A shoulder harness which would allow to carry without effort even two big DSLRs would then be the thing to wear…

Mirrorless cameras are superb. Light, yet with excellent sensors, offering 24 m pixels here, combined with an F 4 Zeiss Vario-Tessar T E 16-70 mm.

Dashboards always make you dream away. Look for even light conditions, avoid strong contrasts and reflections.

Of course, the now iconic and much wanted compact mirrorless analog vintage look cameras like the Fujifilm X100 which I have been using for years now earn you much sympathy and open many doors for you at events…

Advantages of the camera are, besides the pleasure of using it, the longer battery life when you are taking many photos, for instance at a classic car event or rally.

The same can be said about classic engines…

When using your smartphone, make sure to choose highest quality, and RAW format if you have a RAW editor to edit your photos afterwards. Also choose the HDR setting, or high dynamic range. If your smartphone allows you to choose portrait mode, then select it to have a shallow depth-of-field effect.

Photos of car details can tell the whole story: You would like to sit in this seat, driving through the Alps…

Tap the screen for focus and exposure adjustment, and you are all set. Of course you can use the post processing filters your smartphone software offers you, but don’t overdo things. Just work on your style, and keep trying. Even full professional photographers take some two years to perfect their style in post processing.

You are all set, now get behind that lens and shoot!

Hans Knol ten Bensel