We continue here our report about this stunning exhibition of 12 absolutely iconic Lancias, which we can admire until April 19 at Brussels Autoworld.
A car which set Lancia apart as a brand with a unique enineering excellence is the Lambda. It was intoduced in 1922 and featured not only a revolutionary and compact V4 engine. This V-4 was banked at a tiny 13-degree angle (later 14 degrees), with a flat cylinder-head face and combustion chambers in the block. Nobody had ever seen anything like it.
But there were other surprises: it also had a load-bearing unitary body. Indeed, and here we cite the famous connoisseur Michael Frostick: “its unique unitary construction, in which body and chassis were one, came a good ten years before Mr. Budd succeeded in selling his idea for a monocoque to Andre Citroen.”
As if this were not enough, it also introduced an independent front suspension. This sliding pillar suspension was a trademark of all subsequent Lancias, used not only for all the cars before the Aurelia, but also for the Appia, up until its replacement in 1963 by the Fulvia. The suspension has an integral spring and shock absorber (all made by Lancia in house) working around a large vertical set pin internal to the assembly.
The pin is anchored into a beam axle at a particular angle, and camber and caster are fixed at the factory. The shock setting is easily adjustable by hand at the top of the pillar, and one can change it from soft to hard in a moment, or even (as the Lancia Owner’s Manual suggests) summer/winter. Absolute genius!
Lancia also introduced powerful four wheel brakes on the Lambda. All this resulted in a car with excellent handling, and indeed the Lambda proved faster over a winding track than anything Lancia had hitherto produced, including the big Tri Kappa, an eight cylinder with twice the horsepower.
The Lambda became the car to win races with, and in 1927, when Italy’s famous open road race, the Mille Miglia, was first held, a trio of Lambda’s took the first three places overall. Note on the photo above the short, sporting gear lever!
Another pre-war Lancia that won my heart was the Aprilia. Just look at its classic, timeless, compact proportions. It was born in 1936, but the car on the show is a 1947 2nd series example. It was Lancia’s first berlinetta aerodinamica. Indeed, it was one of the first designed using a wind tunnel in collaboration with Battista Farina and Polytechnic University of Turin, achieving for those days a record low drag coefficient of 0.47.
It was to be Vicenzo Lancia’s very last car, as the founder died in 1937, when series production started. It was indeed designed by Vicenzo, and featured four pillarless doors. Just look at the door handles, which are in the same position as in the pillarless 4-door Lancia Florida, which I showed you in part one. The Aprilia also featured an independent rear suspension, with inboard brakes…
The Lancia story will go further in part 3. We will tell you then more about the Lancia PF200 prototype and the legendary D50 racing car…
Hans Knol ten Bensel
Practical info: The exhibition runs until April 19 at Autoworld, Parc du Cinquantenaire 11 1000 Brussels, Belgium.
Please note, the museum is closed Wednesday 11 March, Thursday 12 March and Monday 16 March 2026.
Autoworld Brussels has again an exquisite exhibition ready for us: until April 19 we can admire a carefully curated selection of about 12 absolutely iconic Lancias. It shows us the elegance and innovation through design, as the title of the exhibition indicates. But we would add, the pop-up exhibition also showcases innovation through ingenuity and engineering excellence.
The cars are beautifully displayed at the beginning of the vast and inviting central hall of Autoworld, taking you on a journey of more than a century of technical innovation, refined design, and engulfing you in its rich motorsport heritage.
My eyes first fell on, at least to my taste, the absolute beauty of the show, the Lancia Astura Roadster by Pinin Farina. This 1935 Astura is a technical gem. The V8 engined car was introduced on the Paris Motor Show in 1931. This Astura on the show belongs to the third series, built between 1933 and 1937, with 1,243 units made.
The third-generation Astura was offered in short-wheelbase and long-wheelbase variants, and was powered by a new, larger engine. Indeed, it was enlarged from 2,6 to 3 litres, and the 17° narrow angle V8 single overhead camshaft engine now developed 82 hp. This short wheelbase you see on the photos was ideal for coachbuilders to show their talent.
ounded with the moral and financial support of Vicenzo Lancia, the Carrozzeria of Battista “Pinin” Farina witnessed a revival and produced breathtaking bodies. Of the just 328 “Corto” chassis built, many were clothed by Pinin Farina. The contours of this roadster are from the artistic hand of Mario Revelli di Beaumont, an independent stylist who worked actually for several “carrozzerie”…
Another car by the hand of Pinin Farina was for me the Lancia Flaminia. I was therefore elated to see the conceptual predecessor of the Flaminia, the Florida. The “bellezza” and elegance of this car deeply moves me. Just look at the photos. The car was built by Pinin Farina on an Aurelia B56 chassis, and it was a technically quite daring four-door pillarless saloon.
It was shown on the 1956 Brussels salon, and as a young boy, I dreamt about it. Just like the Boano styled Ferrari’s, it was for me the pinnacle of what human art, intellect and craftmanship could reach in terms of sheer contemporary beauty.
The pillarless doors had to go in the production version, the Flaminia, therefore the elegance of this Florida truly stands out.
Much more to follow on this Lancia show at Autoworld soon, about the D50 racing car, the iconic rally cars like the Stratos… just remember, go and see it, it is on show until April 19.
Practical info: Autoworld, Parc du Cinquantenaire 11 1000 Brussels, Belgium.
Please note, the museum is closed Wednesday 11 March, Thursday 12 March and Monday 16 March 2026.
The latest Brussels Motor Show proved to be a treasure trove for us car enthusiasts. At the impressive wonderful Mercedes stand on the show we met on the press day with Robert Lesnik, Director of Exterior Design. In front of the iconic and already legendary Concept AMG XX, he presented styling examples of what Mercedes believes stands for the brand.
He started off with this AMG XX, and commented that this car embodies a rare combination a very aggressive sporting front end, the side view with the timeless proportion of the long bonnet, a very round shaped rear end and an amazing interior. He also showed the legendary Autobahnkourier, and he also focused on the grille of the 300 SLR Uhlenhaut Renncoupé, being so iconic and a typical design hallmark over the years for the sport coupés and cabrios of the brand. He also commented further on the Concept AMG that this car is the harbinger of what is to come for the series version of this AMG Electric sports coupé.
Robert Lesnik commented further: “For the new generation we were inspired by our past cars and design heritage, which doesn’t mean that we are doing retro design. You can see it on the radiator grille of the new GLC Electric SUV, with just three horizontal bars illuminated, it is a modern interpretation of a classic design icon.”
Beauty and attraction…
“There are two elements, beauty and attraction, which are the goals when we design a Mercedes”, Robert continued. Something that attracts the customer and what he perceives as beautiful.”
“Obviously, this goes for both the exterior AND the interior. There must be a certain power. I would say the sweet spot for every Mercedes is the three-quarter rear end perspective, where you really see the shoulder, and you see also a very iconic graphic with two roundish rear lights, with three lights for the AMG versions.”
We asked also about the interior, although he is responsible for exterior design, but nevertheless…
“For the interior,” he continued, “there is always a combination of the digital and the analog. For the first time, we have a hyperscreen, made of three screens being seamlessly positioned together. Also when the instruments and screen is shut off, it is not uniformly black, the air vent openings are still illuminated, the touch fields and items on the screen are also still visible, the inside door handles have a metallic coating, silver shadow galvanized so to say, these elements were there earlier, and will stay also in the future. I always say, Mercedes has always a chromium strip more.” We could only agree…
Focusing further on the front of the car, Robert stressed that it is still somewhat higher, which results in a spacious frunk. We will also strive to have clean lines.
We asked Robert also when looking back at the elegantly styled cars for the hand of Paul Bracque, the cars were lean, low, with excellent all round visibility. Do we see these styling elements back in the Mercedes cars of today and the future?
“Indeed, cars were (much)smaller, but now cars are electric, and they need more volume because of the batteries. Cars therefore need to be higher and this also calls for bigger wheels. This means also that cars are wider and have longer wheelbases. So cars are bigger and later hopefully will get smaller again. But cars as elegant as the Pagode will never appear again because of the safety regulations… But for the next five years, our horizon is set, we have a good idea what our design strategy will be.”
We thanked Robert for the interview and show you here some photos.
In a further episode we will have a further interview with Oliver Löcher, Vice President Vehicle Engineering and Overall Vehicle Functions Mercedes-Benz Cars.
We attended a remarkable conference organized by the Belgian Historic Vehicle Association on the Brussels Salon, moderated by automotive history connoisseur Philippe Casse. The speakers were experts in the field: Loïc de la Roche, General Director of the Aventure Peugeot Citroën DS. He was followed by Thomas Stebbich, head of Audi Tradition and Audi Archives, Audi Museum Mobile and last but not least the August Horch Museum in Zwickau.
The third speaker was Thomas Antoine, honorary ambassador of Belgium and philosopher. Needless to say that he viewed the opened a very original perspective on our historic vehicle world.
Other (introductory) speakers were respectively Philippe Dehennin, President of BEHVA and Peeter Henning, CEO of Behva.
We thought it is useful to go more extensively into depth on what the speakers brought forward, as it was indeed interesting and opened many further perspectives. We therefore split the report in 3 parts.
You read here in this first part the main points put forward by the first respective speakers, offering us much food for thought: just read further…
Hans Knol ten Bensel
Introduction
An introductory adress was held by Philippe Dehennin, (see photo here above) who pointed out the explosive growth of historic automotive collections and museums. This automotive heritage forms now an integral and dynamic part of our European identity, and embodies a physical and iconic bridge between our past, present and future.
The crucial role of BEHVA…
Peeter Henning (see photo below) then presented the role and activities of BEHVA. The title of this conference already summarizes what BEHVA as an organization stands for: preserving a heritage that is not standing in a garage or museum, but which is to be admired and enjoyed on the road. We are all here together because we all believe that mobile heritage is cultural heritage, he pointed out. They bear witness to our technical, social, and cultural history. They celebrate craftsmanship, evoke industrial production and design, and last but not least, individual mobility and freedom.
The role of BEHVA is to defend the interests of this heritage. The BEHVA represents in Belgium all the amateurs of historic cars and their clubs. This includes more than 500 clubs and 110.000 members.
But our lawmakers put the existence and use of this heritage under pressure. BEHVA is the spokesperson for all these enthusiasts at the government level and is also the bridgehead toward the automotive sector and the international historic car world. We continuously stress the fact that the mileage of the cars of our members is about the equivalent of one month of an ordinary vehicle, and that lawmakers should take this into account.
BEHVA also keeps a close contact with all the actors of the automotive world, importers, independent specialists, insurers, education centers and schools. BEHVA Insurance now insures more than 72.000 historic vehicles in Belgium. We are the official representative at FIVA for our country in establishing international standards.
Preserving our heritage needs also the upkeep of technical knowledge, and passing them on to future generations. We have education projects for our youth, in maintenance, restoration and electric, mechanical and bodywork repair. We form a bridge between the professional garage and maintenance sector and schools and education centers, and tie them with the our historic car world.
There is a need in the sector for motivated young people and we create learning possibilities for them, as they are in need for a succesful career. Historic cars live in an ecosystem which BEHVA actively supports. Thousands of jobs are connected to this system. It is our mission that this history in motion stays indeed, in motion…
A filmed message was shown of the president of FIVA, Alberto Scuro. He is president of Automotoclub Storico Italiano (ASI) and was elected in november last year as president of FIVA. FIVA was founded in 1966 by an international group of historic vehicle organisations, who felt the time had come for a worldwide body to promote and guide the interests of the historic vehicle movement throughout the world. At present, FIVA comprises member organisations in 71 countries throughout the world, which in turn represent many millions of historic vehicle enthusiasts. We will come back on the role and function of FIVA in a special report soon…
A story of 9000 brands…
Moderator Philippe Casse discussed the beginnings of automotive history, and pointed out that Aristotle came up first with the idea of a self propelling vehicle, or “auto mobile.” It took another two millenia before Bertha Benz drove on August 5th 1888 at the wheel of her husband’s invention, the Patent Motorwagen, 106 kilometers from Mannheim to Pforzheim. Aristotle had already pointed out, there is no genius without a touch of folly… but it has changed the life of billions.
In 138 years, not less than 9000 different brands, of which 158 were Belgian, saw the light. They all together produced about 3,5 billion cars, of which today some 1,5 billion are every day on the road.
Every brand contributed to this, and therefore merits to be appreciated and preserved, as the collectors and clubs do today. Numerous brands also have museums, archives and collections. There are not less than 1,500 museums worldwide and several hundred thousand collectors.
The speakers today will convince you of the importance to preserve this heritage, this legacy which has triggered fundamental socio economcial changes brought about by the fabulous tool which is the automobile. Indeed, preserving this heritage is of great importance for the future of the automobile, and also to actively appeal to young generations to continue this task.
L’Aventure Peugeot and Citroën DS…
Loïc de la Roche also stressed that the automotive “patrimoine” or heritage is a tangible witness of history; just look at the museum in Sochaux, and it is also something that is essential to transmit to future generations. It also adds to brand value, showing its roots. In his conclusion he presented what we have to remember and which lessons we have to learn from all this.
Loïc stated that it will be a voyage in time, discovering the (historic)passion and emotion(s) around the automobile. It will be about discovering the emotions which the automobile has triggered in us throughout history. Discovering the (historic) automobile, getting to grips with it, drive it, describing the adventurous experience this represents.
He proposed to start with the beginning, the automobile as a witness of social and territorial history. Indeed, the automobile has changed landscapes, our way of life, our mobility but also our collective imagination.
This collective imagination is the story we tell about the cars of our youth, we dream about. Therefore we call it “adventure”, as it moves our imagination and inspires us. It is the present and the future, and this collective imagination is the strength of our brands.
Automotive industry changed societies…
The car also tells us about the evolution of the social classes, work, liberty of society. Our archives are mostly visited by…sociologists. Based on the documents, they reconstruct a period, a social history of people and their territory.
The cars also evoke an epoch, like the 2 CV. The Peugeot 205 (GTI) inspires young generations. They illustrate the cultural mirror which is the automobile. Then comes the importance of power, technology, the new ways to use a car, mobility contracts, etc.
Everything that surrounds the automobile, amongst others the industrial heritage, mass production, mondialisation, energy transition, all this has a heavy impact on people. The factory in Rennes in 1961 had originally 14,000 workers, in 1980 it was slightly below 3,000…
We open our museum to companies organizing B2B events for instance, and we discuss with them about what they want to convey to the participants and people they invite. Some parts of the museum are more suitable for them to convey the message they want to put across.
The automobile has always been a very important factor in triggering innovation, notably in the materials. So one finds always an element in the history of the automobile and in our Peugeot museum in Sochaux which allows the visiting companies to attach their message to it and to convey the values which they want to bring to their invitees.
The automotive industry also shaped our regions and landscapes…
As we said, the automobile industry is also a witness to our territorial heritage. We have noticed that the visitors to our museum are not only interested in the cars, but that the visit was for them also an industrial and territorial happening and experience, an adventure so to say. They see how the region has developed and changed due to the presence of industry. The Sochaux factory was 20,000 square meters in 1921, 585 hectars in 1960 and in 2022 we are again concentrated at 150 hectars.
The car racing circuits are also an important witness. Of course, you all know Spa Francorchamps, Monthléry, but there are also iconic roads, like the Nationale 7. You have also mythical dealerships, like the Citroën dealership building at the Place de l’Yser in Brussels, now being converted in an art museum.
The young generations will also change the way in which they will approach, accept and acquire the historic automobile. They will reinvent it, so to say. Many young people now also enter into the realm of the “aventure Peugeot” and are inspired and seduced. They search authentic experiences, they want to connect with it physically. They also accept that things can break down, in an age where everything works perfectly without a hitch. The Aventure Peugeot has of course connections with schools and education/training centers.
Automobile history also brings emotion…
We also want to transmit emotion. This was particularly true at the happening when celebrating 70 years of DS, notably at Rétromobile. The DS “Ballon” has been meticulously recreated, as the original was…dismantled and sold to a private customer(!) A team of 25 young “compagnons de métiér” did a wonderful job, and the car has been shown throughout 2025 on 16 venues, amongst witch Autoworld in June last year. The car continues its tour…
A museum of national importance…
The director of the MUCEM Museum in Marseille told Loïc de la Roche in a discussion about the Aventure Peugeot and its museum that considering the richness of the message you can transmit about the automobile and its history to the future engineers, it makes it such a such an important subject that you can consider it to be part of the national soverignity. What is better than a museum like ours to inspire young engineers to a career in (automotive) engineering? This indeed, is now an element in our strategy.
Social engagement…
A further element we want to transmit is social engagement. We organise the Europe Raid, through 20 pays, visiting 12 capital cities, 60 UNESCO heritage sites and 220 stages, over the most scenic routes of Europe. One creates strong ties, also between generations, and indeed, the world is moving. Recently a club Citroën C6 has seen the light. The average age of its members is 25 years…
We also look at video games to attract the enthusiasm and engagement of young generations and to awaken the desire to find and preserve our moving heritage, even if it is more recent and consequently inspires them.
An important pillar in the Aventure Peugeot is also to strengthen and enhance our brand image. It is craftmanship, know how, but above all embodying and bringing a promise, strengthening and upholding our values, our identity. In our present automotive market it is important to have a history, a distinct design language and putting this in perspective. This allows us to be different and stand out. Of course we talk about icons and sagas.
The saga is the 205 and the icon is the GTI. Our present e 205 GTI is a perfect example of this strategy, where we use our history as a future oriented spearhead. Last year before the start of the Le Mans race, Peugeot had invited 50 owners to drive their 205 GTI around the circuit. It is difficult to describe the enormous energy this triggered, spreading across generations. Here we really talk about authentic experiences. Also in our museum we search to enhance these experiences, so we invite the visitors to see also our restoration workshop. We are also entering the aftermarket to rescue and preserve spare parts, and we also support the collectors to keep their cars which are (partially) electronic running reliably. In France, some 30,000 persons are involved in the ecosystem of historic cars, representing a turnover of some 3,5 billion Euros…
Preserve it for future generations…
With the car history in general and the Adventure Peugeot Citroën, we have here an enormous immaterial asset, which we will keep alive with a coherent history which is preserved also in the future. I will finish with the slogan of the Patek Philippe Watches, which I will turn around a bit: when you have a historic Peugeot or Citroën, you will merely be its keeper, and preserve it to hand it over to future generations…showing that the automobile is a magnificent human adventure.
In the part 2 of our report on this remarkable conference we will present the speech of Thomas Stebbich and Thomas Antoine. In the third and final part we will present the subsequent panel discussion.
Conceiving the automotive future is always a very challenging task. Some brands have also a future-oriented attitude more than others in their DNA, and one of them is certainly Citroën.
75 years ago, they brought us the 2 CV, a car which embodied nothing less than a four-wheeled French revolution, embodying Liberty, Equality and Fraternity. Indeed, this adagio of the French revolutionists fitted the post-war French “citoyens” admirably, as the 2CV brought them just that. Freedom for all, with low-cost mobility, practicality, and go-anywhere capacity.
This revolutionary dream of the brand with the double chevron has never died. And Pierre Leclercq, the Belgian born head of design, proved its love for practicality, out of the box progressive “back to authentic basics of automotive mobility” thinking already with its wonderful and stunning OLI.
Your servant was at the presentation of this OLI in Paris, and now stood eye to eye with the equally intriguing ELO. On both occasions, he met the designer, Pierre Leclerq. We talked to him again in Brussels…
Hans Knol ten Bensel
A creative career…
Pierre Leclercq started in 1998 at BMW as an intern, he joined the Italian coachbuilder Zagato in 1999, which he left after three months to join Ford Ghia. Here he designed the interior of the Ford Street Ka concept. In 2000 he returned to BMW, where he worked for 13 years. There he notably designed the BMW X5 E70, BMW X6 E71 and the rear of the first Mini Countryman. He also worked on a successor to the BMW M1 based on the BMW i8, but the project was ultimately abandoned.
Pierre Leclercq headed the design studio of Great Wall Motors from 2013 to 2017. He then became design director at Kia, but stayed only one year with the South Korean manufacturer. Needless to say that he acquired a keen understanding of the design philosophy and DNA of both European and Far East manufacturers.
In November 2018, he took over the head of Citroën’s design office, succeeding Alexandre Malval, who had moved to Mercedes-Benz. The first project he led entirely at Citroën was the C4 X, a 4-door version of the third-generation C4.
Three pillars to keep in mind when building this concept car…
On the Brussels show, at the presentation of the ELO and the subsequent talk we had with him, Pierre stressed that this concept car is first and foremost a laboratory of ideas. He also wants to demonstrate the three pillars of the design philosophy of this car; he told us: “The ELO must become your third place (after home and office – editor’s note) to live in which you must be able to play, work and rest ”
Work…
Pierre presented the ELO to us, showing the highlights of its design. “We start with a six seater”, with the driver in the center and two seats on both sides. The second row is made of three other seats.”
“Fold two seats under the rear seats and then you can rotate the driver’s seat 360 degrees, either for a good entry or when you want to work. Ideal for people who want to work – our first pillar – in another place than the office.”
Play…
“I told you the second pillar is play”, he continues. “The cooperation with Decathlon was so inspiring and led to new ideas and applications. We developed an app together with them. You can plan your trip, plan your weekend, so that you don’t forget anything that you need, you have electricity and (compressed) air for your bikes and toys…”
Compressed air and electricity for your E-bikes are provided…
Rest…
“The third pillar is rest. You fold the seats in the back row, and you have a flat floor. You then use two matresses, again an innovation from Decathlon. You inflate them to have perfect rigidity. We also have a larger screen that can unfold and we have a projector that is on the side of the car, and the little roof opens up at the back of the car to let you look at the stars in the sky.”
We asked him also about the cooperation with Decathlon on this project…
PD: “We liked Decathlon because we carry the same values.” was his answer. “Decathlon is innovating because it makes well designed and well thought products and is not reverting to expensive technologies. We worked together from the beginning to the end on this project, and it was a big learning experience for us.”
What are the futher design hallmarks of the ELO, we asked.
PD: “The car is compact, but has a lot of glass, which is very important both for the driver and people in the back, and more importantly, children.”
Can you tell us more about the materials used, we wanted to know.
PD: “Many materials are recyclable and we even recycled materials from the OLI for this project. Also the interior panels for example. They are also cheap and easy to replace when scratched due to intensive use…”
You took advantage of the EV architecture, we remarked…
PD: “Indeed, we could maintain very compact dimensions whilst offering much room. We could move driver forward, even putting him in the centre.”
We will see much of these solutions in forthcoming models?
PD: “Yes, this concept car is a laboratory of ideas, there is not one idea which we will not try to put into production. Of course, this is the beauty of our craft, of being a designer, is to make and develop many projects, and to put them on the road, and last but not least to sell them, because these concept cars are not made for us, but for the cliënt.
Needless to say it was a big pleasure for us to meet up again with Pierre Declercq, and see and admire his stunning concept car, the ELO.
In the next report on the Brussels Salon we will talk to Robert Lesnik, Director Exterior Design Mercedes-Benz and Oliver Löcher, Vice President Vehicle Engineering and Overall Vehicle Functions Mercedes-Benz Cars. Stay tuned!
The Brussels Motor Show is now in its 102nd edition and will be quite important, with an impressive array of world premieres to admire.
You can stand eye to eye with the Citroën ELO concept car, the Ford Ranger (facelift), Hyundai’s biggest EV so far, the Staria EV, KIA will show its new EV2 and powerful GT versions of the EV3 , EV4 and EV5, Mercedes-Benz will bring its new GLB, Mazda probably the European version of the EZ-30. Last but not least there is the Opel Astra and Peugeot E-408.
Indeed, Citroën has chosen Brussels to unveil the world premiere of ELO, a concept car designed as a veritable laboratory of ideas. ELO is firmly rooted in society and evolving lifestyles: responsible, functional, clever, multi-purpose, accessible and resolutely friendly. Compact (4.10 m) but incredibly spacious, ELO is “the little car that thinks big”. Its 100% electric architecture is optimally exploited to offer a modular space that can accommodate up to six people.
Kia will unveil the EV2, an all-electric B-segment SUV dedicated for Europe, on 09 January 2026, at the Brussels Motor Show. It is expected to have one E motor, borrowed from the Kia Inster. The 115 HP EV will be built in Žilina, in Slovakia.
Hyundai will launch new EVs in 2026, starting at the Brussels Motor Show with the world premiere of its biggest EV yet,” the automaker said in a statement. “The new model will showcase state-of-the-art electric technology, including an advanced 800-volt charging system.”
The all-new Mercedes GLB is built for everyday life. Available as a 5-or 7-seater, it adapts to all customers’ needs. It has more space, a new design, greater comfort, and even the ability to tow a full-size caravan.
The new Opel Astra and Astra Sports Tourer will celebrate their world premieres at the 102nd edition of the Brussels international motor show. The compact class bestsellers ‘made in Germany’ are sharper and more technical than ever, featuring the permanently illuminated Opel Blitz in the centre of the modernised Opel Vizor brand face for the first time, as well as the segment-unique, adaptive Intelli-Lux HD light.
PEUGEOT will unveil its new saloon car, the PEUGEOT 408, in Brussels. A true ambassador of French dynamism and panache, says the manufacturer in its press message, the new PEUGEOT 408 boasts an expressive and unexpected design. Wow effect guaranteed…
This will also be an opportunity for the Belgian public to discover the NEW PEUGEOT E-208 GTi.
The Brussels Motor Show will open its doors to the public from January 10 until 18 January. Your servant will attend the press day on January 9, and you will soon read my impressions in these columns… Don’t miss it!
The exhibition retraces this remarkable story, from the very first three-wheeled Benz (1886) to the spectacular AMG ONE, here on the photo.
The magnificent Autoworld Museum traditionally ends the year with a major exhibition. This year, the house with the good star, Mercedes, takes centre stage. You can admire all the cars which made the brand truly legendary, and this until 22nd of February 2026.
Indeed, Mercedes has quite something to celebrate: not only is the brand now 140 years old, but it celebrates also the 100th anniversary of the merger between Daimler and Benz.
The exhibition retraces this remarkable story, from the very first three-wheeled Benz (1886) to the spectacular AMG ONE. More than fifty vehicles, including several rare highlights, are brought together for the first time in Belgium, displayed across thematic zones that reveal the many faces of Mercedes-Benz.
We attended the press evening, and of course we took our Fujifilm camera along the exhibits. We show you here some remarkable cars, but you should definitely put a visit to Autoworld, housed in the magnificent Cinquantenaire monumental site.
You can start your tour with the 1886 Benz Patent-Motorwagen Replica. A replica indeed, as Mercedes had 100 replicas build in England, to celebrate the 100th birthday in 1986.
Carl Benz (1844 -1929) built the car and it contained quite a few novelties: fully elliptic springs were used at the back with chain drive on both sides. A simple belt system served as a single-speed transmission. The four-stroke engine was extremely light for the time, weighing about 100 kg. A large horizontal flywheel stabilized the power output. Nevertheless, Benz was cautious, and opted for 3 wheels because he was… as an engineer not really familiar with a 2-wheel steering mechanism (!). The vehicle was awarded the German patent number 37435, applied for on 29 January 1886. Everyone knows about the drive which his wife Bertha Benz made with this car to visit her mother. The first fully-fledged automobile drive ever… when you see the car in the flesh, you wonder how on earth this was ueberhaupt possible.
The unique Mercedes DNA was soon established…
When you stroll a few meters further, you stand eye to eye with a magnificent green 1937 Mercedes-Benz 540 K Sport Cabrio A (W29). The car was originally delivered to Alfred Krupp , and was early after the second world war sold to Prince Bernard, the husband of Queen Juliana of the Netherlands. Since he wanted his cars to be green, it was resprayed in his favorite color.
It was sold to a Swedish owner in 1953. Around 1990, Daimler-Benz meticulously restored the car to its original specification. The current owner has cherished this remarkable automobile since 1995.
Alongside the 540 K stands a 1961 220 S (W111) “Heckflossen”. This nickname stemmed from the rather timidly styled rear fins, which Mercedes apologetically commented as “helpful for parking”. This 220 S was revolutionary for its “safety cell”, truly representing a milestone in car design where front and rear crumple zones absorbed kinetic energy on impact. F1 Racing car engineer Rudolf Uhlenhaut had a major hand in the design of suspension and refining the handling of this beautiful car, and since my father owned one in these days, it is a car in which I learned to drive expertly. I still love the specific handling of this car, and I vividly remember a long drive with a 230 S “Universal” together with Autoworld Curator Leo Van Hoorick to visit the German Mercedes Benz museum, where I could enjoy behind the wheel the wonderful performance and stability in fast corners and at speed of this car. I think Leo fell immediately in love with this very car, and soon after he bought this car from the Mercedes Benz Belgium collection…and still owns it!
Royal transport: the 600 “Pullmann”
Strolling a bit further, one stands eye to eye with royal transport. Indeed, this car has served exclusively at the Belgian Royal Court, and is known as the “King Baudouin.”
This car, designed by the Frenchman Paul Bracq, (he also designed the iconic “Pagode” 230 SL) did not undergo a single modification during its 18-year career, undoubtedly due to its modern styling. It is equipped with air conditioning and a hydraulic system that controls, among other things, power steering, braking, and the hydraulic windows. Production began in 1964, and more than 600 variants were built until 1972. The production continued, albeit at a slower pace, until 1981. In total, 2,677 units were produced of which 487 long-wheelbase Pullmans. (overall length 6,240 mm).
A F1 Mercedes for the road…
Sensational to admire is the 2025 Mercedes AMG-One. It is a hybrid supercar, nothing else actually than a F1 car adapted for road use. Behind the driver rests a 1,6 litre V6 turbo engine sourced from the Mercedes F1 car. But that is not enough: it also has four electric motors, which results in a total power delivery of 1062 HP and a top speed of 352 km/h. All this is not exceptional anymore in our dizzying EV age, but it stays quite impressive of course. The car made its debut on the 2017 IAA show in Frankfurt, but putting this complex drivetrain into production appeared to be a quite formidable task. So series production actually started only in August 2022. Only 275 units were planned, and of course they were completely sold out long before actual production began. The demand for this car was far higher, but AMG and Mercedes maintained the original production run, also to keep the car very exclusive.
A tribute to Stirling Moss: the 2009 Mercedes-Benz SLR McLaren “Stirling Moss” (R199).
Your servant has vivid memories of this iconic British champion when he participated in the historic Mille Migilia in the official Mercedes factory team, alongside Stirling Moss. Together with my father, we drove the works 180 D “ponton”, which was far more comfortable and cooler that the 300 S Panamericana which Stirling Moss steered along the 1000 mile course. “You were having fun”, he commented, “you could drive virtually the whole course flat out!”
We like the panache and the contours of the car here which is built in his honour. Stirling drove this car on the 2009 Goodwood festival of speed.
This limited edition variant uses a speedster styling that does not include a roof or a windscreen. The car is designed by Korean designer Yoon Il-hun and is of course inspired by the 300 SLR race car. The SLR Stirling Moss was to be the last series of the McLaren SLR built under the partnership between Mercedes-Benz and McLaren.
he car is approximately 200 kg lighter than the standard model thanks to carbon fibre construction and speedster styling. All 75 cars planned to be produced were completed by December 2009. It was available only to the existing SLR owners and each car cost in excess of US$1 million. This one was driven and signed by Stirling Moss in Goodwood in 2009….
Autoworld curator Leo Van Hoorick (left) and Mercedes Benz Cars PR Bastien van Den Moortel guided us expertly through the exhibition…
But of course there is much more to be seen of stunning Mercedes cars in Brussels Autoworld. As said, the exhibition runs until February 22nd. Not to be missed…
In the vast “palaces” of the iconic Brussels Expo, the 10th edition of this event proved quite popular, with no less than 29.472 enthusiasts admiring the four-wheeled classics. Special theme of the show was the celebration of the looks, fury and sound of the V12 engine, which is of course at home in many supercars. The good news is that these wonderful engines are here to stay, as our Brussels EU politicians are going to allow combustion engines to live on after 2035…
The festival of supercars: a Koeningsegg was admired by many…
The show also focused on the 75th anniversary of Formula 1. Many supercars were therefore to be seen on the show, and this inspired the organiser MECC Maastricht to provide a special “Supercar Foyer” at the InterClassics Maastricht, which is to be held from 15 to 18 January in Maastricht.
International character
Organiser Erik Panis also mentions the international character of the show, and indeed, it is becoming one of the hallmarks of the Brussels event. It has now grown to the biggest indoor classic car event in the Benelux. Also, if you look at the number of cars which changed hands on the show, one notes that the classic car sector is still growing…
BEHVA promotes youth education…
One of the important partners of MECC is the Belgian Historic Vehicle Association (BEHVA). They worked actively to support students and teachers in car maintenance, repair, and service. Indeed, without the (specialized) professional mechanical and service know-how in repair and workshops and classic car care centres, the classic car industry and sector simply cannot survive and have a good future.
Many beauties were to be found on the show, and our beloved Royal Historical Vehicle Club Belgium, which had put up a beautiful stand at the InterClassics show, won a special prize with a well-preserved Lincoln Continental Mark II built in 1957. The club also celebrated its 50 years of existence…
The body, interior, and chassis of this Continental are totally original; of course, the mechanics underwent a thorough overhaul to make it roadworthy and reliable. For Emmanuel de Menten, (here far left in the photo), the proud owner of this Lincoln with classic “European” and Latin/Italianate styling language, hence the name “Continental”, owning this car is the fulfillment of a child’s dream…
On the photo below you see the counselor and member of the executive committee of Autoworld Brussels, Leo Van Hoorick, handing over the Special Price of the BEHVA Jury to RHVCB President Michel Van Eesbeeck.
Celebrating 50 years of VW Polo…
Your servant vividly remembers driving the Audi 50 as a test car, and soon after I sat behind the wheel of the first Polo, a more dressed down version of the Audi sister model, launched in 1975. The original Polo 1 was sold in not less than 1,1 million units, and was built, including a facelift, until 1981. Of course, the history of the Polo merits a special article by itself and we will come back on this.
We limit ourselves here to the remarkable Polo models on the VW stand of the show, the Polo Harlekin and the Polo R WRC.
The story of the “Harlekin” is a special one. When the third generation of the Polo was introduced in 1994, Volkswagen also launched its modular production system. This allowed some parts to be exchanged with other models and brands within the group.
To highlight this approach, a small group of production engineers decided to fit ten Polos with body parts of different colours, and the Wolfsburg marketing department liked the idea and decided to make a limited production run for the German market. In total, from 1995 to 1997, 3.806 units were built, with 103 extra right hand drive Polos for the UK market.
The Polo R WRC is an icon of the World Rally Championship! Over four seasons, this car ensured that Volkswagen Motorsport and its beloved duo Sébastien Ogier and Julien Ingrassia won four world titles for manufacturers, and the same number for drivers and co-drivers. Of the 52 rallies in which the Polo R WRC participated, the car won 43 (or 82.7%) and at least one of its drivers finished on the podium 50 times.
The Polo R WRC, which is showcased at the Belgian VW Club stand during InterClassics, is the car that Sébastien Ogier and Julien Ingrassia used in 2013. The 1.6-litre turbo engine produces around 315 hp, a power that is transmitted to all four wheels via a sequential gearbox. Good for a sprint from 0 to 100 km/h in less than four seconds!
You can write the next InterClassics Brussels in your agenda: it is scheduled from 20 to 22 november next year!
From May 24 to 25, in the extraordinary setting of the Villa Sucota overlooking Lake Como, Alfa Romeo will be the Official Partner of the 2025 edition of FuoriConcorso, and will show its beautiful cars, with its unique sporting design language, a festival of beautiful contours and shapes which are an everlasting delight to the eyes of every car enthusiast.
Just read on and enjoy the photos…
Hans Knol ten Bensel
The FuoriConcorso is an event with a well rooted tradition: it was founded in 2019 by Guglielmo Miani, president of Larusmiani, the bespoke menswear and gentleman accessories firm which has been there for gentlemen since 1922. The passion for cars results also in a boutique to create an exclusive collection limited edition. There now you can purchase a collectors box of the Alfa Romeo 6C which contains: the numbered t-shirt with rear print depicting the car and a caption postcard with the history of the car.
But let’s return to the FuoriConcorso. It has grown to an international event that every year attracts thousands of collectors, experts and car enthusiasts from all over the world. The theme selected for this year is – “Velocissimo – Italian Race Cars”, and this means that Alfa Romeo will put its mark on this event. Indeed, the splendid Villa Sucota will become this year the “Casa Alfa Romeo”.
Around 15 extraordinary models will be on show there, some from the Alfa Romeo Museum in Arese and others from private collections.
The Zagato 6C…
A car which truly stands out is the 1930 6C 1750 Gran Sport, one of the most famous Alfa Romeos for its unmistakable line (Zagato), six-cylinder engine with compressor and its wide-ranging trophy haul in motorsport, spread out between the Mille Miglia, Targa Florio, Tourist Trophy and many other victories in endurance races.
On a model similar to the one on display, the legendary Tazio Nuvolari won the 1930 Mille Miglia, setting an average speed record of 100 km/h across the entire route, in a memorable duel with his teammate, Achille Varzi, also driving a 1750.
The Giulia TZ2…
Many aficionados still dream of the golden era of road racing, and the cars which played a prominent part in this. Like the spectacular 1965 Giulia TZ2. An evolution of the previous Giulia TZ, this car is lower, more tapered and aerodynamic, with fiberglass bodywork on a tubular chassis. Designed by Ercole Spada at Zagato, it sports a sleek and muscular line, dominated by the famous truncated tail, which consecrates it as one of the most beautiful racing cars ever.
The 1.6 twin-cam engine evolved with double ignition and dry sump, reaching 170 hp and 250 km/h. At its debut in 1965, it won its class at the 1000 km of Monza and went on to take other victories in the same season, including the 12 Hours of Sebring, the Targa Florio and the 1000 km of the Nürburgring. One year later, the TZ2 achieved the same feat at Monza, Sebring, the “Targa” and the “Ring.”
The 33 TT12…
Then there is the 1975 33 TT12. It made its racing debut on May 5, 1973 at the “1000 km of Spa-Francorchamps,” when the World Championship for Makes was experiencing a period of great popularity and commitment from the most prestigious manufacturers, including Alfa Romeo with the “Tipo 33” family.
The “33” which saw the light in 1967 has now become legendary, where the letters “TT” stand for Telaio Tubulare (‘tubular chassis’; based on its forerunner the 33 TT3 with a V8 or ’Otto Vu’ engine) and “12” is the `number of cylinders of the new 180° (‘flat’) three-liter V engine that can exceed the threshold of 500 hp. The aesthetics are unmistakable, with its side fins and famous periscope. After a year of development and initial wins in ’74, total domination came in 1975: seven victories out of eight races to win the World Championship for Makes, the fourth overall title in Alfa Romeo history. Legendary drivers such as Merzario, Andretti, Ickx, Vaccarella and many others were behind the wheel to build this immense series of wins.
The legendary F1 compressor Alfetta’s…
When you stroll a few steps away from Villa Sucota, an exclusive area pays homage to the bolides that have made Formula 1 history, starring the 1951 Alfa Romeo GP Tipo 159 “Alfetta,” the veritable ruler of the first two World Championships. An evolution of the legendary 158 of 1938, the 159 triumphed with Fangio after the victory by “Nino” Farina in 1950. After the title – the first of five for Fangio – Alfa Romeo officially withdrew from racing to devote itself to the Giulietta.
Compared to the 158, the 159’s engine was equipped with a two-stage compressor, De Dion rear suspension – the name given to the 1972 Alfetta is based on the adoption of this technical solution – and a more efficient aerodynamic look. The supercharged 1.5-liter inline 8-cylinder engine reaches incredible levels of power: in tests, it even achieved 450 hp, equivalent to 304 hp/liter. This was also made possible by the use of alcohol based special fuels, which had a considerable cooling effect when evaporating, making higher compression rates possible without corresponding high combustion temperatures.
Last but not least, the 33 Stradale…
Also on show at Villa Sucota will be the new 33 Stradale, a “custom-built” car approved for road use that ensures outstanding performance on the track.
It was unveiled in 2023 and produced in only 33 models (all of which have already been sold), the car represents the return of the legendary 33 Stradale, an icon of the 1960s, reputed by many to be one of the most beautiful cars of all time, and derived directly from the Tipo 33 – once a big name in world motorsport.
We can only suggest you to take a look at the photos, and spend some delightful ”Alfa” moments…
April 26 was already for weeks firmly put in the agenda for all the (Belgian) fans of British cars. After all, that’s when parts specialist Anglo Parts organized its annual “British Car Day”, where the classic car clubs and restoration specialists could put their best foot forward to recruit members or appeal to customers.
From left to right on our RHVCB stand: your servant, Ingrid De Jonge and Club president Michel Van Eesbeek
As faithful readers already have read in our post about our visit to parts specialist Anglo Parts, (see the post “Lifeblood for your British Classic Car”) your servant has become board member of the Royal Historical Vehicle Club Belgium, and I was present at the event which a stand of our club.
This time the weather gods were better than in the previous edition, and this attracted twice as many spectators.
At the event itself there were a lot of enthusiastic enthusiasts who came up with very special cars. For example, we came face to face with a very rare Marendaz Special, a car designed by DMK (Donald Marcus Kelway) Marendaz and built between 1926 and 1932 in Brixton Road in London, and then until 1936 in Maidenhead in Berkshire. Of this beautiful sports car, whose radiator resembles that of the Bentleys of the time, only 20 to 50 copies were built by the eccentric Marendaz, who fought air battles in France during the First World War as a member of the Royal Flying Corps, in which he was wounded in 1918.
Your servant will make an extensive (photo) report of this very special car on our columns soon…
Most Marendaz Specials used Anzani engine(s)…
Also, a very enthusiastic more than 80 year old English enthusiast had arrived with a vintage… taxi. The man’s name is Dirk Harland, and he had left Hemel Hempstead the day before in his 1955 Beardmore London Taxi Mk7, with his grandson in the back.
He crossed the channel from Dover to Calais, and unfortunately got into a massive one and a half hour traffic jam on the Antwerp ring road. But don’t worry, he showed up flawlessly the next morning at the British Car Day with his Beardmore…
Furthermore, there was of course a legion of MGs to admire, Triumphs, Minis in all kinds of tune , Jaguars, in short, something for everyone…
Relatively rare: an MGA Twin Cam
The event was also characterized by the enormous venue of enthusiasts, who all had taken out their British Classic and had it parked on the road and areas around the premises of the organizer Anglo Parts. Just have a look at the photos…
Autoprova - for the Connaisseur 